Showing posts with label adele. Show all posts
Showing posts with label adele. Show all posts

Thursday, December 24, 2015

Stephen Fry intersects with modern music

Newsbeat got Stephen Fry in to listen to some pop music and say what he thought.

He was, reliably, all high-court-judge-what-is-beatles about his task:

“I could lie, but I couldn't even say what it is. I don't know the names of anybody. I'm not interested,” he admitted. “There's someone called Adelia? Adalia?”

“Adele,” replied the interviewer. “Adele. I've heard of her,” he said.
They played him some Little Mix:
As the English popsters sang the ‘sha-la-la-la, woo-ooo chorus’, the 58 year old asked: “Oh, they're not still singing ‘sha-la-la-la’ are they? It's got bits of Phil Spector right at the background through '70s bubblegum pop into a sort of modern version and it's a hideous, toxic compound. It's basically the musical equivalent of Haribo Starmix.”
Actually, Stephen, that's not really an insult.


Sunday, November 16, 2014

Band Aid 30: Uncharitable

Adele didn't take part in Band Aid 30. Which is fair enough - nobody's obliged to take part in charitable endeavours, however well-intentioned they may be; and having to get to a certain place at a certain time to record a track that seems to be happening more because of an anniversary than from a desire to help doesn't sound like much of a deal.

That's what you'd expect a grown-up attitude to be, anyway.

Instead, it's got a bit like this:

To be fair, it's not Bob Geldof who's making a fuss - he was quite fair-minded:

When asked why Adele wasn't taking part, Bob told The Sunday Mirror: "I got through to someone, not her, but she’s not doing anything at all at the moment. It’s fine, I understand it’s not for everybody and other people support in different ways.”

He insisted: "I put the call in. I didn't speak to her. I spoke to Jonathan (her manager) and he says, 'I can't speak to her. I try but she won’t pick up the phone'."
That seems understandable then - she's not doing anything at the moment, even her manager cant interest her in projects, and Bob understands that some people don't care for this sort of charity showboating and will offer their support in other ways.

Oddly, though, the Mirror headline on this isn't 'Some people opt not to take part' but...
Adele SNUBS Band Aid 30 - Sir Bob Geldof insists he tried to pin the star down for track
She doesn't just snub it. She snubs it with caps lock on.

This is one of those rare occasions where the comments on a Mail Online story are actually more measured than the article they appear under - for while the Mail goes heavily for the suggestion that Adele "ignored" Bob, the commenters - almost to an avatar - shrug and say 'yeah, she's busy, and it's not that big a deal'. The winner is CelticShady:
I love that after posting the original message, an hour later Celtic had a further thought about how Emeil Sande shouldn't have gotten involved, neither.


Friday, March 15, 2013

Gordon in the morning: Gordon in the Mail

There's an interesting chance to see not one, but two, of our successful tabloids at work this morning, as Adele is linked to a sponsorship deal.

Gordon breaks the story - and I'm using "breaks" generously here, as it seems to be little more than a collection of things that, theoretically, could happen:

MOST bets on the only brand with a chance of signing up ADELE would have been on Diamond White cider.

But that could all change thanks to a £10million pay cheque.
If they've actually negotiated a price, then the deal must be done, right?
Cosmetics giants including Estée Lauder, L’Oréal and Dior are fighting it out to make the singer the face of their skincare ranges.
Or it could be Cover Girl. Or Number Seven. Or Superdrug.

The vagueness of the story is underpinned, solely, by an unnamed source:
A source said: “Adele is in big demand. She would only accept if the campaigns were to her taste and incorporate her music.

“The last thing she wants is a cheesy ad with a naff catchphrase.

“They would have to be in keeping with her personality.

“It’s going to take a lot of persuasion to get her to agree but, right now, it looks as if she’s close to signing a deal.”
The last sentence there swings violently between suggesting that coming to a deal would take a lot of work, implying it's a distance off, and then saying it's nearly a done deal. Like it was being made up on the spot.

And, given that L'Oreal solely make cheesy ads with naff catchphrases, either the "source"'s claim of the sort of ad she might do is wrong, or Gordon's list of adverts being considered is wrong. Or both of them are wrong.

