Showing posts with label lady gaga. Show all posts
Showing posts with label lady gaga. Show all posts

Saturday, May 14, 2016

Do you know the way to Knotty Ash?

The Dionne Warwick biopic sounds like it might be, erm, singular:

[It was] announced at a Cannes Film Festival press conference this morning; with Warwick herself confirming the project. The soul icon also revealed to the crowd that [Cilla] Black – who died last August – “stole” her music, and was her “nemesis”.
Yeah. Cilla Black as the evil genius in a movie. I suppose at least she has a name that sounds like a half-arsed scriptwriter would give to such a character.

Can this project sound any more like something which will never see the light of day?
Lady Gaga has been cast as Cilla Black
Yes. Yes, it can.


Saturday, October 24, 2015

Joe Elliott doesn't like streaming services

Streaming services, amirite? They're like the work of a demon. A minor demon, perhaps, but a demon nevertheless. Tell us why, Joe:

"I signed up for the Apple one, Beats. It's kind of semi-evil, because whoever owns Spotify is worth more than 50 times than Mick Jagger, who's been in this business for 50 years. And that's just not right.
Mick Jagger, according to The Richest, is worth 360 Million Dollars. So to be worth fifty times that, you would have to be an eighteen-fold billionaire. 18 billion is roughly the GDP of Honduras.

Just to be clear: Daniel Ek is not Honduras. In fact, according to Time, he's worth 300 Million Dollars, which puts him behind Mick Jagger in terms of wealth.

Obviously, the point Joe was trying to make was that it seems absurd that a person who works in the tech industry is worth a lot of money compared with someone who works in the music industry for fifty years.

Although that doesn't make sense generally: it's not like the tech industry away from music is known for being a place where the bosses take home tiny pay packets.

It also doesn't make any sense in this specific case. First of all, it could be possible that Mick Jagger had just invested incredibly badly, or had been generous with his money.

Secondly, although Mick has been in the industry fifty years, Ek's not exactly a newcomer - he started when he was 14, so nearly twenty years, and he made a fortune selling his first advertising business. So it's not like he's built his money up entirely from not making Mick Jagger even richer.

Also: both these people have obscene amounts of money. Even if Daniel Ek was fifty times richer than Jagger, that would mean Jagger had six million dollars. You can buy a bionic man with that.

But you had a point, Joe, to make:
Because when you read stories about Lady Gaga getting 127 dollars for 60 trillion plays, or whatever, you're thinking, this is bullshit.
Well, yes, there were stories five years ago that GaGag got USD127 for a million streams - it's funny that Elliott was spot-on with the amount there, when so many of his other figures are grossly overestimated in favour of his argument, but then I think we all know people in our own jobs who do that.

But why was GaGa doing so poorly out of streaming? Not because of the semi-evil streaming services, but because of the fully evil record labels:
[In] some explosive comments made by Gaga's ex-manager Troy Carter. Carter states that Gaga's label, Universal Music, cheated the artist out of streaming royalties due to her from Spotify and other streaming services during the height of her pop popularity.

Carter, who is no longer handling Gaga's career but is active as a music and technology entrepreneur and investor, said, "We've always gotten screwed from record royalties ... So when you look at it, the live business and the merchandise business have always been the bigger piece of the pie. And with record labels, I think it's more of just chickens coming home to roost. Well, let's rephrase that: labels made a significant amount of money off of Spotify that didn't match up to the artist royalty statements ..."
How evil of Spotify to, erm, not be party to the main point where artists are getting ripped off.

Anything else, Joe? Do you perhaps have an "I can remember when it was all trees round here" argument to offer?
And when you get on Spotify, it's very insular. Which the whole industry has become. Everybody is on headphones now. It's just Zombieland, and we're all guilty of it. I do it too, but only when it's necessary, like on an airplane.
Yes. People listening to music on headphones. In the old days, people used to go to their bedrooms to be insular and listen to music. How can Spotify have ruined that by, erm, inventing headphones or something or... what?


Saturday, June 06, 2015

Tumblrgem: NSFW

I'm not sure anyone actually asked for this, but here's a Lady GaGa discography via tattoos in gay porn. (Nobody has yet had the Tony Bennet collaboration etched across their butts)

http://yung-ninetales.tumblr.com/post/120799848508/lady-gagas-discography-in-gay-porn-tattoos


Monday, February 09, 2015

Grammys 2015: Sam Smith scoops an armful

Perhaps it's unsurprising that the BAFTAs were lumbered with Kasabian, as it was also Grammys night, with the American recording industry making it Sam Smith's night.

