Edgar Bronfman was bullish about digital sales, although Silicon Valley Insider points out that 30% of digital income comes from mobile phone ringtones - a market which, at best, has peaked; at worst, is on the edge of vanishing altogether.
The gloss on the Madonna album is interesting:
Pushing Madonna's last WMG album with digital deals with Vodafone, Samsung, etc. "Tens of millions" of ad dollars spent by partners to promote album. $13.99 premium CD outsold $11.99 version 8 to 1.
Arguably, persuading other people to fund much of the Madonna marketing campaign is a hollow victory - doesn't her profile deliver much more ad-spend equivalent anyway? - but the much, much higher sales of the more expensive album is fascinating. If nothing, proving again, there are customers who will pay for music, and pay a premium for what isn't even very much of a premium product. Of course, it's not clear how much of the USD2 extra sales price is pure profit, and how much was spent creating the extra material for the record - it might be a bit of a Blue Monday style own-goal if you manage to sell eight times as many copies of an album you're making less money on.
And the question is: How many Madonnas does Warners have? It doesn't even have a Madonna after this record, does it?
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