Gordon reminds readers that Adele has, in the past, been fairly firm about not wanting to do such a deal:
Adele has previously slated fellow stars for taking up similar beauty deals — and said she was concerned endorsements could “taint” her image.
He is generous, though, at this change of heart:
You can’t blame Adele for considering the big money offers. Despite banking £25million from the incredible successes of her albums 19 and 21, an extra £10million in the coffers would be hard to turn down.
So, a fairly typical Sun filler story - vague enough that if nothing happens people will forget it, but if Adele ever does turn up in an advert a 'you read it here first' piece can be built on the back of it - "a source said 'Adele had considered L'Oreal, but chose instead to get naked for PETA...'"

But nobody with half a mind would read this and come away thinking that Adele is already mouthing "get the London look" into a mirror, and planning where to put the money.

Luckily, Lucy Buckland suffers from no such restriction, copying the story across to the Daily Mail website.

Except by the time it arrives in the Mail - with a cheerful admission that the only source is what Lucy read in The Sun - the story has become more of an attack, shorn totally of Smart's 'good luck to her, who'd turn down that sort of offer':
Adele 'tempted to sign $10 million cosmetic sponsorship deal and move to LA' - despite slating stars who 'sell-out'
Oh, yes, there's an addition to the story, which is that Adele is moving to LA. Apparently this is somehow bad, too - though, to be fair, the Mail has always been consistent in its hatred of the idea of migration:
According to sources renting a house in LA was relaxing and after making friends with Robbie Williams' wife, Ayda Field she is becoming more attune to shipping out of Britain for good.

Word together threw, half-assed punctuation attempting not work.
'Adele and her man Simon are looking at a pad in one of the exclusive gated communities of Beverly Hills,' a source told The Daily Mirror, 'because Robbie and Ayda have told Adele that she would be able to have enough land not to feel too trapped, and she could have the privacy she so desperately needs to enjoy life.'
Oh, yes, that bit the Mail lifted from the Mirror, so at least it's a story with two sources.

Naturally, the Mail is unhappy at the idea of a British institution becoming so enamoured of American audiences that she might consider putting their needs first.

Although, let's just look at that headline again:
Adele 'tempted to sign $10 million cosmetic sponsorship deal and move to LA' - despite slating stars who 'sell-out'
Oddly, the Sun's ten million quid has turned into ten million greenbacks - and elsewhere her earnings are rendered in American money. Almost as if that British institution has become so enamoured of American audiences that it's putting their needs first.

Still, the Mail does at least try to add some journalism to the mix:
Adele's spokesman refused to comment after being contacted by MailOnline.
Being contacted about which story? Both? What did MailOnline actually ask? When did the Mail contact them - after these stories appeared late in the day on rival paper's websites, and was the refusal to comment a 'we have no comment', or 'I'm not in a position to comment on this'?

So, from a vague piece in The Sun, the Mail has decided that Adele is on the verge of selling out. I often wonder who believes what they read in Bizarre. I think we've now got our answer.


Monday, February 11, 2013

Grammys 2013: The winners in full

So, the defining battle of our time has been fought, and won, and now it's official:



is better than



Or, at least, Somebody That I Used To Know has bested We Are Never Ever Getting Back Together for Record Of The Year at the Grammys.

For reasons that have never been convincingly explained, of course, the 'record of the year' isn't the same thing as 'song of the year' - and here, We Are Young (or 'We Are Writing The Song So We Can Live Off The Royalties For The Next Ten Years Whenever A Lazy Montage Sequence On The TV Features People Who Are Young', to give it its full name) bested Call Me Maybe.

Yes, you read that right. The Grammys jury went with the wispy beard over the obviously great song.

The best album went to Mumford And Sons for Babel. With every high-profile award, the whole point of the band seems harder and harder to discern. They're a bit like Ben And Jerrys now - you might like to read the homespun, earth-friendly packaging, but you can't ignore that it's being dumped into cartons by Unilever.

Adele managed to get an award in a quiet year - not for Skyfall, even the Grammys wouldn't push it that far - but for a live track from Live At The Albert Hall. That sounds a bit like chearing.