Yes, that's where the bar is set these days.

At least you can kind of see why Smith got given four prizes. But Beck picking up best rock album of 2014? There are people who only ever buy their records from Target who might raise an eyebrow at that. It's curious that Beck took the mainstream rock album award, while St Vincent won in the alternative rock category; I'm not sure either sits particularly comfortably in the bucket into which they've been tossed.

Likewise, the Tony Bennett/Lady GaGa album gets "traditional pop vocal album" - to be fair, pairing a classic artist with a pop star who has just edged past their peak for a Christmas stocking stuffer record is now a tradition, but it doesn't feel right to be giving them a prize for it.

The real scandal, though, is that Shake It Off was eligible for everything (even in 1989 wasn't) and yet - apart from getting a mention in the list of credits which won Max Martin producer of the year - not a bite.

Now, it could be that people believe anything Sam Smith has done is better than Shake It Off. It's more likely Taylor Swift is being punished for having the temerity to question the deals struck by the music industry with the streaming services.

Sam Smith, then, has won his prizes for not causing a fuss both on and off record. It's a double.

Probably the only prize which lands successfully is Clean Bandit getting best dance record for Rather Be. But I probably only think that because I don't listen to as much dance music as I should.

Here's the winners in full, then:

Record of the Year
Sam Smith – "Stay With Me (Darkchild Version)"
Steve Fitzmaurice, Rodney Jerkins & Jimmy Napes, producers; Steve Fitzmaurice, Jimmy Napes & Steve Price, engineers/mixers; Tom Coyne, mastering engineer Label: Capitol Records; Publishers: Sony/ATV Songs LLC obo Naughty Worlds Ltd./Universal-Polygram Int. Tunes, Inc. obo Salli Isaak Songs, Ltd./Universal Polygram Int. Tunes, Inc. obo Method Paperwork

Song of the Year
Sam Smith - "Stay With Me (Darkchild Version)"
James Napier, William Phillips & Sam Smith, songwriters

Album of the Year
Beck - Morning Phase
Beck Hansen, producer; Tom Elmhirst, David Greenbaum, Florian Lagatta, Cole Marsden Greif-Neill, Robbie Nelson, Darrell Thorp, Cassidy Turbin & Joe Visciano, engineers/mixers; Bob Ludwig, mastering engineer

Best New Artist
Sam Smith

Best Pop Duo/Group Performance
A Great Big World With Christina Aguilera - "Say Something"

Best Traditional Pop Vocal Album
Tony Bennett & Lady Gaga - Cheek To Cheek

Best Pop Solo Performance
Pharrell Williams - "Happy"

Best Pop Vocal Album
Sam Smith - In The Lonely Hour

SIDEBAR
Sam Smith 22 Things We Learned Hanging Out With Sam Smith »
Best Rock Performance
Jack White - "Lazaretto"

Best Rock Album
Beck - Morning Phase

Best Rock Song
Paramore - "Ain't It Fun"
Hayley Williams & Taylor York, songwriters

Best Alternative Rock Album
St. Vincent - St. Vincent

Best Metal Performance
Tenacious D - "The Last In Line"

Best Rap Performance
Kendrick Lamar - "I"

Best Rap/Sung Collaboration
Eminem Featuring Rihanna - "The Monster"

Best Rap Song
Kendrick Lamar - "I"
K. Duckworth & C. Smith, songwriters

Best Rap Album
Eminem - The Marshall Mathers LP2

Best R&B Performance
Beyoncé Featuring Jay Z – "Drunk In Love"

Best Traditional R&B Performance
"Jesus Children"
Robert Glasper Experiment Featuring Lalah Hathaway & Malcolm-Jamal Warner

SIDEBAR
morrissey 25 Artists Who Have Never Won a Grammy »
Best R&B Song
Beyoncé Featuring Jay Z - "Drunk In Love"
Shawn Carter, Rasool Diaz, Noel Fisher, Jerome Harmon, Beyoncé Knowles, Timothy Mosely, Andre Eric Proctor & Brian Soko, songwriters

