Half Man Half Biscuit: Ride away
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This may be the best thing You And Yours has ever broadcast: A Half Man Half Biscuit cycle trip
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Attrell Cordes, better known as PM Dawn's Prince Be, has died.
A Facebook post from Doc G confirmed the news earlier today:
Prince Be has unwell for some time - Doc G spoke to The Stranger in 2011 as he took on the PM Dawn mantle, and wasn't ruling out a return to stage:
I don't know if he'll ever be able to join me again. Prince Be is doing his best to try and get back his health. I think the death of Nate Dogg woke him up. He was slacking a bit. I don't know if Nate had diabetes, but, you know, the strokes... Prince Be can still sing a bit, but he has paralysis in his right hand and it's a little tough. I wish I had the funds for a portable dialysis machine. We'd go on the road. I have this whole vision to get him back out there. I actually had an idea of putting him in a wheelchair and dressing him up like a Utopian Professor X.Prince Be was American, but PM Dawn wouldn't have been PM Dawn without Britain.
That spiritual orientation of the late '60s, stressing peace, love and equality, permeates Prince Be's views. He said he even moved to London recently because he finds the atmosphere there less stressful than on the East Coast.You'll see Prince Be described as an optimist in many places over the web; there can surely be no better proof of his optimism than a man who moved to John Major's England because it felt like a Shangri-La.
"You can hear the difference in the songs that were written over there," he said in another interview recently. "New York is really stressed out so the songs I write (there) are really morbid. London, though, is (as) if you took New York's fire and poured water on it, so you still have the embers."
But Prince Be also found Britain to be more comfortable on a social level:
"They're not so race conscious over there. They understand me better. It's a shame but it's hard being black and spiritual in this country."
It's been a while since we heard about Guy Hands, the man who borrowed large sums of cash to buy EMI and then discovered he wasn't very good at running a record label.
He's been in court this week, trying to blame his failures at EMI on CitiGroup, in a legal case which was basically Hands' Terra Firma going "waah waah, why didn't they tell us".
The fraud case was supposed to last into July - rather like Euro 2016 - but ended somewhat abruptly with a humiliating defeat - rather like England's Euro 2016.
Hands climbed down:
“Terra Firma confirms it unreservedly withdraws its allegations of fraud,” David Wolfson – standing in for lead QC Anthony Grabiner – told the hastily convened court. Terra Firma will also pay the costs of the US bank, likely to run into millions of pounds.Much as EMI had relied on releasing poorly-conceived best of 'special edition' collections, Hands was trying to sell a bunch of remixes of old material, but the court wasn't really buying.
Hands, who had been claiming at least £1.5bn from Citi, had been questioned by the bank’s lawyer for the previous two days, and his evidence had been expected to last into next week. He had faced repeated questions about his recollection of events in 2007 when Terra Firma took over EMI just before the credit crunch and had been accused of having a “hazy memory”.
At one stage during his questioning of Hands, Mark Howard QC, representing Citi, said: “The problem is, Mr Hands, your story is shifting and it is impossible to reconcile these different versions.”
Hands, who was not in court, said the latest claim had been brought in good faith. “However, it has become evident that our documentation of the fast-moving and complex events, and memories of these events after nine years, are no longer sufficient to meet the high demands of proof required for a fraud claim in court,” he said.It's funny, isn't it, that he hadn't noticed he couldn't remember all that "fast-moving" stuff until he'd been taken to pieces on the stand.
“The matter is now closed,” said Hands, saying that the Terra Firma business he founded in 2003 was looking to the future. “We have an exciting portfolio of companies, a talented and experienced team, supportive and loyal investors and €1bn of capital to invest,” he said.
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Fighting for scraps on the edge of fame:
Real Housewives Of Cheshire star Dawn Ward found guilty of assaulting pop star SinittaJustice has been done, though:
Dawn, a cast member of the ITVBe series, stood quietly in the dock as District Judge Elizabeth Roscoe told her that she would be bound over in the sum of £500 for three months and ordered her to keep the peace and be of good behaviour. No costs were awarded.ITV Be, the cruellest injoke of a channel name (you wonder if they brainstormed other dismissive titles, like ITV Who? and ITV Second String). Still, the thought of having a £500 fine hanging over her will focus the mind; that's going to knock out the earnings from about six series of the programme.
Last week, these releases intrigued us:

Tegan And Sara - Love You To Death
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Ladyhawke - Wild Things
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The Kills - Ash And Ice
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Amber Arcades - Fading Lines
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Dexys - Let The Record Show: Dexys Do Irish and Country Soul
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Cats Eyes - Treasure Houses
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It's not often you find yourself agreeing wholeheartedly with The Who, but their reaction to the plans for a sequel to Quadrophenia are pretty much spot-on:
Pete Townshend and Roger Daltrey have denied involvement, calling the project "a blatant attempt to cash in".The filmmakers, though, think they've got this covered:
In a strongly-worded statement, they said: "For the avoidance of doubt, this project isn't endorsed by The Who, Who Films, Universal or any of the other rights owners of the original."