Forbs tracked the people who needed a box of some sort to carry their multiple prizes:

In 2013, Dan Auerbach and the Black Keys were the biggest winners, taking home four trophies. Skrillex claimed three, as did Gotye, Jay-Z and Kayne West.
Black Keys did at least bring Dr John on for their 'surprise! we're doing a collaboration' bit, which was a way of sneaking a true legend onto prime time CBS.

At the more hackneyed end of s!wdac was Ed Sheeran coming on with Elton John, which I think makes Sheeran the new Pete Doherty.

The Wall Street Journal's description of the closing number sounds like the sort of thing that would have been tolerable if you were a bit drunk:
The show closed with another performance that brought together unlikely, if aging, pioneers of different genres. A pair of rap icons who rose to prominence in the 1980s—Chuck D, of the group Public Enemy, and LL Cool J, also the show's host—was backed by a band that included hard rock musicians from the 1990s: Guitarist Tom Morello, of Rage Against the Machine, and drummer Travis Barker of Blink-182.

As is now traditional, Chris Brown marked the event by being an enormous asshole. Dawn reports:
R&B singer Chris Brown showed up smiling at the Grammy Awards show on Sunday, saying he was just a little banged up after crashing his car into a wall on the eve of the annual music industry awards.

“Little bit of bumps, I’m good though,” Brown, 23, dressed in a white Lanvin suit, told E! News on the red carpet.

Brown crashed his Porsche into a wall in Beverly Hills on Saturday and told police he was trying to elude aggressive paparazzi.

“I’ll get another one,” Brown, laughing, told E! News on Sunday. “Insurance is good.”
Of course he's not worried about smashing his car to pieces on the way to the awards. He did the same thing to Rihanna en route a couple of years back, and that didn't cause him any problems.

Best line in all the coverage goes to the New York Times, and Ben Ratliff:
Taylor Swift opened the CBS telecast performing “We Are Never Ever Getting Back Together” — with freaky clowns, stilt-walking experts, parasols, a large white rabbit, like a well-coordinated Burning Man happening or a late-period White Stripes photo shoot.

Without any further ado, here's the names and details of the winners:

1. RECORD OF THE YEAR
Somebody That I Used To Know
Gotye Featuring Kimbra
Wally De Backer, producer; Wally De Backer & Francois Tetaz, engineers/mixers; William Bowden, mastering engineer
Track from: Making Mirrors
Label: Universal Republic

2. ALBUM OF THE YEAR
Babel
Mumford & Sons
Markus Dravs, producer; Robin Baynton & Ruadhri Cushnan, engineers/mixers; Bob Ludwig, mastering engineer
Label: Glassnote

3. SONG OF THE YEAR
We Are Young
Jack Antonoff, Jeff Bhasker, Andrew Dost & Nate Ruess, songwriters (Fun.Featuring Janelle Monáe)
Track from: Some Nights
Label: Fueled By Ramen; Publishers: WB Music, FBR Music, Bearvon Music/Rough Art/Shira Lee Lawrence Rick Music/Way Above Music/Sony ATV Songs

4. BEST NEW ARTIST
Fun.

5. BEST POP SOLO PERFORMANCE
Set Fire To The Rain [Live]
Adele
Track from: Live At The Royal Albert Hall
Label: XL/Columbia
6. BEST POP DUO/GROUP PERFORMANCE
Somebody That I Used To Know
Gotye Featuring Kimbra
Track from: Making Mirrors
Label: Universal Republic

7. BEST POP INSTRUMENTAL ALBUM
Impressions
Chris Botti
Label: Columbia

8. BEST POP VOCAL ALBUM
Stronger
Kelly Clarkson
Label: RCA Records/19 Recordings LLC

9. BEST DANCE RECORDING
Bangarang
Skrillex Featuring Sirah
Skrillex, producer; Skrillex, mixer
Track from: Bangarang
Label: OWSLA/Big Beat/Atlantic