Best Urban Contemporary Album
Pharrell Williams - Girl

Best R&B Album
Toni Braxton & Babyface - Love, Marriage & Divorce

Best Contemporary Instrumental Album
Chris Thile & Edgar Meyer - Bass & Mandolin

Best Dance/Electronic Album
Aphex Twin - Syro

Best Dance Recording
Clean Bandit Featuring Jess Glynne - "Rather Be"

Best Compilation Soundtrack for Visual Media
Frozen
Kristen Anderson-Lopez, Robert Lopez, Tom MacDougall & Chris Montan, compilation producers

Best Score Soundtrack for Visual Media
The Grand Budapest Hotel
Alexandre Desplat, composer

Best Song Written for Visual Media
"Let It Go" from Frozen
Kristen Anderson-Lopez & Robert Lopez, songwriters (Idina Menzel)

Best Country Album
Miranda Lambert - Platinum

SIDEBAR
Barack Obama 20 People You Won't Believe Have Grammys »
Best Country Solo Performance
Carrie Underwood - "Something In The Water"

Best Country Duo/Group Performance
The Band Perry - "Gentle On My Mind"

Best Country Song
"I'm Not Gonna Miss You"
Glen Campbell & Julian Raymond, songwriters (Glen Campbell)

Best Bluegrass Album
The Earls Of Leicester - The Earls Of Leicester

Best American Roots Performance
Rosanne Cash - "A Feather's Not A Bird"

Best American Roots Song
Rosanne Cash - "A Feather's Not A Bird"

Best Americana Album
Rosanne Cash - The River & The Thread

Best Folk Album
Old Crow Medicine Show - Remedy

Best Music Video
Pharrell Williams - "Happy"

Best Music Film
20 Feet From Stardom
Darlene Love, Merry Clayton, Lisa Fischer & Judith Hill
Morgan Neville, video director; Gil Friesen & Caitrin Rogers, video producers
We Are From LA, video director; Kathleen Heffernan, Solal Micenmacher, Jett Steiger, video producers

Producer of the Year, Non-Classical
Max Martin
"Bang Bang" (Jessie J, Ariana Grande & Nicki Minaj)
"Break Free" (Ariana Grande Featuring Zedd)
"Dark Horse" (Katy Perry Featuring Juicy J)
"Problem" (Ariana Grande Featuring Iggy Azalea)
"Shake It Off" (Taylor Swift)
"Unconditionally" (Katy Perry)

SIDEBAR
Taylor Swift How 2015's Record of the Year Nominees Stack Up »
Best Instrumental Composition
John Williams - "The Book Thief"

Best Arrangement, Instrumental or A Cappella
Pentatonix - "Daft Punk"

Best Arrangement, Instrumental and Vocals
Billy Childs - "New York Tendaberry"

Best Recording Package
Jeff Ament, Don Pendleton, Joe Spix & Jerome Turner, art directors
Pearl Jam - Lightning Bolt

Best Boxed or Special Limited Edition Package
Susan Archie, Dean Blackwood & Jack White, art directors
The Rise & Fall Of Paramount Records, Volume One (1917-27)

Best Album Notes
Ashley Kahn
John Coltrane - Offering: Live At Temple University

Best Historical Album
Colin Escott & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer
Hank Williams - The Garden Spot Programs, 1950

Best Engineered Album, Non-Classical
Beck - Morning Phase
Tom Elmhirst, David Greenbaum, Florian Lagatta, Cole Marsden Greif-Neill, Robbie Nelson, Darrell Thorp, Cassidy Turbin & Joe Visciano, engineers; Bob Ludwig, mastering engineer

Best Remixed Recording, Non-Classical
Tijs Michiel Verwest, remixer
John Legend – "All Of Me (Tiesto's Birthday Treatment Remix)"

Best Surround Sound Album
Beyoncé - Beyoncé
Elliot Scheiner, surround mix engineer; Bob Ludwig, surround mastering engineer; Beyoncé Knowles, surround producer

Best Regional Roots Music Album
Jo-El Sonnier - The Legacy

Best Reggae Album
Ziggy Marley - Fly Rasta

Best World Music Album
Angelique Kidjo - Eve

Best Children's Album
Neela Vaswani - I Am Malala: How One Girl Stood Up For Education And Changed The World (Malala Yousafzai)

Best Musical Theatre Album
Beautiful: The Carole King Musical
Jessie Mueller, principal soloist; Jason Howland, Steve Sidwell & Billy Jay Stein, producers (Carole King, composer & lyricist) (Original Broadway Cast)