Bill Curbishley, the band's manager who produced the original film, added: "Quadrophenia is a significant and influential film based on The Who's music, not some Carry On franchise.
"Any follow-up could only be made by the authors of the original and would need to be worthy of the name. This karaoke sequel announced recently would be totally ridiculous."
the follow-up would be set in the present day and based around events in the book To Be Someone, by Peter Meadows, which was inspired by the original movie.Yes. That's exactly how that works.
His book picks up where the narrative of The Who's album (rather than the film) ends, following the hero, Jimmy, through the punk era as he becomes a drug dealing gangster.
Director Ray Burdis - who previously produced The Krays, starring Gary and Martin Kemp - claimed Townshend had given Meadows' book the seal of approval, suggesting this counted as an endorsement for his film.
Digital Music News report on the proportion of users who Spotify rely on:
90% of Spotify’s Revenue Comes from 30% Of Its UsersThis, surely, isn't that surprising though - if you're operating a freemium model, it's probable that most of your revenue will flow from the premium end rather than the free end:
89.9% of Spotify’s revenues come from just 31.4% of its users, according to more financial data now surfacing. The 2015 filing, registered with EU regulators last week, showed that paying subscribers generated a hefty $1.96 billion in revenues. By stark comparison, free, ad-supported users generated a relatively paltry $222 million.It is a problem for Spotify, though, who are currently burning money like you wouldn't believe.
That effectively translates into a cash inferno, with everyone seemingly benefiting… except for artists, a group witnessing deteriorating per-stream revenues over the past few years. According to the same filing, rank-and-file employees are enjoying sharply-rising salaries, with average compensation now surpassing $168,000 per year. At the upper end, top executives and board members are pulling down north of $1.3 million a piece, with stock options potentially minting billionaires after a successful IPO.Not, of course, that Spotify's business plan is to get close enough to profit in order to cash in its chips. Of course.
The most-read May stories:
1. Eurovision: Liveblog
2. Russia don't like the Eurovision result
3. Eurovision: Tumblr speaks
4. Azeailia Banks isn't that nice
5. Why did Yacht think anyone would be interested in a sex tape?
6. NME misunderstands Eurovision half time
7. Banks tries a half apology
8. Beyonce has upset the police
9. Robbie Williams gets a dubious gig
10. Cilla Black was Dionne Warwick's Moriarty
Last week and interesting:

Kate Jackson - British Road Movies
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Marissa Nadler - Strangers
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Melanie De Biasio - Blackened Cities

Christy Moore - Lily
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There's cutting a deal, and there's cutting a deal:
#NowReading some unbelievable stuff about The Brixton Academy. pic.twitter.com/pmwE6dpZaU
— Karen McDermott (@Karen_S_McD) June 3, 2016
Poor Carl McCoid. He used to like Miley Cyrus. He used to like her a lot.
So much so, he got 29 Miley Cyrus tattoos, all over his body.
The problem? Oh, Carl:
He said: "People can't seem to see past the tattoos and it was having a very negative effect on my life where I felt trapped by them. I've just gone off her."Carl is trapped in a cell of his own making. A skin cell, if you will.
Miley said in an interview last year that Carl's tattoos were "ugly" and "creepy", but Carl, a dad-of-three, insists her comments are not the main reason he wants to get them removed.Carl appears to believe that Miley is too raunchy. And:
Carl, who runs his own ironing business from home, realised his obsession had gone too far when he stood in front of the mirror and was shocked by the sight of his Miley-covered torso.Potential girlfriends don't like them. Miley Cyrus doesn't like them. He doesn't like them.
He has spent £2,700 on the tattoos, which he says seem to be the only talking point when he goes on dates. He said: "The conversation just seems to be centred around them and it just gets boring. I feel like I can't move on."He's having some of the tatts removed, and others will be covered over with other designs. Presumably meaning on future dates the conversation will be centred on why he has a tattoo of Miley Cyrus wearing a Groucho Marx face mask.
The troubled BPop live event - the gig encouraging people to vote leave in this month's referendum - has struggled with a line up after 5ive and Alesha Dixon discovered what they'd been signed up for and, well, voted to leave the bill.
But people are rushing in to fill the gap. They've got an Elvis Impersonator and, erm, whatever cadaver the bits of flesh that used to be Bucks Fizz are stitched into these days:
bpop live has Bucks Fizz and an Elvis impersonator as its new line-up: will it be third time lucky? pic.twitter.com/xaz7OJz5Td
— Asa Bennett (@asabenn) June 1, 2016
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Krist Novoselic - very much the other one out of Nirvana - has decided he's going to through his weight behind the Libertarian candidate Gary Johnson. The Libertarian party, of course, is very much the Kirst Novoselic of US parties.
Novoselic has also defended Citizens United, says Politico:
Novoselic then tweeted a link to a blog post written last Thursday in which he laid out his thoughts on the landmark 2010 Citizens United case and the history of campaign finance law in general.It's not, but you can see why extremely rich people like to believe that.
