The Mojo awards for 2009 or whenever have rolled around again, building the publicity on a lifetime achievement award for Yoko Ono:
Mojo chief editor Phil Alexander, who hosted the event, praised Ono, 76, as "a huge influence on modern music".
"She may have been married to one of the most famous men in the world, but she also helped change music as we know it in her own right," he added.
"First, by introducing avant-garde sensibilities to her husband but, just as significantly, by continuing to push the boundaries of what was deemed the norm way after that."
And she broke up The Beatles. Don't forget she broke up The Beatles.
Actually, she probably deserves an award for having had to put up with people blaming her for breaking up The Beatles for the last four decades. Especially since people make it sound like that would have been a bad thing to do.
Sorry, did I say "award"? I meant honour, of course. These are the Mojo Honours, which - according to the magazine - "salutes the timeless, the ineffable". Duffy did well last year. So unutterable as well, then.
This year's other winn... sorry,
honorees:
The Les Paul Trophy: Billy Gibbons
Classic songwriter: Johnny Marr
Best live band: Fleet Foxes
Some sort of medal in honour of his label having lasted fifty years, despite having put out Cranberries records: Chris Blackwell
Inspiration: Blur
Best album: Paul Weller - 22 Dreams
Song Of The Year: Elbow - A Day Like This
Hall Of Fame: Mott The Hoople
Breakthrough act: White Lies
Compilation Of The Year - Take Me To The River: A Southern Soul Story
Vision Award - Joy Division
Catalogue Award - Miles Davis (Kind Of Blue 50th Anniversary Edition)
Classic Album Award - The Zombies (Odessey And Oracle)
Maverick Award - Manic Street Preachers
Hero Award - The Pretty Things
Outstanding Contribution To Music - Joe Brown
Roots Awards - Topic Records
Icon Award - Phil Lynott
It's probably fair to say that this is the most eclectic set of award winners - and probably the most interesting Mojo prizewinners list, but it still doesn't really feel like anything beyond an attempt to remind the world that Mojo is still publishing.