Best Blues Album
Johnny Winter - Step Back

Best Spoken Word Album
Joan Rivers - Diary Of A Mad Diva

Best Comedy Album
"Weird Al" Yankovic - Mandatory Fun

Best New Age Album
Ricky Kej & Wouter Kellerman - Winds Of Samsara

Best Improved Jazz Solo
Chick Corea - "Fingerprints"

Best Jazz Vocal Album
Dianne Reeves - Beautiful Life

Best Jazz Instrumental Album
Chick Corea Trio - Trilogy

Best Large Jazz Ensemble Album
Gordon Goodwin's Big Phat Band - Life In The Bubble

Best Latin Jazz Album
Arturo O'Farrill & The Afro Latin Jazz Orchestra - The Offense Of The Drum


Monday, February 02, 2015

Music popular-ish on YouTube

MusicAlly has done some analysis of what's popular on YouTube:

The headline stat is that music accounted for 62 of the top 250 channels ranked by annual views in 2014, with 43 of those falling under the Vevo banner.
In other words, music doesn't dominate YouTube, but it is mostly significant, but what really thrives are channels run by the big labels.

This is quite interesting:
Also notable: the low ranking for some of the traditional stars of social/digital media: Justin Bieber had the 43rd most popular YouTube channel in 2014 – admittedly a quiet year for him musically – while Lady Gaga was 158th and Britney Spears 203rd.
Although I think that says more about what MusicAlly thinks is happening on social media (All three stars are long past their buzz stage, surely?)


Friday, November 28, 2014

Lady GaGa: Very much 'dog bites man'

Oh, Pulse Nigera, that's not really a news item, is it?

Although some respect for their plaintive cry:
Will Lady Gaga ever dress up normal?
If you must go out dressed like a firework, Gaga, at least wear sensible shoes.

Incidentally, most people seem convinced this was 'being dressed as a firework':
... but clearly she's just bought fall-apart statue The B Of The Bang from Manchester:


Wednesday, July 30, 2014

Google News giggles at Gaga's jazz direction

Of course, it's just an algorithm pulling an unrelated image from a nearby article, but...

It does look like Google is suggesting GaGa's jazz collaborations are most likely going to end up with the off-brand breakfast cereals and wonky-faced dolls on the shelves of US discount stores.


Friday, July 18, 2014

Lady GaGa follows Jessie J's lead; returns bixesuality paperwork

Missed this at the start of the month, but caught up with it via the estimable and admirable Biscuit webzine: Lady GaGa has moved on from saying she's bisexual to, apparently, forgetting:

“Atlantic City Baby. Straights celebrating their pride by unLEASHING our gayness. @thedirtypearls @tommylondon Be proud. We were born this way. #TellemAsia”

… and so famously “bisexual” star Lady Gaga revealed to her Instagram followers that she now considers herself “straight”.
Usual caveats about how your sexual identity is, precisely, your sexual identity and that all our identities are fluid, of course; but even so... there's a lingering sense that maybe GaGa was wearing bisexual for exactly the same reasons she wore a meat dress: not because it was comfortable, but to try and get a reaction.


Thursday, July 17, 2014

Lady GaGa says "tighten your faucet"

How bad is the drought in Southern California right now?

They've had to draft in Lady GaGa.

Apparently it's not so serious they've drafted in someone who can operate a camera and a microphone - unless they were actually aiming for a 'last message recorded by humanity before the end of the world' vibe. But serious enough for GaGa deployment.


Friday, June 27, 2014

Lady GaGa: The famous monster

Perez Hilton still banging on about how Lady GaGa started to be mean to him:

Hilton went on to say that he believed Gaga was "just using him" during their friendship.

"I think it was fame that just poisoned her. She had an album Fame Monster, her second album, and she became consumed by that which she was fascinated about. You know, fame can be a very deadly drug and it has damaged her personally.

"I think she has unfortunately become a victim of this character she created. Instead of being an artist she became this freak and this cartoon character and so unrelateable to people," he said.
Perez Hilton, of course, is a man who in no way would let a bit of fame for writing "OMG" in Microsoft Paint on photos of Nicole Richie go to his head for about a decade. Just so we're clear.