"The best one can do to serve democracy is to understand and study issues," he wrote in the nearly 3,700-word treatise. "Don’t believe the hype about Citizens United. It was a good ruling that protected the right of people to hear information without the government picking and choosing who could speak."
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I suppose if you're Robbie Williams, you'd be lucky to get a gig anywhere these days, but what a surprise to discover him headlining a gig in Tblisi. Not any old gig, either - one paid for the government.
Maroon Five and Jose Carreras are also taking part in the - let's call them "celebrations", shall we?
And that's not all:
In addition to the Government-organised activities, Check in Georgia will also include events and activities hosted by private companies. Furthermore, agricultural and product displays including wine and cheese festivals will offer the best of local production to visitors.It's a wonder they could keep Alex James away from it all.
The International Day against Homophobia and Transphobia (IDAHOT) proceeded peacefully in Tbilisi in a discreet location on 17 MayWell, that's lovely. Although... why was it discreet?
The authorities had refused to guarantee the event’s safety unless it was held at a specific location without any prior public announcement.Perhaps not entirely in keeping with the spirit of the day.
On 15 March, approximately 50 supporters of the Georgian Dream ruling coalition forcibly entered the local offices of [opposition party] UNM and an affiliated group in Zugdidi, armed with wooden sticks, throwing stones and smashing windows. Nine people were reported injured, including one of the police officers who tried to intervene but were outnumbered by the attackers.But Maroon 5 and Robbie Williams, almost certainly, wouldn't find themselves on the hard end of this dodgy justice.
Concerns over freedom of expression were voiced by local NGOs and political commentators who believed that a lawsuit by a former shareholder of Rustavi 2 against its current owners was prompted by the government to deprive the opposition of its main mouthpiece. On 21 October, the director of Rustavi 2 reported having been blackmailed, claiming that the security services threatened to release intimate footage of him unless he resigned. The Tbilisi City Court found in favour of the former shareholder, and Rustavi 2 managers were forcibly replaced with pro-government caretakers on 5 November, against the Constitutional Court ruling that an appeal had to be heard first.
On 17 September, the Constitutional Court ruled to release Gigi Ugulava, an opposition activist and former Mayor of the capital, Tbilisi. It deemed his pre-trial detention since 2013 – on charges of misappropriation of public funds and money laundering – illegal as it exceeded the nine-month legal limit. The Court’s judges came under heavy criticism from senior government officials for this decision and were threatened with violence by some pro-government groups. On 18 September, Gigi Ugulava was sentenced to four-and-a-half years’ imprisonment on account of these charges, and rearrested the same day.
The British singer shared his thoughts about his Tbilisi performance to his social media followers on Twitter on Thursday:Under this, they reproduce this tweet to illustrate Williams' sharing:
#dressingroom #sunglasses #dinamoareana #stripes #tattoos #Georgia pic.twitter.com/FWh7935Ksi
— Robbie Williams (@robbiewilliams) May 26, 2016
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When did we start having people pop up to sing the national anthem at sporting events? It seems that's a thing now; and yesterday at Wembley they got someone off the X Factor - Karen Harding - to do the honours.
Trouble is, she missed her cue and had to skip a bit of the first verse.
The Independent might be overselling what happened a little:
We've been on holiday and not updating these on Sunday mornings for a short while - this was the most recent collection of then-new releases:

Guided By Voices - Please Be Honest
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Wire - Nocturnal Koreans
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Sandy Denny - I've Always Kept A Unicorn
Download A Unicorn

Rufus Wainwright - Take All My Loves
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We Are Scientists - Helter Seltzer
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The victory for Ukraine at Eurovision on Saturday night hasn't gone down well everywhere. And by "everywhere", I mean "at the Kremlin".
Russia really isn't happy:
“This is partly a consequence of the propaganda war of information that is being waged against Russia,” claimed Russian MP Elena Drapeko. “There is a general demonisation of Russia – that we are all evil, that our athletes are doping, that our planes violate airspace.”Nobody in the west believes that, Elena. Well, not the "evil" bit. Well, not that all Russians are evil.
Konstantin Kosachev, the top foreign policy official of Russia’s upper house of parliament, said the vote had not been about the quality of the performances: “Music lost, because victory clearly did not go to the best song, and the contest lost because political attitudes prevailed over fair competition.”The trouble with this is that if Ukraine hadn't won, Australia would have won anyway, and Russia would still just have come in second. I think Elena Drapeko might want to add "the west thinks we're really whiny bad losers, too."
RIP Eurovision, 1956-2016"Independent" in this sense is "in a piece he wrote for RT, the Putin-sponsored Russian news channel.
Neil Clark is a journalist, writer, broadcaster and blogger[...] He is a regular pundit on RT and has also appeared on BBC TV and radio, Sky News, Press TV and the Voice of Russia.Iran's Press TV. Putin's Russia Today. Murdoch's Sky News.
His award winning blog can be found at www.neilclark66.blogspot.comAnd it certainly can - and let's not suggest there's anything a little desperate about trumpeting "award winning" when that award was the UK category in the 2007 weblog awards. It shows that Neil is not a stranger to the world of public acclamation, thereby making him the perfect expert here.
