Saturday, September 15, 2007

Canadian music industry doesn't want iPod levy

For years now, if you buy blank media in Canada, part of the price has gone to the local music industry to make up for the "losses" home taping and CD burning have caused it. Some well-meaning Canadians have started moving plans that will extend this levy to mp3 players and the like.

The Canadian Music Industry is rushing to try and stop this happening.

Yes, you heard: to stop it. As they've realised that it would effectively mean peer to peer fiel sharing in Canada would be perfectly legal, even for copyrighted material.

It's caused something of a split between the board which oversees the levy, the Canadian Private Copying Collective - which wants the lucrative "iPod tax", as there's not much future for it in levying blank tapes and CD-Rs - and the CRIA. A knock-on effect is the bringing into the open of a disjunction between the artists who have been recompensed under the exisiting scheme, and those who have had their work copied. In other words: Canadian artists have been getting an unfair slice of the levy pie all these years.


Cushioned excitement

Silverchair have returned to the studio, with the intention of breaking a record for the most Australian number one albums, although NME reports the record is currently shared between Midnight Oil and Cold Chisel - so, surely, the best Silverchair could be doing is trying to equal the record rather than break it?

Still, it sounds, uh, thrilling:

[W]hen recording the new album songwriter Daniel Johns reportedly wrote "more than 20 songs" about insomnia.

Then he decided to try Horlicks, which worked.


Taping Travis

Fran Healy is, refreshingly, taking an anti-Prince stance, happily ensdorsing fans who tape their stuff when they play live:

“From a purely selfish view it helps me. I can go onto the internet and check out a song - at any given time you have 100 amateur cameramen taking a picture of your show from a variety of angles.

"It's a great way of finding out what works and what doesn't. The quality may not be great, but you get the vibe."

Of course, this means we're heading towards an internet in the future which has everything Travis has ever done, and nothing Prince has ever done. Is that what anyone wants?


Hard for me to say I'm sorry

Having almost destroyed herself on a major awards show televised live, coast-to-coast, can Britney Spears really be considering trying to regain the advantage by, erm, going on another live, coast-to-coast awards show?

The idea, apparently, would be that Britney would say "sorry" (To whom? For what?) on the Emmys. It all sounds a little unlikely - her people could barely manage to get her to go and open and close her mouth in time to a backing tape last week; are they really able to deliver a coherent live apology this weekend?


Libertines unbound

NME.com is giving away a free chapter from Anthony Thornton's excellent Libertines Bound Together biography. You have to download it off the NME site, though, you can't just go into Waterstones with a Stanley knife and chop out the chapter.


Mindy McCready is off the streets

Mindy McCready has been sentenced for her probation violations - a hefty year in jail. We're not quite sure if this would have been the outcome she was hoping for when she pleaded for leniency:

"Your honour, I can honestly tell you this - this has been the longest two months of my life... not being able to hold my son... has been excruciatingly painful," she said.

"I could only say I'm sorry. Please give me a chance to make things as right as they can possibly be."

First, though, the judge decided to give her the chance to have a go on the big clothes press in the laundry.


Radio One More Time: Those who also entertained

Radio One has had, in its time, some unusual choices presenting programmes. Some were surprising and right, some surprising and wrong. Some were Kelly Osbourne.

Mark Ellen used to present occasionally, sitting in for Annie Nightingale, heralding his appearance with rhyming trailers. This was a good thing.

Emma Freud, for some reason, was in charge of the lunchtime programme for a ridiculously long time. We have a soft spot for Emma, but the one thing that spot is not is a two and half hour spot on a pop radio network.

Muriel Gray did a few swing shifts for Janice Long; we quite liked her, but Radio One at the time had problems with women doing radio, never mind Scottish women.

Tom Watt also did Night-time a few times - now that he's doing lots of football programming, it's not so odd, but when he was still Lofty off EastEnders, it felt wrong having him turning up to play Housemartins sessions.

Lenny Henry was recruited for some weekend work - we imagine the thinking was "an anarchic force in the mould of the young Kenny Everett". He wasn't bad, but he didn't stick around overlong.

Jamie Theakston turned up at One FM as part of the ongoing attempt to turn TV stars into radio personalities - while it worked with Zoe Ball, and people seem to have accepted Vernon Kay, Sara Cox and Fearne Cotton despite shows which can be as cold as Gazpacho Soup outdoors in Iceland - he was one who didn't take.

