Britain's Got Talent contestant merely plays some records & smiles, claims band management

It looks like a contestant on Britain's Got Talent has a nice little act worked up: she plays Bond records, and then stands in front and mimes playing violin. Norman Lebrecht has a statement from Bond's people claiming that she's just standing there, pretending:

Electric violinist, Alexandra Parker, chose to perform one of BOND’s tracks, Gypsy Rhapsody (http://www.youtube.com/watch?v=-dKpKIG9hgY), from the quartet’s best-selling album, Shine. Instead of ‘covering’ the track in the acceptable way (in this context, by creating and playing live over a backing track), Britain’s Got Talent simply broadcast BOND’s original album track whilst the BGT entrant seemed to “play along” on the clip aired to the public on Saturday’s show.

Says BOND’s manager, Terri Robson, “copyright, moral and legal issues aside, it is a questionable practice to mislead the public in this way. It could be compared to a violinist performing along to Nigel Kennedy’s recording of the Four Seasons and claiming it as their own interpretation or a singer singing along to a Girls Aloud track.”

Alexandra Parker hasn't respond to the claims yet, but it seems inexplicable that such an act would be put out by ITV in the first place. It seems quite duplicitous to have a talent show - where people's good money is being used to vote - if one contestant isn't actually demonstrating a talent at all.

Or maybe it's all a terrible misunderstanding, and I'll bet Michael McIntyre has got a hilarious routine worked out where he'll mime someome miming someone else's music.

Kennedy mopes at Brits ban

Nigel Kennedy - effectively Jamie Oliver with a fiddle - is doing his best to bring some of the made-up turmoil of the rock Brits to the sister classical Brit awards.

He's got the hump because he's been dropped from the running order after inviting Bond (yes, they're still going, too) to play with him:

The Brighton-born violinist said he originally planned to perform Mozart or Beethoven but was told by organisers that his performance must last around the same length as a pop song.

When he suggested playing jazz instead, he said the idea was also rejected.

He eventually settled on a gypsy violin piece Czardas, by Vittorio Monti, but after two days of rehearsals with Bond, he was told they had not been approved as performers by the organisers.

Kennedy claims rival record companies on the Brits committee had made the decision because they were "threatened by me" which could "only be taken as a compliment".

"I was looking forward to this because it had become clear that this was going to be one of my best performances, not just musically but as a visual TV spectacle as well," he said.

Ah, yes, the visual television spectacle. A bloke with a thinning punky haircut and four women in low-cut evening gowns. Whatever has the world been denied?

We're intrigued by the idea that three minutes of Nigel Kennedy is, in some way, a threat to record labels - how, exactly, does that fear manifest itself? Are the classical labels worried that a spot of Nigel on his violin will render all other classical music obsolete? Or has a rumour started that Kennedy has the power to shoot lasers from his eyes?