Peter Serafinowicz - off the internet's popular Twitter - contributes to Gawker to explain why he "steals" movies - even the ones he's in:
Frank Zappa once said that Communism could never work because people like to own stuff. I felt a similar way about CDs when music began to arrive in MP3 form. Now, my music happily resides in my iTunes library, spread over various computers and iPods.
Music's purpose is to be heard. It doesn't need to live on discs in boxes on a groaning shelf any more. When I go into a Virgin Megastore or HMV (a rare occurrence now, a vestigial habit) I just see a huge room filled with redundant plastic. Now with Spotify and other streaming services I'm even starting to begrudge the space taken up on my hard drive.
I recently directed the music video for Hot Chip's "I Feel Better." Contractually, the video had to be hosted on EMI's official YouTube channel, which disabled non-UK users from viewing it, limiting its audience by around 80%. Frustrated, I put it up on my own YouTube channel with no region restrictions, and at time of writing is just shy of a million views. EMI then remotely disabled embedding on my version, thereby limiting its audience again. If you're in the business of promoting a band, why would you want to stop people watching their promotional video?
[Thanks to Michael M for the link]