An even stranger presence, though, was Greg Proops, who we seem to remember having a crack at being Mark Radcliffe for a week or two. It turned out he really was at his best when Clive Anderson could sound a buzzer to get him to move on.

Tom Robinson was another "in for Janice" choice; his style, and introduction of Then Jericho and "the devastatingly handsome Mark Shaw" was encouraging, but felt a little off-key for Radio One. Still, Tom only had to wait another fifteen years or so for someone to invent 6Music to give him a home.

[Part of Radio One More Time]


Bono helps the Africans

We're a little behind the loop on this one, but we've just seen a physical copy of the Bono-edited edition of Vanity Fair - you remember, with Madonna and George Bush and the like on the twenty "collectors" covers (encouraging you to buy the same fashion magazine 20 times; that'll raise spirits of people living on less than a dollar a day).

There, slipped inside, was a Jewellery supplement, advertising gold and diamonds and multinational couples dealing in precious metals and gems.


Pregnant query

Yesterday, we had Dannii Minogue bravely announcing that she has "nothing against pregnant women"; today, we have Victoria Newton applauding Christina Aguilera for coming out:

CHRISTINA AGUILERA flashed her preggers ’n’ proud look as she and husband JORDAN BRATMAN dined out at Toscana Italian restaurant in California.

(For anyone over the age of nine, we should point out that "preggers" in nursery-speak for "pregnant.")

Pregnant and proud? Since when did pregnancy become something to be ashamed of so much that it's required a Gravid Pride movement? Is that adopting from the developing world has become so commonplace in Hollywood that people who actually give birth to their own children are seen as being impoverished in some way?

[EDIT: It was Minogue and not Louis Walsh who apparently doesn't have anything against pregnant women]


Ricky Gervias and the first rule of comedy

Former new romantic popstar Ricky Gervais has been entertaining his famous chums again, reports The Sun:

PRINCES William and Harry sneaked into Ricky Gervais’ stand-up show — and roared with laughter at a joke about their gran WEEING.

Office star Gervais, 46, poked fun at the Queen’s toilet habits, despite knowing the two fun-loving royals were in the audience.

It's heartwarming to hear that Gervais' act has now caught up with that of younger comedians and, in particular, Ted Bovis' "famous people on the toilet routine" that always went down so well at Maplins.


"I'm full of contradictions - I'm a human": Ditto finds a get out

Beth Ditto's been sharing her poorly-thought-out politics with Radio One, but does at least seem to have realised that very little of what she says actually makes any sense. So, she's come up with a cover-all get-out:

I'm full of contradictions - I'm a human.

Well, yes. On the other hand, saying one thing and doing another could suggest another word beginning with 'h', too, couldn't it?

Beth starts by telling us how you wouldn't know how she suffers:
I think what makes me unhappy is how unhappy people are with me. If you're not big you really cannot possibly understand. You can be dead, you could be a drug addict as long as you're not fat. And I think that's so absurd.

If you are big you cannot possibly understand. Yeah, Martin Luther King, you think you're so hard done-by. Matthew Shepard? You had it easy; you don't know discrimination. Lots of people are bullied and picked on for different reasons, Beth, and to suggest that being bigger than other people is not only so much worse than any other bullying flashpoint is a little presumptive, and to claim that smaller people would be incapable of empathising with you is insulting.

Oh, and to suggest that the dead get treated better than the fat is insane - unless nightclubs in the US are markedly different to the UK, I've never heard of bouncers going down the queue picking out the corpses to let them in ahead of everyone else, for example.

The trouble is, of course, that at heart Ditto has an important point - society does treat people of all non-standard body types pretty badly; the constant stream of government reports and Tonight With Trevor McDonalds that focus on obesity, as if it must be a character fault rather than a blanket term covering a range of causes and lifestyles. Ditto could be a powerful voice calling down this - instead, we get "the dead get a better deal".
When I was a kid I had weird idols. I was really into Miss Piggy - she was extremely girly and extremely tough.

I feel like when I was a kid it was just so different. At least you had Cyndi Lauper who totally looked so weird and now it's so Hollywood Paris Hilton. It's a joke.

Beth has clearly been getting good feedback on the Miss Piggy anecdote, and will be using it for the foreseeable future. But was Piggy a great role model?