Tuesday, January 21, 2014

Communists finally accept Lady GaGa

If you needed more evidence that Lady GaGa's early edge has long since been lost, she's being allowed back into China. CNN reports:

[I]n China, the pop diva's songs had been on a blacklist since 2011, when the Culture Ministry deemed her work to be "creating confusion in the order of the online music market, and damaging the nation's cultural security."
[...]
Lady Gaga last week responded with enthusiasm to the lifting of the ban on her Twitter feed.
"China has been given the go ahead singer I'm so excited!!!! The Chinese Government approved 'ARTPOP' to be released in China with all 15 songs! Next I hope I can come to perform!," she said on her Twitter account.
It's bittersweet, isn't it? On one hand, you're getting access again to a massive market. On the other hand, nothing says 'mostly harmless' like an endorsement from Politburo.


Friday, January 10, 2014

Brits 2014: The nominations

It's considered bad luck to not have your Christmas decorations down by the time the Brit Awards shortlist is released, so let's hope your tree is packed away.

Moving a large pile of baubles to one side, let's see what we've got this year.

Katy Perry, Ellie Goulding, Bruno Mars and Bastille are all going to play the event.

In totally unconnected news, Katy Perry, Ellie Goulding, Bruno Mars and Bastille have all been nominated.

For some reason, they've produced a shortlist for Critic's Choice, even although they announce the winner of that prize at the same time as the shortlist - so, congratulations Sam Smith; bad luck to Chloe Howl and Ella Eyre. Especially to Chloe Howl, who must be wondering why critics have favoured Sam Smith's plodding-about-in-a-dead-mans-coat over her work. It's like a fun fair losing out to a domino table.

Smith presumably helped through his work with Disclosure, whose name ripples through the shortlists alongside that of Bastille. It's actually quite positive to see this - two names that I don't think you'd have been able to predict having such resonance this time last year.

Elsewhere it's business as usual: Lady GaGa, despite her only having done a shit record last year. Pink, despite her not having done any records at all. Bruno Mars, despite him being Bruno Mars.

That godawful One Direction One Way Or Another record has somehow been picked as one of the best singles of the year.

It's unclear what's more surprising - that Olly Murs is considered to have made one of the best singles of 2013, or that - if we accept this as a fact - he's not considered to be one of the best male solo artists of the year.

Anyway, here's the slim pickings that some poor sods will have to weigh against each other in full:

British Male Solo Artist
David Bowie
Jake Bugg
James Blake
John Newman
Tom Odell

British Female Solo Artist
Birdy
Ellie Goulding
Jessie J
Laura Marling
Laura Mvula

British Group
Arctic Monkeys
Bastille
Disclosure
One Direction
Rudimental

British Breakthrough Act
Bastille
Disclosure
Laura Mvula
London Grammar
Tom Odell

Critics' Choice
Sam Smith
(Winner)

Chlöe Howl
Ella Eyre

British Single
Bastille - 'Pompeii'
Calvin Harris/Ellie Goulding - 'I Need Your Love'
Disclosure ft AlunaGeorge - 'White Noise'
Ellie Goulding - 'Burn'
John Newman - 'Love Me Again'
Naughty Boy ft Sam Smith - 'La La La'
Olly Murs - 'Dear Darlin''
One Direction - 'One Way or Another (Teenage Kicks)'
Passenger - 'Let Her Go'
Rudimental ft Ella Eyre - 'Waiting All Night'

British Album of the Year
Arctic Monkeys - AM
Bastille - Bad Blood
David Bowie - The Next Day
Disclosure - Settle
Rudimental - Home

British Producer of the Year
Ethan Johns
Flood (Mark Ellis) & Alan Moulder
Paul Epworth

International Male Solo Artist
Bruno Mars
Drake
Eminem
John Grant
Justin Timberlake

International Female Solo Artist
Janelle Monae
Katy Perry
Lady Gaga
Lorde
Pink

International Group
Arcade Fire
Daft Punk
Haim
Kings of Leon
Macklemore & Ryan Lewis
The Kings Of Leon. Nobody actually likes the Kings Of Leon, do they? They just exist to pad out this sort of thing.

Now, time to try and shove tinsel into a tube.


Tuesday, January 07, 2014

Lady GaGa reaches 'Courtney Love with cellphone at 5am' stage of career

There's not been a video yet for Do What U Want, the collaboration between Lady GaGa and R Kelly. Most people have assumed that its because the song is such a clunking disaster that it has a helpline number for worried relatives to call, but it turns out there's... reasons.

Do tell us, GaGa. Trigger warning - grammar abuse:

It is late because, just like with the Applause video unfortunately, I was given a week to plan and execute it.
Oh, it's someone else's fault. Never mind, eh.