10. BEST DANCE/ELECTRONICA ALBUM
Bangarang
Skrillex
Label: OWSLA/Big Beat/Atlantic

11. BEST TRADITIONAL POP VOCAL ALBUM
Kisses On The Bottom
Paul McCartney
Label: Hear Music

12. BEST ROCK PERFORMANCE
Lonely Boy
The Black Keys
Track from: El Camino
Label: Nonesuch

13. BEST HARD ROCK/METAL PERFORMANCE
Love Bites (So Do I)
Halestorm
Track from: The Strange Case Of…
Label: Atlantic

14. BEST ROCK SONG
Lonely Boy
Dan Auerbach, Brian Burton & Patrick Carney, songwriters (The Black Keys)
Track from: El Camino
Label: Nonesuch; Publisher: McMoore McLesst Publishing

15. BEST ROCK ALBUM
El Camino
The Black Keys
Label: Nonesuch

16. BEST ALTERNATIVE MUSIC ALBUM
Making Mirrors
Gotye
Label: Universal Republic

17. BEST R&B PERFORMANCE
Climax
Usher
Track from: Looking 4 Myself
Label: RCA Records

18. BEST TRADITIONAL R&B PERFORMANCE
Love On Top
Beyoncé
Track from: 4
Label: Columbia Records

19. BEST R&B SONG
Adorn
Miguel Pimentel, songwriter (Miguel)
Label: RCA/Bystorm Entertainment; Publisher: Art Dealer Chic

20. BEST URBAN CONTEMPORARY ALBUM
Channel Orange
Frank Ocean
Label: Def Jam

21. BEST R&B ALBUM
Black Radio
Robert Glasper Experiment
Label: Blue Note

22. BEST RAP PERFORMANCE
N****s In Paris
Jay-Z & Kanye West
Track from: Watch The Throne
Label: Roc-A-Fella Records, LLC

23. BEST RAP/SUNG COLLABORATION
No Church In The Wild
Jay-Z & Kanye West Featuring Frank Ocean & The-Dream
Track from: Watch The Throne
Label: Roc-A-Fella Records, LLC

24. BEST RAP SONG
N****s In Paris
Shawn Carter, Mike Dean, Chauncey Hollis & Kanye West, songwriters (W.A. Donaldson, songwriter) (Jay-Z & Kanye West)
Track from: Watch The Throne
Label: Roc-A-Fella Records; Publishers: Hit-Boy Music/Very Good Beats, Hip Hop Since 1978, Dean’s List Productions, Unichappell Music

25. BEST RAP ALBUM
Take Care
Drake
Label: Cash Money Records

26. BEST COUNTRY SOLO PERFORMANCE
Blown Away
Carrie Underwood
Track from: Blown Away
Label: 19 Recordings Limited/Arista Nashville

27. BEST COUNTRY DUO/GROUP PERFORMANCE
Pontoon
Little Big Town
Label: Capitol Records Nashville

28. BEST COUNTRY SONG
Blown Away
Josh Kear & Chris Tompkins, songwriters (Carrie Underwood)
Track from: Blown Away
Label: 19 Recordings Limited/Arista Nashville; Publishers: Global Dog Music/Lunalight Music, Big Loud Songs/Angel River Songs

29. BEST COUNTRY ALBUM
Uncaged
Zac Brown Band
Label: Southern Ground/Atlantic

30. BEST NEW AGE ALBUM
Echoes Of Love
Omar Akram
Label: Real Music

31. BEST IMPROVISED JAZZ SOLO
Hot House
Gary Burton & Chick Corea, soloists
Track from: Hot House
Label: Concord Jazz

32. BEST JAZZ VOCAL ALBUM
Radio Music Society
Esperanza Spalding
Label: Heads Up International
33. BEST JAZZ INSTRUMENTAL ALBUM
Unity Band
Pat Metheny Unity Band
Label: Nonesuch

34. BEST LARGE JAZZ ENSEMBLE ALBUM
Dear Diz (Every Day I Think Of You)
Arturo Sandoval
Label: Concord Jazz

35. BEST LATIN JAZZ ALBUM
¡Ritmo!
The Clare Fischer Latin Jazz Big Band
Label: Clare Fischer Productions/Clavo Records

36. BEST GOSPEL/CONTEMPORARY CHRISTIAN MUSIC PERFORMANCE
10,000 Reasons (Bless The Lord)
Matt Redman
Track from: 10,000 Reasons
Label: sixstepsrecords/Sparrow Records