Yes, she was girly, and tough. On the other hand, she was vain, shallow and self-obsessed and in constant need of male approval to validate her. Added to that, her only response to people with a different point of view was to go "hiiiiii-yaaaa" and hit them, which hardly speaks of a great intellectual powerhouse.

And to suggest that back in the day "you had Cyndi Lauper but now it's Paris Hilton" is a bit of a stretch, too, as if the late 80s were some sort of feninist Eden from which we've fallen. Cyndi Lauper co-existed with Baywatch and, surely, Gwen Steffani isn't a million-miles away from Lauperesque "mainstream pop dressed up as slightly kooky" stylings?
We said no to Top Shop - it was really important for me not to take money that they offered, not to take the bait and be sure and strong in myself. But the thing is I'd still wear Top Shop. I'm full of contradictions - I'm a human.

Well, yes. And you're working with one of their designers, which suggests a little more than "contradiction".
It's so obvious but so deep about our culture, and what it says about women and their worth in the world.

To be a zero and like, that is your ultimate goal - not to be smart, or appreciated, or be an amazing artist, or be an amazing nurse or doctor or lawyer.

The biggest thing in your world is to be nothing - I think that is so intense. How about getting rid of the zero and putting a number to that, even if it's a small number? People are naturally small.

Now, here there's actually a good point there - the idea of aspiration to zero is a strange one; a wish to disappear completely which keys in to some motivation that some anorexics talk about.

But if you're worried about people killing themselves inspired by catwalks, isn't "changing the number" of size zero to some whole number a little odd? The eye-catching "zero" gave a hook on which a lot of the reaction to super-thin models could be hung - would headlines talking about "Girls starving themselves to get to size four" have created such a reaction? - and, surely, an unhealthy bodyshape is an unhealthy bodyshape regardless of what you call it; calling it something warmer might actually be an encouragement and endorsement?

Oh... and "people are naturally small", are they, Beth? Does that mean larger people are, in some way, unnatural? You clearly have no idea how larger people suffer, young lady. Treated worse than the dead, they are.

Oh, no, hang on - apparently people aren't "naturally small" after all:
Some people are just really big, some people are short, some people are tall, some people have blue eyes, some people are completely blind - that's the real world.

But what people want to tell you is that the real world is harsh and cruel and the reality is that if you're fat and ugly no one will ever like you.

That's not true - that's not reality. Real life is your skin, your flesh, your heart, your blood, walking down the street. That's real life.

We're not quite sure what this means - it sounds a little bit like one of those pointless cod-philosophical waffle-burps that Mohinder does at the start of Heroes ("When we evolve, change comes suddenly. But a slow evolution does not mean that the door must always be closed to the instant alteration - for, in the blink of an eye, everything can be altered, and yet remain exactly the same..."). Ditto suggested at the start of the interview that life being larger is cold and harsh, but now she seems to be suggesting that it isn't. And if "people" will tell you that the real world is harsh and cruel and nobody will ever like you, but that isn't the real world, then who are the people telling you you're shit? Are they made-up?

But really, the saddest part of the rambling quote is this:
"[I]f you're fat and ugly no one will ever like you"

Even Beth yanks together 'fat' and 'ugly', as if they're synonyms. That's quite heartbreaking.


Friday, September 14, 2007

Baby blues: X Factor dump pregnant woman

Lovers of Victoriana will be delighted to hear that an almost entirely-preserved Victorian Attitude has been discovered in Simon Cowell's permafrost: X Factor tryout Katie Boothand has been kicked off the show because she was pregnant:

With Dannii Minogue the only one to say "no", the 24-year-old was stunned to learn she has got through to the next stage, but after she leaving the room, the panel had doubts.

Cowell said: "A part of me thinks we shouldn't have just done that because she's five and a half months pregnant. That should have been a 'no'. It doesn't feel right, I'm almost inclined to change my mind now."

Louis Walsh agreed, and Minogue says: "I've got nothing against pregnant women but you can't be singing on live TV and giving birth at the same time."

We love the "I've nothing against pregnant women but..." - it's not that Louis Walsh comes over all squeamish at the thought of vaginas and blood and babies and breathing, oh no. Not at all.

Isn't there, you know, some sort of rule about discriminating against women because they're pregnant?