Mark the date. Saturday May 14, 2016, the day the music died and a song contest whose well-intentioned original aim of national harmony has become the latest front in the Western elite’s obsessional and relentless new Cold War against Russia.Letts have confirmed that next year's diaries will include those words printed next to May 14th.
A blatantly political song by Ukraine - which should not have been allowed in the contest in the first place as it clearly broke the European Broadcasting Union’s ‘No Politics’ rules - was declared the ‘winner’ of the Eurovision Song Contest, even though the country which got the most votes from the general public was Russia.Winner in quotes, there, because it wasn't the real winner simply because the rules stated that the general public and jury votes were equally weighted in deciding the winner.
What helped Ukraine ‘win’ were the ‘national juries’ panels of so-called ‘music industry professionals’ who were given 50 percent of the votes and who only put Russia in joint fifth place, with 81 fewer points than Ukraine.The juries were made up of such puppets, you'll note, they don't just have to be put into quotes, but also require the stress that these are so-called music industry professionals.
What we saw last night, as some on Twitter have commented, was a replay of the 2000 US Presidential election between Al Gore and George W. Bush, when Gore got the most votes, but the neocon-backed Bush made it to the White House. The Establishment may give us plebs a say, but it has mechanisms to make sure that it gets the result it most desires.Neil's whole piece seems to be based on the idea that Eurovision had a desperate desire to haul the show out to Kiev for next year. If the "establishment" had really wanted to rig things, it would have engineered an Australia win which would have allowed the site of next year's contest to be picked to give a less inconvenient and expensive show.
The prospect of a Russian Eurovision win and next year’s contest being held in Moscow certainly seems to have caused great panic in Western Establishment circles.Sweetie, we've established that David Cameron needs someone to whisper Rita Ora song titles in his ear; the thought that he's sitting in a COBRA meeting panicking about the bookies' favourite for Eurovision is a bit of a stretch.
We’ve already got the next football World Cup scheduled to be held in Russia in 2018- an event which has come under attack from Russophobes who are calling for boycotts or for the tournament to be transferred; having Eurovision in Russia as well would clearly be too much for them.These angry Russophobes, you'll recall, ensured that Russia didn't get to host the 2009 contest. Except, of course, they didn't, and the official Eurovision write-up of Moscow's last contest is suitably breathless:
They organised one of the biggest contest in the history as for example, a total of 1/3 of the world’s LED screens were at the arena during the event!For Neil, though, this isn't about Eurovision. It's about Syria. Yes, Syria:
For daring to resist Western regime change plans in Syria and elsewhere, Russia should be sanctioned and isolated and not be hosting international events watched by millions of people around the world!An unnamed "Eurovision source" told the Daily Mirror that the EBU was worried about a Russia victory, and that's good enough for Neil:
We heard earlier that the European Broadcasting Union was very worried about Russia winning Eurovision 2016 and by jove, they did everything they could to prevent that from happening. It wasn’t just the voting system – with ‘national juries’ used to skew public opinion...Except the changes to the voting system were announced long before it became clear that Russia had a half-decent entry.
it was also the running order, in which Jamala, the Ukrainian contestant, was given a prime Number 21 slot to sing ‘1944’.Russia, then, had their chances ruined by performing at 18th, finishing a full seven minutes before Ukraine began.
In modern Eurovision contests, in which there are so many countries taking part, singing towards the end of the show is usually a major advantage.
Would Jamala have done as well if she’d been asked to go on fifth? I very much doubt it.
In the end, the EBU got the result they wanted. But in doing so they have destroyed the contest. Eurovision has for long been plagued by bloc voting - in which countries vote for their neighbours - but what we saw last night was something different altogether. The contest has never been so blatantly political and the agenda so obvious.So, Neil appears to be relatively sanguine about the idea that countries may vote strongly for their friends next door, but outraged if there's a friendly leg-up given to a country with which no borders are shared.
Genuine Eurovision fans, who believe the contest should simply be about voting for the best song regardless of what one thinks of that country politically, are appalled at what happened.Are they, though, Neil? Are they? Genuine Eurovision fans spend the contest comparing contestants to morphed members of the XX. When Russia were doing their thing, our Eurovision party was too busy giggling that he appeared to be singing while pooping in a giant ice toilet to have been assembling a critique of Russian policy on EU expansion.
Take the voting of the UK ‘national jury’. Britain’s ‘music industry professionals’ gave 10 points to Ukraine, but none to a Russian song which the general public liked best. Bias? Perish the thought, old chap ! I’m sure Foreign Secretary Philip Hammond heartily approved of the panel’s conclusions.If the UK was really trying to rig things, why would they have given their 12 to, erm, Georgia?
As I’ve noted on OpEdge before, the British public doesn’t share the elite’s anti-Russian prejudices and this was reflected in the results of the public vote - in which Russia came fourth - ahead of Ukraine.Yes. There's no reason why a popular vote would reflect that of an expert panel. That's why they use a mixture of the two, Neil.