Hang on. She hasn't finished.
It is very devastating for someone like me, I devote every moment of my life to creating fantasies for you.
Remember this is in the context of a horrible song that manages to conjure up images of having R Kelly jizz in your face.
All my my most successful videos were planned over a period of time when I was rested and my creativity was honored.
It's not just she only had a week to do it in, but it sounds like one of the interns bungled the ceremony where they kill the goats to honour her muse.
Those who have betrayed me gravely mismanaged my time and health and left me on my own to damage control any problems that ensued as a result.
You had someone to manage your health? How did that work? "Okay, GaGa, I've booked your pancreas in for a scrub at 9.30 on Friday, and I'm just emailing you now a spreadsheet of your sneezing schedule for the rest of the month. The phlegmy ones are marked in green on that."

Still, to be fair, whoever has left her "damage controlling" on her own has quite badly let her down. Because there's more.
Millions of dollars are not enough for some people. They want billions. Then they need trillions.
"On the bright side, sooner or later they'll want sextillions, and that's got 'sex' in it, which I could make an album about."
I was not enough for some people.
And yet here we are, with the entire world yelling 'that's enough, GaGa'.
They wanted more.
They wanted more. They wanted more more. They wanted More More More. They would not be satisfied until GaGa covered Andrea True Connection.
I am very grateful to the photographers and designers who have always stood by me to make sure my fans are never aware of the things that happen behind the scenes, but unfortunately after my surgery I was too sick, too tired, and too sad to control the damage on my own.
Yes, thank god for all those people who worked so hard to keep the curtains drawn while you were, erm, keeping the curtains drawn entirely by yourself.

By the way, GaGa - great job of keeping those persnicketty management issues out of the public eye.
My label was not aware that this was going on.
Hang about, is the damage obvious to all or not? What?
The next few months of ARTPOP will truly be its beginning.
Artpop really is The Big Society of albums, isn't it? Nobody really knows what it all means, it clearly wasn't the big success everyone was banking on, and it's now in a constant cycle of relaunches.
Because those who did not care about ARTPOP's success are now gone, and the dreams I have been planning can now come to fruition.
A dream can't fruit, can it? And you don't really plan a dream, do you? It's interesting to see how GaGa's authentic voice makes her sound like someone culled early in a series of The Apprentice, isn't it?
Please forgive me that I did not foresee this coming, I never thought after all the years of hard work that those I called friends and partners would ever care so little at a time I needed them the most.
It's okay Gags, I don't think anyone was expecting this.
Give me a chance to show you the meaning of seeing art all around you.
You do realise that everyone can see art all around them, don't you? It's not like a superpower you get when you rub your undercarriage with half a pound of luncheon meat.
Open your hearts to me again that I may show you the joy of us coming together through our talents, that we are stronger as a unit than when we are alone. Let me be for you the Goddess that I know I truly am, let me show you the visions that have been in my mind for two years. I love you.
You're apologising for not having yet delivered a video for a terrible song. Why has this note suddenly turned into Ted Mosby trying to win back a high school girlfriend?
Forgive me monsters. Forgive me ARTPOP. You are my whole world.
You know those people who badly let you down, Lady GaGa? I'm presuming you have a list. You might want to add anyone who you showed this to who went "yeah, that sounds OK" before you published it.

The thing, surely, is that she's just written a long, rambling apology for not making a video for a track, when really she should be going door-to-door to personally make amends for having made the record in the first place.


Friday, November 15, 2013

We're past peak GaGa

I don't think anyone's surprised that Lady GaGa has moved past her peak, but some American analysts have been caught out by the speed of the decline:

Lady Gaga's new album ARTPOP is predicted to sell an estimated 260,000 copies in its first week of sales in the US.

The new figures come after industry experts predicted an initial pre-release forecast of 300k-350k.
Born This Way sold over a million copies in the first week; that was helped out by a 99cents deal at Amazon, but even if you strip out all those Amazon sales, Artpop has managed about half of what Born This Way did.

Which is the answer to the question "why is Lady GaGa suddenly turning up doing all sorts of interviews she'd have politely declined a year ago?"


Wednesday, November 13, 2013

Lady GaGa claims to not be interested in the Madonna throne

Lady GaGa popped onto the Howard Stern show to snidey-dig at Madonna and Perez Hilton.