Fran Healy: don't use music to be famous

After having spent the last couple of years sliding backwards towards obscurity, Fran Healy has decided that using music as a route to fame, cash and easy sex is wrong:

“Music shouldn't be about the band or the personalities. It's about the songs. As long as the songs are out there making people happy that's what it's all about.”

For this reason, and to ensure that the largest number of people draw the greatest amount of happiness from his work, Healy then announced that all Travis tracks from here on out will be made available for fr... oh, no. He seems to have forgotten that bit.


Fred Durst: Hit and run

Since he apparently stopped blogging, Fred Durst has been a little quiet. Now, though, we've found out what he's been up to: hit and run driving.

Yes, the charmer who threw abuse at security staff trying to help a fan with fatal injuries has now added driving into people, and driving off, to his list of accomplishments.

Durst plea-bargained his way down to three years probation, fines and compensation to keep himself out of prison.


Something to listen to: Babyshambles

The Times is offering a track from the Babyshambles album for download and consumption; alongside, they run a commentary by Adam Ficek on the making of the new record. Apparently, it was no more strenuous than the first:

There is a lot of expectation with this album, but that is nothing new – we had that with the first one, Down With Albion. People criticised that one for being underproduced but Mick Jones did a sterling job. At the time Pete was on the verge of going to prison.

Hasn't Pete Doherty been on the verge of going to prison consistently since about 1903 now?

This new album is very, very different:
Shotter’s Nation is a more ambitious record, whisper it, a “crossover” record. The songs are all really strong and it’s not genre-specific like most indie stuff, there are surprises on there. Yes, there is that English Sixties sound, but there’s also a touch of Britpop and Stone Roses.

Goodness, British Invasion, Britpop and Baggy. What a massive range of reference points you're drawing on there - we can see how that would be different from middle-class-white-boy-with-guitar-and-Revolver of "genre-specific" indie stuff.


Parkinson: I am the music man

For years, Michael Parkinson has liked to suggest that his TV chatshow - far from being the William Hickey column with moving pictures - is some sort of hotbed of journalism. Now, as he prepares to retire - again - he's also laying claim to being some sort of latterday John Peel, "breaking" risky new acts:

Asked whether he had had to fight to get acts such as Cullum and Krall on his shows, he said: "Oh absolutely. I mean the thought of putting someone unknown now on to television on a show like mine would cause them to have a heart attack and you say to them look what happened to Jamie?

So Michael Parkinson gives new young acts (Razorlight are also mentioned) a break. We love the idea that he had to "fight" to get Razorlight on the show. Really?


Sting's brothel visit prompts untold hilarity

You'd have thought that a photo of Sting outside "Hamburg's top brothel" would have been one of those stories which was complete in itself - a nice balance of innuendo and eyebrows raised.

Instead Victoria Newton uses it as a launching point for what reads like a verbatim transcript of an improv night in a third-string University's student bar after closing time:

Of course we haven’t a clue what the star was De Do Do Do, De Da Da Da-ing in the area.

But if any of the brothel’s 40 naked models HAD caught sight of him, we’re sure he’d tell them Don’t Stand So Close To Me.

After all, Bed’s Too Big without wife TRUDIE STYLER. And Every Little Thing She Does IS Magic.

So this snap’s just bad luck on old Sting. Poor fella must wish he was Invisible, Sun.

A newspaper printed this.


Radio One More Time: Current Affairs

Radio One's news means only one thing, of course: Newsbeat. Except for the brief period when Newsbeat in the evening had given way to News 89, or News 90, depending on what the year was - a whole thirty minutes of mainly news which, we suspect, had been launched in response to Capital Radio's much-missed The Way It Is, only abandoned when Five Live was launched to cater for the I-like-news-but-I'm-not-obsessed-with-news audience. Perhaps the key Newsbeat - the most Newsbeaty Newsbeat of them all - was the lunchtime edition which covered both the attempted coup by military-obsessed hardliners in Moscow and the launch of Take That's first single. Who knew that both would be organising their comebacks at the same time?

We've never been sure, but we've always suspected that the existence of Radio One's semi-unique news on the thirties would have been down to sharing a news team with Radio 2 in the early days and an easy way of letting one presenter be on two networks without needing to be in two places at the same time. Of course, the two minute, half-past news bulletin never used to part of the Newsbeat 'brand', only changing during the Banister-era. "It's not Newsbeat" protested Danny Baker, "it's just the news".