The disconnect between national juries and the general public was seen in many other countries too.Yes. That's not unusual, Neil. Have you ever watched... well, have you ever watched television? Have you ever, for example, seen the way the judges on Strictly award sets of results that aren't matched by the results of the telephone voting? It's not because Len is part of a massive conspiracy against minor EastEnders cast members; it's because professional judges are watching out for different things compared with people on the sofa.
The Serbian national jury gave 12 points to Ukraine, but the Serbian people voted for Russia. Israel’s national jury gave no points to Russia but 12 to Ukraine, the Israeli public by contrast put Russia second. It’s also worth pointing out that Ukraine public also put Russia first- showing that anti-Russian hostility is in the country is very much elite-driven.But, hey, you don't have to take his word for it. He's got an independent witness:
Those who thought Eurovision was about voting for the best song were left scratching their heads after last night’s conclusion.Sweetly, Neil appears to not only believe that there's a person called Paddy Power, but that Paddy Power himself sits composing tweets deep into the night.
Paddy Power – who in common with other bookmakers had Russia as the red-hot favorite, spoke for millions when he tweeted
How did this song win? Rubbish
The answer to Paddy’s question was provided succinctly by Dan Eccles ‘Politics init’.Yeah, up until that point everyone thought democracy was perfect, but then suddenly they went "hey, if a hybrid system of a jury panel and a popular phone vote where anyone can dial in as many votes for as many participants as they please, how can we still have faith in our Parish Council elections?" and went out to smash up the graves of all the Chartists.
While Russians will understandably feel cheated – in one way what happened last night was good as it shows to everyone the limits of democracy in the West.
People have to be seen to be given a voice – but to make sure the result is not one that elites don’t like ‘blocks’ have to be put in place.Oddly, Neil doesn't seem to be that bothered that for the vast bulk of Eurovision history, the people had no voice at all and it was all decided in smokey back rooms.
In the US, the peoples candidate Bernie Sanders is gaining on Hillary Clinton in the race to get the Democratic nomination, but even if he does catch Hillary the Hawk, the candidate of Wall Street and the military/industrial complex, there’s the unelected ‘Super Delegates’ - of whom Clinton is said to have the support of 524, compared to Sanders’ 40.Yeah - take that, Hillary. Except currently the number of votes cast for Hillary is 12,524,845 and for Bernie is 9,426,517, so she's ahead on the popular vote, too. Maybe the Dems let her go on and do her song second, though, Neil?
Last summer in Britain, the antiwar left-winger Jeremy Corbyn swept to victory in the election to be Labour leader, having been supported in large numbers by the party’s ordinary members and supporters. The party’s Blairite Establishment though were clearly rattled by this outbreak of genuine democracy and plans are afoot to change Labour’s leadership rules to give MPs - who are far to the right of the membership - more say in electing the leaderYeah, that nasty old Labour elite, who brought in the rules which allowed one member one vote in the first place.
What elites in ‘democratic’ US and Europe are terrified of is people being allowed to decide things without any undemocratic ‘blocks’ being in place.Neil, sweetie, this is a piece about the Eurovision song contest. The only people who care about who wins the Eurovision Song Contest by the following Monday are compilers of trivia questions, people who book guests for reality shows, and - it turns out - Putin.
If the plebs, after all the brainwashing and pro-Establishment propaganda, do happen to vote the ‘wrong way’ then they’re told they simply have to vote again - as the Irish were told when they refused to support the EU’s Lisbon Treaty in a referendum in 2008. And does anyone seriously doubt that if the British do decide to vote for Brexit on the 23rd, the EU won’t try to get the result reversed?Even Neil, it seems, has lost interest in the Eurovision by this point, and has instead gone into some sort of Rik From The Young Ones/Nigel Farage mash-up.
Perhaps David Cameron - if he watched Eurovision last night - will actually change the terms of a referendum so that an appointed ‘national jury’ of ‘experts’ will have a 50 percent say in the result.Ha ha ha. Do you see? WAKE UP SHEEPLE.
If Eurovision had been decided by the popular vote alone then Russia and not Ukraine would have been crowned winner last night. Thank god for the super delegates, oh sorry, ‘music industry professionals’, who made sure that a ‘nightmare’ result for the Russophobic Western establishment was avoided. It may ‘only’ be a song contest but the result was clearly of great importance to some people.Yes. Had the vote been decided in a way that it never has been during the 60 years of its history, the outcome would have been different. In much the same way that if the 'Premiership' was decided by a public vote instead of 'scores' on the 'pitch', Manchester United would be going to Europe next season.
You'll recall that last time we came across Azealia Banks, the Zac Goldsmith of pop had taken to Twitter to call Zayn Malik a "curry scented bitch".
Well, her PR team have found enough space between updating their LinkedIn profiles to get an apology of sorts out via Instagram.
Instagram might seem an odd choice, but it's one of the few social networks Banks is welcome on at the moment.
How has it taken so long for this apology to appear? It turns out being racist and homophobic is something you have to spend some time thinking about:
Now that the immediacy of the infamous incident has worn off, I've had some time to decompress & take a more rational assessment of things.You just know you're being set up for a bullshit empty apology-shaped hole when the person won't even mention what they're supposedly sorry for.