37. BEST GOSPEL SONG
Go Get It
Erica Campbell, Tina Campbell & Warryn Campbell, songwriters (Mary Mary)
Label: Columbia; Publishers: EMI April Music, It’s Tea Tyme, That’s Plum Song, Wet Ink Red Music

38. BEST CONTEMPORARY CHRISTIAN MUSIC SONG (TIE)
10,000 Reasons (Bless The Lord)
Jonas Myrin & Matt Redman, songwriters (Matt Redman)
Track from: 10,000 Reasons
Label: sixstepsrecords/Sparrow Records; Publishers: Thankyou Music/sixsteps Music/worshiptogether.com Songs/Said And Done Music/Shout! Publishing

Your Presence Is Heaven
Israel Houghton & Micah Massey, songwriters (Israel & New Breed)
Track from: Jesus At The Center Live
Label: Integrity Music; Publishers: Integrity’s Praise! Music/Sound of the New Breed, Regenerate Music

39. BEST GOSPEL ALBUM
Gravity
Lecrae
Label: Reach Records

40. BEST CONTEMPORARY CHRISTIAN MUSIC ALBUM
Eye On It
TobyMac
Label: ForeFront Records
Come To The Well
Casting Crowns
Label: Beach Street/Reunion Records

41. BEST LATIN POP ALBUM
MTV Unplugged Deluxe Edition
Juanes
Label: Universal Music Latino

42. BEST LATIN ROCK, URBAN OR ALTERNATIVE ALBUM
Imaginaries
Quetzal
Label: Smithsonian Folkways Recordings

43. BEST REGIONAL MEXICAN MUSIC ALBUM (INCLUDING TEJANO)
Pecados Y Milagros
Lila Downs
Label: Sony Music

44. BEST TROPICAL LATIN ALBUM
Retro
Marlow Rosado Y La Riqueña
Label: Pink Chaos Productions

45. BEST AMERICANA ALBUM
Slipstream
Bonnie Raitt
Label: Redwing Records

46. BEST BLUEGRASS ALBUM
Nobody Knows You
Steep Canyon Rangers

47. BEST BLUES ALBUM
Locked Down
Dr. John
Label: Nonesuch

48. BEST FOLK ALBUM
The Goat Rodeo Sessions
Yo-Yo Ma, Stuart Duncan, Edgar Meyer & Chris Thile
Label: Sony Classical

49. BEST REGIONAL ROOTS MUSIC ALBUM
The Band Courtbouillon
Wayne Toups, Steve Riley & Wilson Savoy
Label: Valcour Records

50. BEST REGGAE ALBUM
Rebirth
Jimmy Cliff
Label: UMe/Sunpower

51. BEST WORLD MUSIC ALBUM
The Living Room Sessions Part 1
Ravi Shankar
Label: East Meets West Music

52. BEST CHILDREN’S ALBUM
Can You Canoe?
The Okee Dokee Brothers
Label: Okee Dokee Music LLC

53. BEST SPOKEN WORD ALBUM
Society’s Child: My Autobiography
Janis Ian
Label: Audible, Inc.

54. BEST COMEDY ALBUM
Blow Your Pants Off
Jimmy Fallon
Label: Warner Bros. Records/LoudMouth Entertainment

55. BEST MUSICAL THEATER ALBUM
Once: A New Musical
Steve Kazee & Cristin Milioti, principal soloists; Steven Epstein & Martin Lowe, producers (Glen Hansard & Marketa Irglova, composers/lyricists) (Original Broadway Cast With Steve Kazee, Cristin Milioti & Others)
Label: Masterworks

56. BEST COMPILATION SOUNDTRACK FOR VISUAL MEDIA
Midnight In Paris
(Various Artists)
Label: Madison Gate Records, Inc.

57. BEST SCORE SOUNDTRACK FOR VISUAL MEDIA
The Girl With The Dragon Tattoo
Trent Reznor & Atticus Ross, composers
Label: Null/Madison Gate