The station has always seen a current affairs offering as being essential to its position, sometimes going a little extreme in its determination to keep world affairs in amongst the pop. Mike Smith's tenure at the Breakfast Show saw headlines bursting out every twenty minutes, but without a 'crew', Smith himself was expected to do the newsreading for all but the standard news slot. You don't know the meaning of "clunking change of gears" until you've heard a man trying to get from "has the victim of the IRA bomb made it through the night" to "has Bon Jovi made it three weeks at number one". When Simon Mayo settled in to the Breakfast chair, he was gifted a team to try and make this work more easily - Rod Mckenzie, who then did the news and is now in charge of Newsbeat, and Sybil Ruscoe, who was travel and weather, and went on to open the BBC Bar in Manchester Oxford Road. Ruscoe was the first female breakfast regular, although, of course, she was only allowed to do the lady-slanted "don't forget your sou'wester and make sure the kids get to school on time" bits.

Simon Bates, clearly, wanted to be thought of as Radio One's key anchor, which meant that if something interesting happened, he'd be jumping into a radio car to bring the news. We do wonder if anyone actually asked him to drive to Berlin when the wall was coming down, but he did, popping up to report for the breakfast show. Bates was away from the rest of the world media, but bravely insisted that this was because Radio One's Golden Hour was right, and CNN, BBC News, ITN and the German Media were wrong: "If you're watching TV, you're missing the story. They're at the Brandenburg Gate, that's not where the real Germans are, that's where the TV cameras are, that's where people go when they want to get on TV. We're where the real Gemrans are." And Simon Bates, of course.

[Part of Radio One More Time]


Amy was robbed, but Jo gets paid

Fascinating, just a few days after Jo Whiley was complaining about how "Amy Winehouse was robbed" at the Mercurys, to see her doing a voiceover on the Klaxons album adverts showing to turn a few quid out of the Mercury victory. We're glad that Jo was able to cope with her burning sense of injustice long enough to sign off on this one.


Blunty's needs

There's a big interview with James Blunt in today's Sun, in which he stresses how much he means it:

I got such a positive response to begin with. But, obviously, when I’d moved on from the early definition of underground, attracting more and more attention, there also seemed to be a negative reaction.

When was James Blunt ever "underground"? "Not having sold mainstream records" isn't the same as being underground, Blunt. It's not like you've ever been Richard Hell.
Sometimes, people can use quite strong words but I’m sure they don’t mean it as a personal affront. More they’re clear in their minds that it’s to do with taste and opinion.

It's a good point - there's no reason to hate James Blunt's personality. It's like hating elves or Atlantis.
I realised that I can’t please everyone, and nor should I. I don’t do music for that reason. I do it because I need to. Honesty and expression. I’m not trying to impress people and it’s nothing to do with image.

"Need" as in "am forced to create by my nature" or - as is more likely - "need" as in "otherwise they don't give me any bread and soup"?
Blunt does speak warmly of Cat Power, who he suggests is a "success" despite not selling as many records as he does. We wonder how many people who like Blunt will be sampling Chan Marshall's work expecting similar daytime ITV stuff.
Picking up the Pacha reference, why have you chosen Ibiza for your home?

It’s just a really special place. It not only has amazing nightlife but, more importantly, it also has incredible countryside and beautiful Spanish rural lands. And, as a songwriter, it’s a great place where I can go and be totally secluded.

You wrote most of the album there?

Yeah, in the winter. With only local Spanish farmers for company. There are a whole load of artists and musicians out there actually.

So, it's wild, secluded and there are only Spanish farmers for company. Except, erm, for all the artists and musicians. It's like all those people who live in the "real" Provence surrounded by English dentists and Welsh advertising executives.


Sophie Ellis-Bextor opens up for Gary Barlow

What could be sweeter than a Take That tour with no Robbie Williams, but added Sophie Ellis-Bextor?

Sophie is putting her own tour on hold to do the Take That swoosh:

"I'm thrilled Take That have asked me to tour with them," she added. "It's a once-in-a-lifetime opportunity any girl would be a fool to turn down.

"I promise you when my own tour happens next year it'll be bigger and better than ever."

... and, if the gamble pays off, include a few extra ticket sales to converted That fans.


Thursday, September 13, 2007

Hadn't you retired?