I want to extend my sincerest apologies to the worldNot specifically to Zayn, the man she insulted, you'll note, but - hey - he's part of the world, right?
Employing racial/sexual slurs/stereotypes in attempts to make fun of or degrade another person or group is not fair or fun for anyoneTo be honest, Azealia, you did look like you were having a lot of fun doing it while it was happening.
Allowing my anger to get the best of me, I’ve managed to insult millions of people without reason. And for that I give my deepest apologies.Ah, so it wasn't Azealia's fault, really; it was just that she got angry she turned into a racist homophobic shit. She's kind of a Hulk/Trump hybrid, it turns out.
She said she was repeating a joke from her native New York – where nearly half of cab drivers were born in Bangladesh, India or Pakistan – that taxis smelled like curry.So, during this heartfelt apology to the world in general, the only entity which got a direct sorry was a foodstuff. Maybe she meant it was heartburn apology.
“I feel compelled to clear the air with curry itself because that’s a bridge I don’t want to burn. I still want to be able to enjoy it freely without guilt or judgment,” she wrote.
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It's that time of the year again, with an additional element for the liveblog in 2016: I'm jetlagged to hell. We've already had the first broken glass of the evening.
But, if I stay awake and manage not to cut myself to ribbons, we'll be back in about half an hour to try and make sense of whatever's happening in Stockholm.
7.50pm
If tonight's show doesn't start with a ten minute interpretative dance in memory of Terry Wogan, I'll be vexed. ("And there's the dancers representing the Eastern bloc, dancing together while the UK dancer dances alone, at the edge, unwatched and unloved."
8.00
"Scenes of repetitive flashing lights" - the least of the threats, surely?
The sound seems a bit scrappy already.
Hand-folded flags. Never let it be said the Swiss don't make an effort.
8.02
They're coming out on stage like a mix between the finals of Next Top Model and the Olympics opening ceremony.
What are these people wearing? It's like sex meringues.
The guys at Fuze who have brought this to the US must be sitting at home now wondering if they'll have jobs in the morning. "Nobody warned us that they'd be shopping for costumes at Lady GaGa's outlet mall, boss."
8.05
It's time to meet the hosts. Måns Zelmerlöw and Petra Mede. The former last year's winner, the latter "a comedian and dancer". Not entirely sure needing a second string to your bow is the mark of a great comedian. Especially if that string is dancing.
8.10
China AND the US are watching. That's a warning, rather than a statement of pride.
Mans is wearing a wine-waiter's uniform - come from his main job, then. Petra is wearing a glittery curtain. She expresses the hope that this is an event which will bring everyone together. I expect Leave.EU is already sending an angry letter claiming BBC bias.
UK viewers cannot vote by text, for some reason. Presumably because the new voting system is complex enough without also needing 26 short codes as well.
8.11
Mercifully little pre-show business before we get to act one.
Belguim
Laura Tesoro
What's The Pressure
Ooh, the onscreen graphics are brilliant this year.
Laura appears to be doing Another One Bites The Dust.
In fact, this seems to be an as-yet-undiscovered Robin Sparkles track. I hope the robot comes on.
I am always a sucker for space-age silver shorts, though.
There's a speaky bit in the middle, too.
For some reason I'm getting the urge to pop down to the mall.
8.16
Czech Republic
Gabriela Gunčíková
I Stand
The first time they've ever made it through to the Grand Final, apparently.
Ah, they've gone with a mid-80s Bond Theme.
Did she just sing "perky android standing there, you're the one who always cares."
Jesus, this songs already feels like it's been going for three hours.
I can't work out if she's wearing a bustle or I'm being incredibly mean to a woman with a large butt.
8.20
Netherlands
Douwe Bob
Slow Down
Railing against the modern world, says Graham Norton. Judging by the way he looks like just-post-Take-That Robbie Williams, the "modern world" is anything post 1995.
This is the sort of music you'd hear if they tried to make Loretta Lynn into a Disney Princess.
I thought it was mercifully short. But it was just a pause in the middle.
The pause in the middle was the best bit.
8.23
Azerbaijan
Samra
Miracle
Wasn't Samra one of the characters in The Lion King?
She's gone all-out with a nude-look bodysuit that makes it look like she's being attacked by golden snakes, but the song's so forgettable that I can't even remember what it was like and it's still currently playing.
Her backing dancers look like they've made their own costumes with gold spray paint and some old sports locker equipment. Bless.
"Mirror-mirror-miracle". Seriously?
8.28
Hungary
Freddie
Pioneer
Freddie looks like he could be cast as a bad boy in Neighbours.
Oh, there's a massive drum on stage. Chekhov warns us that it's going to be hit before the song is out.
There's also whistling.
Not entirely clear if the high notes are meant to be there, or if Freddie is wearing tight undies.
He sings of the hopes of a million people. A million people are hoping he'll just go away.
He couldn't decide if he was going to tuck his shirt in or not, so it was half-and-half. Kind of a metaphor for the song.
