Showing posts with label grandmaster melle mel. Show all posts
Showing posts with label grandmaster melle mel. Show all posts

Friday, July 12, 2013

Face '83: Grandmaster Melle Mel

This is the spiritual heir to Gudbuy T'Jane - a song which had a 180 degree turn done from its original direction. To be honest, a song about cocaine being a good thing would have been a tricky sell, even in 1983, so probably a wise move to make it an anti-drug anthem. Or, perhaps, a suggestion that if you're going to get involved with drugs, carrying kilos of the stuff in order to avoid jail.



Let's give the point to The Face, to make the final scores:

Recordings that have stood the test of time and thus vindicated The Face's ability to spot a good thing:
25
Recordings which history has undermined and should at least cause The Face to blush:
20

That's not a bad strike rate for the Face, really. In 1983, at least, they knew what they were doing.

Up to a point.

This concludes The Face's best recordings of 1983. Thank you for watching.


Sunday, February 13, 2011

Kia drives over The Message

The Kia campaign which features Melle Mel wanking for coins isn't, to be fair, the first time The Message has been trampled on for advertising purposes. This, for example:



But at least using the song to try and stop kids being killed is a noble aim. And The Furious Five were well out of it.

This, though...



Sure, using songs as advert fodder is a fact of life, like genital herpes, or rabid prairie dogs, or Guy Ritchie. But surely there must be some songs that the people involved with must feel a bit of pride in; must listen to and think 'we've done something fabulous and important here' and want to cherish.

Why would you take a call that ends up with you saying "... well, yes, it was meant to be a howl about disenfranchisement and how accidents of birth and race can leave you an outcast in your own country, but you say you want me to appear in the advert for a suburban smugmobile? I'm in."?

It's also a strange choice for Kia. Leave aside they're having a jolly singalong to a tune that contains a verse about being killing yourself after being repeatedly raped in prison, the first bloody verse contains a having your car repossessed.

In other words, the idiot in the Kia is singing a song daydreaming about being a bloke whose car has been taken away by the repo man. Doesn't suggest he likes the Kia overmuch, does it?


Wednesday, April 02, 2008

Rap songs: It's all about the drugs

The Mail is excited this morning to discover the Denise Herd's study from Addiction Research & Theory that suggests that the number of references to drugs has increased:

Dr Herd, reporting in the journal Addiction Research & Theory, found that, of the 38 most popular songs between 1979 and 1984, only four - or 11 per cent - contained drug references.

By the late 1980s, that number had increased to 19 per cent.

After 1993, 69 per cent of rap songs mentioned drug use. Mentions of cannabis and "blunts" - marijuana-stuffed cigars - doubled between 1979 and 1997.

Yes, the study only runs up until 1997, so effectively the Mail is running a story about how bad rap was eleven years ago.

Not that that stops the Mail from illustrating "bad" drugs raps with a chunk of lyrics from an Eminem track from 1999. Mind you, they also illustrate "good" (i.e. anti-) drug songs with a chunk of White Lines (Don't Do It), whose credentials as a crusading track are somewhat undermined by it having been written as a love song to coke with the meaning flipped to ensure radio play.

The use of "percentage of rap songs mentioning drugs" is also a bit of a weak measure - couldn't the story here be less about how now more songs talk about drugs, and more about a general shift of rap from being a form of political and social commentary to being a hymnal for the joys of capitalist consumption?

The report itself seems to suggest so:
Recent songs with drug references were three times more likely to have themes related to glamour and wealth than earlier titles, and seven times more likely to emphasise drug use as recreation or as an accompaniment to sex.

Is the increasing linking of drugs and money a sign of a more drug-positive culture in rap - or merely that, by the mid-90s, rappers had moved from the underclass to Business Class?