Apparently, Eminem is working on a new album:

"I'm always working -- I'm always in the studio. It feels good right now, the energy of the label. For a while, I didn't want to go back to the studio ... I went through some personal things. I'm coming out of those personal things [and] it feels good."

Considering he wrote songs about killing his wife and had her grave tattooed on himself, it's boggling to think what might have been too "personal" for him to share. It's probably best we don't ask.


Dave Grohl doesn't want your love

Dave Grohl is keen to stop rock stars being held in high esteem:

"We played a show recently for a bio-engineering company. We met the man who invented synthetic insulin. He basically saved millions of people's lives by reinventing that drug. He is the kind of dude who deserves a medal - not some drunk onstage wearing eyeliner and selling 10 million records.

"What we do isn't changing the world."

Hang about - weren't you on the Live Earth bill on the understanding that what you do can change the world?


Ja Rule looks for whipping boys

Another email from James P, demonstrating that "Ja Rule is American for Jim Davidson".

We'll let him tell you why:

Responding to the forthcoming Congressional hearing which will look into whether the media stereotypes and degrades black women, Ja Rule isn't happy. His reckoning? If they're going to look into whether rap lyrics are corrupting the nation's youth, they should also look at what teh gheys are doing. Apparently it's just as bad...

"If (lyrics are responsible), then we need to go step to Paramount, and fucking MGM, and all of these other motherfuckers that's making all of these movies and we need to go step to MTV and Viacom, and lets talk about all these fucking shows that they have on MTV that is promoting homosexuality, that my kids can't watch this shit. Dating shows that's showing two guys or two girls in mid-afternoon. Let's talk about shit like that! If that's not fucking up America, I don't know what is."

Whilst I agree with him in principle - MTV should not be screening dating shows mid-afternoon (because they're a MUSIC CHANNEL and the last time I saw any music on MTV was in 1998) - I must admit he loses me a bit with his reasoning. If I'm reading it correctly, he's saying we shouldn't be investigating one possible source of minor-corruption because, erm, he can think of another one.

Another thing; I always thought that the whole appeal of popstars was that they provided an alternative to our stuffy parents, giving us spokespeople who were kicking out against the mainstream, shaking up the system. Ja Rule, on the other hand, seems to be spouting the exact same homophobic piffle that ver kids could read if they picked up their Dad's Daily Mail. (I've never understood this 'promoting homosexuality' thing; Are our children at risk of suddenly turning gay if they meet a convincing-enough salesman? Could the staunchest heterosexual be turned if Barry Scott demonstrated the benefits of homosexuality, possibly with some sort of Penny Test?)


Now, Rule might think he's demonstrated that rap isn't that bad - but, boy, he's so angry, and hate-filled, and full of paranoid fear... it's hardly a good advert, is it?


HMV steps into the future

The first of the new-look HMVs has opened in Merry Hill, and The Guardian has been down for a look.

Curiously, Simon Fox, who has overseen the flipcharts and market surveys which has led up to this moment, used to be in charge of Comet, and he's brought with him everything he learned making shopping there such a dispirting experience - genuinely, who can tell the difference between a Comet and a Currys? Who really enjoys traipsing through them?

So, you get a dash of the coffee shop from Neighbours:

The fresh juice bar is all part of a plan to entice customers in for longer. Sipping on smoothies they can sit at sleek new Apple computers surfing a select number of websites including social networks Bebo, MySpace and Facebook.

That'll certainly bring people in - after all, Apple Stores in the US had to block MySpace because its shops were getting overwhelmed with people updating their MySpaces and not buying - but will that lead to sales, or is HMV investing in providing enormous youth clubs?
A row down from the "social space" are terminals where shoppers scan the barcodes on CDs and DVDs, listen to and watch them and click on a buy button for free delivery of a copy to the customer's home.

So, you go in to town, fight your way through kids sipping smoothies and... can order your album to be sent to your house. And go home and wait for it. Why, exactly, would you bother to go into town to do this? You could hear the tracks online at home, order it, and wait. HMV, clearly, need to bring people into stores, but simply by adding a stage of 'going into town and going to a store' into the process of purchasing online isn't going to work.