58. BEST SONG WRITTEN FOR VISUAL MEDIA
Safe & Sound (From The Hunger Games)
T Bone Burnett, Taylor Swift, John Paul White & Joy Williams, songwriters
(Taylor Swift Featuring The Civil Wars)
Label: Big Machine Records/Universal Republic; Publishers: Sony ATV Tree Publishing, Taylor Swift Music, Sensibility Songs, Absurd Music, Shiny Happy Music, Baffle Music, Henry Burnett Music

59. BEST INSTRUMENTAL COMPOSITION
Mozart Goes Dancing
Chick Corea, composer (Chick Corea & Gary Burton)
Track from: Hot House
Label: Concord Jazz

60. BEST INSTRUMENTAL ARRANGEMENT
How About You
Gil Evans, arranger (Gil Evans Project)
Track from: Centennial – Newly Discovered Works Of Gil Evans
Label: ArtistShare

61. BEST INSTRUMENTAL ARRANGEMENT ACCOMPANYING VOCALIST(S)
City Of Roses
Thara Memory & Esperanza Spalding, arrangers (Esperanza Spalding)
Track from: Radio Music Society
Label: Heads Up International

62. BEST RECORDING PACKAGE
Biophilia
Michael Amzalag & Mathias Augustyniak, art directors (Björk)
Label: One Little Indian / Nonesuch

63. BEST BOXED OR SPECIAL LIMITED EDITION PACKAGE
Woody At 100: The Woody Guthrie Centennial Collection
Fritz Klaetke, art director (Woody Guthrie)
Label: Smithsonian Folkways Recordings

64. BEST ALBUM NOTES
Singular Genius: The Complete ABC Singles
Billy Vera, album notes writer (Ray Charles)
Label: Concord

65. BEST HISTORICAL ALBUM
The Smile Sessions (Deluxe Box Set)
Alan Boyd, Mark Linett, Brian Wilson & Dennis Wolfe, compilation producers; Mark Linett, mastering engineer (The Beach Boys)
Label: Capitol Records

66. BEST ENGINEERED ALBUM, NON-CLASSICAL
The Goat Rodeo Sessions
Richard King, engineer; Richard King, mastering engineer (Yo-Yo Ma, Stuart Duncan, Edgar Meyer & Chris Thile)
Label: Sony Classical

67. PRODUCER OF THE YEAR, NON-CLASSICAL
Dan Auerbach

68. BEST REMIXED RECORDING, NON-CLASSICAL
Promises (Skrillex & Nero Remix)
Skrillex, remixer (Nero)
Joseph Ray, Skrillex & Daniel Stephens, remixers
Label: Cherry Tree/Interscope

69. BEST SURROUND SOUND ALBUM
Modern Cool
Jim Anderson, surround mix engineer; Darcy Proper, surround mastering engineer; Michael Friedman, surround producer (Patricia Barber)
Label: Premonition Records

70. BEST ENGINEERED ALBUM, CLASSICAL
Life & Breath – Choral Works By René Clausen
Tom Caulfield & John Newton, engineers; Mark Donahue, mastering engineer (Charles Bruffy & Kansas City Chorale)
Label: Chandos

71. PRODUCER OF THE YEAR, CLASSICAL
Blanton Alspaugh

72. BEST ORCHESTRAL PERFORMANCE
Adams: Harmonielehre & Short Ride In A Fast Machine
Michael Tilson Thomas, conductor (San Francisco Symphony)
Label: SFS Media

73. BEST OPERA RECORDING
Wagner: Der Ring Des Nibelungen
James Levine & Fabio Luisi, conductors; Hans-Peter König, Jay Hunter Morris, Bryn Terfel & Deborah Voigt; Jay David Saks, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
Label: Deutsche Grammophon

74. BEST CHORAL PERFORMANCE
Life & Breath – Choral Works By René Clausen
Charles Bruffy, conductor (Matthew Gladden, Lindsey Lang, Rebecca Lloyd, Sarah Tannehill & Pamela Williamson; Kansas City Chorale)
Label: Chandos