8.32
Italy
Francesca Michielin
No Degree Of Separation
Francesca is 'the slightly alternative one from a US sitcom', but for some reason is doing her song live from Tracy Barlow's flower shop.
Jesus, the shop's flooded. Todd must have left the tap on. Or maybe Phelan broke in and switched all the taps on to frame Todd. That's what's happening.
This is one of those songs which no amount of firm hand-waving can disguise is a bit lightweight.
8.36
Israel
Hovi Star
Made Of Stars
Hovi is also a bit gothy. Not quite Fall Out Boy, more like Background Radiation Kid.
Nice glittery glove-things. Lovely lips. Ponderous, triumphalist emptiness for the song, though.
"We are made of stars. We are. We are. We are." It's like Mrs Doyle crossed with Moby.
8.40
Bulgaria
Poli Genova
If Love Was A Crime
Oh no, she's got something on her teeth. Are there no mirrors backstage?
Outfit is very much second-string Batman villain.
"If love was a crime" this would be community service at best.
This is the best song so far, which shows how thin the field has been so far.
8.43
Sweden
Frans
If I Were Sorry
Graham Norton's just done a sweet thing about Terry Wogan. There was even a catch in his voice.
George Ezra lite. #sorrynotsorry.
A salutary reminder that there are still branches of C&A trading on mainland Europe.
Frans has just used the phrase "the devil in disguise", which is the complete opposite of his outfit, which is more "junior manager on dress-down Friday".
The audience have clapped along, though.
8.50
Germany
Jamie-Lee
Ghost
Tim Burton's The Late Show. Clearly, they're hoping that the elaborate hat will stop people noticing the kinderwhore dress. I swear that hat can pick up shortwave radio.
It feels like something Chvrches might have come up with in a rehearsal room, and probably left there.
8.52
France
Amir
J'ai cherché
We've had a Neighbours bad boy already; Amir is more a Corrie type - the sort of person who'd menace Roys Rolls for two episodes.
I hope he's not going to do the whole thing in a squatting position.
Although for some reason 'a squatting position' suggests how the song might have been written.
I'm sure this has been used to sell mobile phones already, and often.
I think he said he's been looking for us "like a manatee on my soul".
8.56
Poland
Michał Szpak
Color Of Your Life
Ah, it's a Nickelback tribute act. Albeit dressed as a Janet Jackson backing singer.
Sadly, Michal, there's no prize for largest epaulettes in Eurovision.
How's the song? So dull, I'm going to mention instead that the cut of his coat would mean he could poop without taking it off.
"What colour is your life?" he asks, presumably because it intends to drain it.
9.00
Only two and a half hours to go, everybody.
They're doing a 'while the others are watching ads' bit. Mans says it's like being at a football game, "but with more champagne." What football games is he going to where there's any champagne?
9.02
Australia
Dami Im
Sound Of Silence
Australians appeared last year as a one-off, but now aren't leaving. I think we've all had Australian house guests like that.
Let's hope 'sound of silence' is a promise, not a title.
Her dress is a reminder that I need to buy a new large roll of bubble wrap.
Dami says her heart beats with the sound of silence. So, it doesn't beat, then.
She's now being menaced by floating ghostly faces. I'm assuming they're missing kids she's cut off milk cartons.
"Seriously impressive lungs" says Graham. If only it was an offal contest, though.
9.07
Cyprus
Minus One
Alter Ego
Your dad still plays in a rock band with his mates from the post office, then.
Here's a tip: unless you're absolutely sure your track isn't derivative, don't include the line "I've heard it all before" in the lyrics of your Eurovision entry.
The band name isn't miles away from a fair estimate of what their final score will be.
The lad from Israel is what happens when you merge every member of The XX #eurovision pic.twitter.com/lpYnFZaVVp
— Eamo (@EamoV1) May 14, 2016
Tomorrow's Sunday Telegraph front page: Boris: How EU wants a superstate, as Hitler did pic.twitter.com/pZCCMKFgYP
— The Telegraph (@Telegraph) May 14, 2016
Blank captions on American TV (cos they don't have a vote). #Eurovision pic.twitter.com/ojXg8cDbjM
— Gary Rodger (@garyrodger) May 14, 2016
Ever wondered how the acts @Eurovision leave the stage in the dark? Just follow the signs! #Eurovision #ComeTogether pic.twitter.com/Yr4ntt8uf1
— EBU (@EBU_HQ) May 14, 2016
Justin's a lovely fellow.. But Eurovision, no? Euro being the operative syllables #Eurovision
— Alison Moyet (@AlisonMoyet) May 14, 2016
Top marks to Justin Timberlake. It takes guts to sing your new song after 26 of the best songs Europe can produce in a year. #Eurovision
— Simon Hickson (@simonmhickson) May 14, 2016
If we're voting for costume, it's all about Croatia⭐️⭐️⭐️ #Eurovision #Cro pic.twitter.com/eMYyxuIqUM
— Sarah McIntyre (@jabberworks) May 14, 2016
A data journalist's life... https://t.co/sEUoEmdOdc
— Paul Bradshaw (@paulbradshaw) May 14, 2016
The Dionne Warwick biopic sounds like it might be, erm, singular:
[It was] announced at a Cannes Film Festival press conference this morning; with Warwick herself confirming the project. The soul icon also revealed to the crowd that [Cilla] Black – who died last August – “stole” her music, and was her “nemesis”.Yeah. Cilla Black as the evil genius in a movie. I suppose at least she has a name that sounds like a half-arsed scriptwriter would give to such a character.