Unless HMV is aiming squarely at people who don't have access to the internet elsewhere - not, we'd have thought, the same market who would be supping smoothies and stalking social networking sites.
Mr Fox hopes inspiring people to buy at least one item thanks to easier-to-navigate stores divided into areas like "watch", "listen" and "play" will make the economics of the refit work. At £100 per square foot, it means the price tag on Dudley's store is £800,000. If HMV decides to go ahead with 40 more next generation stores - it will decide after Christmas - the cost will be £20m.

Twenty million pounds? That's very, very serious money. I suspect they'd be better off spending it on a wider range of stock.

[Thanks to James P]


Microsoft promise DRM for DRM-free tracks

According to patent it's busily filed, Microsoft have invented a way to put DRM fingerprints on DRM-free tracks.

It might be the first time anyone's patented a paradox, but MS claims it could allow record labels to track what happens to the files with "stealthy audio watermarking" - presumably someone warned against calling it "super-sneaky nosey technology" in case it looked kind-of spylike.

MS also claim that it's impossible to remove the audio fingerprint, and that each print is unique.


Prince: Take down Get Up

Prince is spending large sums of cash ensuring that unauthorised Prince stuff on the web is moved about a bit, to different servers, or taken down for a while and then put up in a different format:

More than 1,000 unauthorised clips have been taken down in the last few days, according to Web Sheriff, the UK firm he has hired to enforce the ban.

That only leaves about 2,700 odd returns on GoogleVideo search if you look for "Prince Live", then.

Prince's people insist it's not about a rich man trying to hold on to every penny:
John Giacobbi, managing director of Web Sheriff, said: "Some artists are very relaxed about the use of their image and music on the internet, some less so.

"Prince feels very strongly that people should remember his concerts as they were, not as some grainy mobile phone footage."

Of course, you could ensure that by allowing people to bring HD video cameras with them, then. No? Oh.
The artist has also instructed Web Sheriff to police unauthorised distribution of his music on file-sharing websites such as Pirate Bay, and is seeking to stop auction sites like eBay from selling unauthorised merchandise.

Mr Giacobbi said: "We are not targeting fans who might want to sell their copy of Purple Rain, we are targeting companies in China manufacturing Prince handbags and selling them in their thousands.

"Prince's actions are a brave and pioneering step to challenge the status quo and hand control over internet rights back to the artists."

How reassuring that Prince isn't "targeting fans" who are selling second-hand records - what with that being perfectly legal and their right. Why not pat yourself on your little purple back for not suing people for humming the chorus from 1999 while you're at it?

As for 'unofficial' merchandise, what actually gives Prince the right to try and stop this? If what you sell isn't being passed off as somehow official, and uses images that are public domain or otherwise not subject to license fees, and assuming Prince hasn't trademarked his name for Chinese handbags, then on what grounds is he stopping their sale? There is an enormous difference between "unauthorised" and "illegal", however galling it might be for the artist; we should perhaps challenge any attempt to try and suggest that a secondary market for this sort of thing is, by its existence, wrong.


Is Britney avoiding another public blow-up?

E! is reporting that Britney Spears might be working with Kevin Federline to try and avoid a second public drubbing. They've had a meeting trying to head off the need for Monday's court hearing about child custody; no agreement yet, but they're still talking.

Mind you, it could just be Kevin's waiting until Britney's antidepressant dose is so high she'll agree to anything.


Growing anxiety

Following the anxiety-induced axing of the US tour, The White Stripes have now pulled their UK dates, too.


Instant publishing

The NME.com report about Muhammad Abdel-Al's intemperate attack on Britney and Madonna is interesting:

Muhammad Abdel-Al is quoted in new book 'Schmoozing With Terrorists: From Hollywood to the Holy Land Jihadists Reveal their Global Plans - to a Jew!' attacks the two pop stars, labelling them "prostitutes".

Abdel-Al rants, "If I meet these whores I will have the honour - I repeat, I will have the honour - to be the first one to cut the heads off Madonna and Britney Spears if they will keep spreading their satanic culture against Islam."

He did, however, say that Dannii Minogue was alright.

Now, clearly, there's something wonderful about someone who thinks that Britney Spears is in a position to get out of the house on her own, much less spread a satanic culture against a major world religion, but what really puzzled us was this:
The comments have been made just as Madonna and husband Guy Ritchie prepare to celebrate the Jewish New Year with 2,000 Kabbalah followers in Israel.

The comments were made... when? Just made? In a book that's already been printed? "The comments were ragged out by a publisher's PR person just as...", shurely?