I know what you're thinking: "surely at least three quarters of the people mentioned in that sentence aren't still going, right?"

So, Stern asked GaGa why Madonna "has an issue" with GaGa. GaGa has a theory:

: "I think she's more aggravated that I'm not upset that she doesn't like me. 'Cause I don't care that she doesn't like me... No, I don't care... It's such nonsense.

"[Attacks from people like Perez Hilton are] really rooted in Madonna, that's the centre of it. It's silly... There's always this pissing match: 'She's taking her torch, is she the new her, is she going to outlast her or not?'"
In effect, then, GaGa asked "am I bovvered?" Because she doesn't care about Madonna. Not her. Why would GaGa even have any interest in what Madonna was thinking, right?
"There's this thing with some people that I'm a threat to the throne. I don't want your f**king throne, no thanks, I have my own," she added.
Pssst... Stefani, remember you're not meant to be any better than the fans.
"I actually don't want a throne at all, because I don't view myself as a queen, I view myself as one of my fans."
Hey, why don't we have a giant throne which everyone can sit on. Except Madonna, obviously.
Madonna performed a mash-up of her song 'Express Yourself' with Gaga's 2011 hit 'Born This Way' during her 'MDNA' world tour.

Gaga said in response that she was "kind of floored", adding: "I'm not quite sure what her intention was - to do that in the show - but I don't really care."
Have you got that? GaGa really doesn't care what Madonna may, or may not, have done or may, or may not, have been feeling. She genuinely can't stress enough how little thought she gives to Madonna at all. Ever. Barely even flits across her consciousness. It's certainly not like she's got a room called The Madonna Room, which she sits in for three or four hours at a time, staring into the eyes of a giant Madonna poster, chanting 'what do you want of me' over and over.


Wednesday, October 16, 2013

The cycle of life in action

John Merrick was a sensation; he wasn't like other men.

Michael Jackson was a sensation; he wasn't like other men.

Lady GaGa was a sensation; she wasn't like other women.

John Merrick had a terrible life. He left behind a skeleton.

Michael Jackson had a terrible life. He left behind photos of his head all burned after trying to sell soda.

Michael Jackson tried to buy John Merrick's skeleton.

Lady GaGa is trying to buy the Jackson injury photos.

Showbusiness turns; it then turns again.


Wednesday, September 25, 2013

Gordon in the morning: Hair piece

Behind Gordon Smart's paywall this morning, those readers who have dipped into their pockets to get in will discover that Lady GaGa has worn a crazy wig.

You could have spent that money on sweets, you know.


Thursday, August 29, 2013

Gordon in the morning: GaGa's had her chips

Behind Gordon's dog-patrolled paywall today, he's got the story of Lady GaGa turning up in the UK. She headed, with grim determination, to the nearest cameras ("the nearest chip shop"):

The queen of quirk popped to a chippy in latex waders, pink bra and killer heels with shells and a starfish in her hair. Lady Gaga.
Did she? How refreshingly eccentric she is, right? And in no way desperately screaming "look at me" to try and stop everyone talking about Miley Cyrus' younger and more newsworthy bottom.


Friday, August 23, 2013

Kasey Anderson changes his plea to guilty

The long, strange story of Kasey Anderson, the West Memphis Three benefit that wasn't and the astute music experts who dumped money into a fraud is drawing to a close, as Anderson changed his plea on wire fraud to guilty.

If you've a moment or two, read Ryan White's piece on Anderson on Oregon Live, where he attempts to unpick a tale featuring impersonation of Springsteen's manager; an unlikely Bruce-GaGa duet; a "non-kickstarter Kickstarter" and "usual rock-star confusion".


Wednesday, August 14, 2013

Cher seems to be only person in the world convinced GaGa "leak" wasn't a stunt

It's not just the disappointing GaGa comeback single that has been "leaked" online. The duet between GaGa and Cher has also fallen onto the internet, and Cher is mad as a wasp nest duct-taped to a leopard. ContactMusic has attempted a translation:

"Just heard (The Greatest Thing)! F**k ! It's not even the right f**king version!!! Why do ppl (people) think this kinda leaking s**t is ok ! I'm so f**king disappointed... I've sat on (that) song 4 (for) over a yr (year). Now some a**hole leaks (the) wrong version! Gaga's single is great, & that's all that matters."
It's unclear why, if all that matters is that GaGa's single is great, what Cher is all up in a lather about.