Lady Gaga has been cast as Cilla BlackYes. Yes, it can.
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They don't do it while you wait; it's stictly an Only When You Leave business.
Possibly the best business pun ever. Gold. pic.twitter.com/33gfptPNCM
— DaveH (@freudianskippy) May 14, 2016
Surely the weakest link in Yacht's tiresome sex tape hoax was the fundamental problem that - for their story to have worked - you would have to have believed there was a market for a Yacht sex tape in the first place?
It's not simply that Azeailia Banks managed to cram quite so much racism and homophobia into her tweets to Zayn Malik; it's the way she discovered to double-down on them:
Throughout the day Banks has continued to argue with people on Twitter about her rant adding even more offensive content to her stream of tweets.It's to Rinse's credit that they've uninvited her from the Born & Bred festival:
The rapper even went live on Periscope where she continued her heavily racist rant against Malik, saying how he had been kicked out of One Direction for being a "brown b****".
After increasing calls upon the festival's organisers to remove Banks, who was due to headline the festival's second day, from the bill, they have now responded with a statement saying: "We have decided to cancel Azealia Banks' appearance at Rinse | Born & Bred Festival. Rinse | Born & Bred is a celebration of rave culture and has been created for EVERYONE. We celebrate inclusivity and equality."After the over-crammed suitcase of shit Banks has been pushing into the crowds this last day or so, a blank space has never been more welcome.
Her name has now been removed from the festival's website and replaced by a blank space.
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Oh, NME. Oh, NME. Your story on Eurovision is poor:
Justin Timberlake will become the first ever act who isn't a competitor to play the grand final of the Eurovision Song Contest in Stockholm on 14 May..
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So Beyonce played a gig in Houston last night, and protestors turned up.
Did the police take steps to ensure the protest remained peaceful?
Well, not really. It was the police who were protesting:
Members of the Coalition of Police and Sheriffs (Cops) stood a mile away from the NRG Stadium and shone a blue light towards the venue.This is "anti-police" in the sense of "how dare you criticise the behaviour of any police anywhere", of course. There's a lot of that about, and it doesn't really do anyone any good. If COPS (seriously? That's the name of your protest gang?) want to ensure that the police get the respect they deserve, they might want to think about shining their blue light in the other direction.
They were protesting about Beyonce's Formation video, which they claim is "anti-police".
Science doesn't just listen to old Queen records. Science tries to understand old Queen records.
Science has decided that Freddie Mercury was basically like those Tuvan throat singers:
Those guys are so flamboyant.
Science doesn't say that Fred ever quite matched them for subharmonics, but science says he came close:
Subharmonics help "in creating the impression of a sound production system driven to its limits, even while used with great finesse," write the Austrian, Czech, and Swedish researchers in the Logopedics Phoniatrics Vocology journal. "These traits, in combination with the fast and irregular vibrato, might have helped create Freddie Mercury's eccentric and flamboyant stage persona."I think the outfits might have helped a little.
The most popular Prince posts of all time:
1. That time Prince played KoKo in 2007
2. That time in 2010 when he said the internet was pretty much over
3. That time he released a record as a Mail covermount
4. That time he told Sinead O'Connor to not swear
5. That time he took on the apparently huge Prince handbag counterfeiting industry
6. That time Prince closed down his ahead-of-its-time online music service
7. That time the now-defunct News Of The World stopped hacking dead children's phones long enough to try and spoil to Mail On Sunday Prince giveaway
8. That time Prince reinvented himself as Willy Wonka
9. That time he won a Webby
10. That time the Mail found a Prince giveaway was almost as good a circulation boost as a Princess' funeral
These were last week's interesting releases:
Cate LeBon - Crab Day
Download Crab Day
Sam Beam & Jessca Hoop - Love Letter For Fire
Download Love Letter For Fire
PJ Harvey - The Hope Six Demolition Project
Download Hope Six
The Open University's OpenLearn Live service has pulled together a collection of some of the more thoughtful responses to the sudden death of Prince.
Also worth your time: New York Mag on how Prince helped editors when he changed his name to the symbol:
Prince did the only thing you could do in that situation: He had a custom-designed font distributed to news outlets on a floppy disk.You may have heard a lot of the tribute radio programmes that were broadcast on Friday night. But if you haven't caught Radio 4's The World Tonight, it's worth it for the interview with sound engineer Susan Rogers. You can listen to that here.
The Prince font substituted his symbol for what would otherwise be a capital P. In addition, the font was also made available for download on CompuServe. It was accompanied by a stern letter featuring both usage and installation instructions.
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