75. BEST CHAMBER MUSIC/SMALL ENSEMBLE PERFORMANCE
Meanwhile
Eighth Blackbird
Label: Cedille Records

76. BEST CLASSICAL INSTRUMENTAL SOLO
Kurtág & Ligeti: Music For Viola
Kim Kashkashian
Label: ECM New Series

77. BEST CLASSICAL VOCAL SOLO
Poèmes
Renée Fleming (Alan Gilbert & Seiji Ozawa; Orchestre National De France & Orchestre Philharmonique De Radio France)
Label: Decca Records

78. BEST CLASSICAL COMPENDIUM
Penderecki: Fonogrammi; Horn Concerto; Partita; The Awakening Of Jacob; Anaklasis
Antoni Wit, conductor; Aleksandra Nagórko & Andrzej Sasin, producers
Label: Naxos

79. BEST CONTEMPORARY CLASSICAL COMPOSITION
Hartke, Stephen: Meanwhile – Incidental Music To Imaginary Puppet Plays
Stephen Hartke, composer (Eighth Blackbird)
Track from: Meanwhile
Label: Cedille Records

80. BEST SHORT FORM MUSIC VIDEO
We Found Love
Rihanna Featuring Calvin Harris
Melina Matsoukas, video director; Juliette Larthe, Ben Sullivan, Candice Ouaknine & Inga Veronique video producers
Label: Def Jam

81. BEST LONG FORM MUSIC VIDEO
Big Easy Express
Mumford & Sons, Edward Sharpe & The Magnetic Zeros & Old Crow Medicine Show
Emmett Malloy, video director; Bryan Ling, Mike Luba & Tim Lynch, video producers
Label: S2BN Films


Friday, January 11, 2013

Brits 2013: They've nominated the Rolling Stones

So yesterday, the shortlist for the Brits was announced. A chance to show the world how Britain is leading in the music industry; our steely glint staring into the future.

And how do we show this? By, erm, nominating The Rolling Stones for best live band.

Amy Winehouse is also in the running for a prize - best female solo artist. Yes, you don't need to go and check on Wikipedia; she'd died before the qualifying period for the 2013 awards. And although she had a couple of posthumous albums released in the qualifying year, neither was considered good enough to make the album shortlist. This has the feel of the way Annie Lennox always seemed to be automatically nominated regardless of if she'd done anything much, but with a ghoulish tint to it.

Ironically, Adele, who has been working through the period, and released a record considered good enough to be nominated, isn't considered good enough to go on the shortlist.

Here's the nominations in full:

British breakthrough act
Alt-J; Ben Howard; Jake Bugg; Jessie Ware; Rita Ora

British female solo
Amy Winehouse; Bat for Lashes; Emeli Sandé; Jessie Ware; Paloma Faith

British group
One Direction; Alt-J; Mumford and Sons; Muse; The xx

British live act
Coldplay; Mumford and Sons; Muse; The Rolling Stones; The Vaccines

British male solo
Ben Howard; Calvin Harris; Olly Murs; Richard Hawley; Plan B

British producer
Damon Albarn; Jake Gosling; Paul Epworth

British single
Adele – Skyfall; Alex Clare – Too Close; Coldplay ft. Rihanna – Princess of China; DJ Fresh ft. Rita Ora – Hot Right Now; Emeli Sandé – Next to Me; Florence and the Machine – Spectrum; James Arthur – Impossible; Jessie J – Domino; Labrinth ft. Emeli Sandé – Beneath You're Beautiful; Olly Murs ft. Flo Rida – Troublemaker; Rita Ora ft. Tinie Tempah – R.I.P; Rizzle Kicks – Mama Do the Hump; Robbie Williams – Candy; Rudimental ft. John Newman – Feel the Love; Stooshe – Black Heart

Special recognition award
War Child

Critics' choice
Tom Odell

International female
Alicia Keys; Cat Power; Lana Del Rey; Rihanna; Taylor Swift

International group
Alabama Shakes; The Black Keys; Fun; The Killers; The Script

International male
Bruce Springsteen; Frank Ocean; Gotye; Jack White; Michael Bublé
Mastercard British Album Alt-J – An Awesome Wave; Emeli Sandé – Our Version of Events; Mumford and Sons – Babel; Paloma Faith – Fall to Grace; Plan B – Ill Manors