Saturday, May 05, 2007

Stand up for students, says Harvard Professor

With the RIAA once again attempting to get universities in the States to hand over details of file-sharing students, Harvard professor Charles Neeson has published a demand (co-written with Wendy Seltzer) for the Ivy League institution to tell the record labels to go screw themselves:

One can easily understand why the RIAA wants help from universities in facilitating its enforcement actions against students who download copyrighted music without paying for it. It is easier to litigate against change than to change with it. If the RIAA saw a better way to protect its existing business, it would not be threatening our students, forcing our librarians and administrators to be copyright police, and flooding our courts with lawsuits against relatively defenseless families without lawyers or ready means to pay. We can even understand the attraction of using lawsuits to shore up an aging business model rather than engaging with disruptive technologies and the risks that new business models entail.

But mere understanding is no reason for a university to voluntarily assist the RIAA with its threatening and abusive tactics. Instead, we should be assisting our students both by explaining the law and by resisting the subpoenas that the RIAA serves upon us. We should be deploying our clinical legal student training programs to defend our targeted students. We should be lobbying Congress for a roll back of the draconian copyright law that the copyright industry has forced upon us. Intellectual property can be efficient when its boundaries are relatively self-evident.

But when copyright protection starts requiring the cooperation of uninvolved parties, at the cost of both financial and mission harm, those external costs outweigh its benefits. We need not condone infringement to conclude that 19th- and 20th-century copyright law is poorly suited to promote 21st-century knowledge. The old copyright-business models are inefficient ways to give artists incentives in the new digital environment.
[...]
The University’s educational mission is broader than the RIAA’s demands. We don’t have all the answers either, but rather than capitulating to special interests, we should continue to search for fair solutions that represent the University’s mission, its students, and the law in a way that educates students to be leaders of the digital 21st century.

The "special interests" is important here, of course: the RIAA doesn't have any claim to be the sole arbiter of musical law - it's a members organisation of vested powers, not a legally mandated independent body working in the name of culture. Let's hope Harvard chooses the opposite to an easy life, and rolling over for the corporate world - although when was the last time academia stood up to commerce?

Bez: Everything's a sideshow

We could understand Bez's motivation for going on Celebrity Big Brother - he was broke - but selling your own wedding as a public entertainment? That's a little low, surely? Couldn't you just sell the toasters if you need cash that badly.

Bez's fiance, Monica Wood, says:

"I'm not really into TV cameras."

You might want to have a word before the conception of the kids is sold to Bravo, Monica.

Bookmarks: Some other things to read on the web

Stylus revisits the first fifty Sarah Records releases:

Another Sunny Day returns with “I'm In Love With A Girl Who Doesn’t Know I Exist,” the track Sarah detractors would often cite as Exhibit A in their case against the label’s proclivity for sad bastard pop. (Conversely, Haynes said it was one of the most perfect releases in the entire Sarah catalogue.)

Sure, the single is pure schmaltz, evoking modern acts like Aberfeldy – gushy guitar lines, near whining vocals, and Williams revealed to be naive to a fault (“So many times this has happened before / But I never knew that love could make you feel so sore”) – but it’s got subtle, ironic flourishes, too, like that dance-like bass drum featured in the beat. And checking in at just 1:40, one gets the impression Williams got over his romantic mugging rather quickly.


David Hepworth's And Another Thing revisits his twenty year-old Best Albums top ten. Since only time can tell if we stand the test of time, do the choices still stack up?:
1. I Want To See The Bright Lights Tonight by Richard & Linda Thompson
Frankly I don't believe in these lists at all but this is still a masterpiece. I picked it for what it represents and I might well do the same again tomorrow.


Idolator watches and transcribes Anne Coulter reviewing Rage Against The Machine:
And, by the way, they are also very unfamiliar with D.C. gun laws if they think they can shoot the president, because no guns allowed.


QVC is the new musical tastemaker, reports the Wall Street Journal, watching Neil Sedaka pitch up and flog scary numbers of albums amongst the cubit zirconium:
During Mr. Sedaka's live performance April 19 at the channel's West Chester, Pa., headquarters, QVC sold nearly 19,000 copies of his new CD, according to his label, about 78% of his first-week sales. That figure helped vault "The Definitive Collection" -- which includes new material and well-known songs such as "Breaking Up Is Hard to Do" -- to No. 22 in the Billboard 200, according to data released Wednesday by Nielsen SoundScan.

During the show, the 68-year-old musician's wife watched from the green room as the sales mounted in real time. "She called it 'the slot machine,' " Mr. Sedaka remembers. "It was quite shocking to see how many people would buy off QVC."


Each of the four acts QVC has featured this year has either jumped onto the album chart or seen spikes in record sales after its appearance. In March, the country-rock group Alabama sold more than 21,000 copies of "Songs of Inspiration II" on QVC, the channel says -- or as much as 81% of the figure that landed the album at No. 33 on the chart. After a February performance to promote a special edition of their 2006 album "Let Love In," the Goo Goo Dolls returned to the chart with 15,000 copies sold that week, according to Billboard.


The DigiCreamTimes remembers how Simon Bates suffered for our entertainment:
Radio One disc jockey Simon Bates needed a medical check-up today when he returned to Britain at the end of his round-the-world charity race.

After suffering a severe stomach upset for the past eight weeks, he said he felt weakened and "slightly malariafied" after his travels, which raised £300,000 for Oxfam. Food poisoning, heat exhaustion and a septic foot added to his troubles during the 78-day journey. And on reaching Dover at dawn this morning he quipped: "One thing I have discovered on this trip is there are more cockroaches than people in the universe."

Amy Lee loses another couple from Evanesence

The increasingly one-woman band that is Evanesence has lost a couple more members, with Amy Lee firing John LeCompt and Rocky Gray walking out in sympathy. LeCompt blogged about his cashiering:

"Around 3:30 pm yesterday I recieved a call on my cell from Amy. This call wasn't from a friend who appreciated me but from an enemy who was prepared to hurt me and my family. Without any warning or negotiotiations for my future, I was fired for no good reason. We have not always seen eye to eye on everything, but who does?

"Our common goal was always the same. To make Evanescence the best rock band it could ever be. I have always given blood, sweat and tears to make that happen but apparently that is not enough. I have now become just another of the people fallen by the wayside on the revolving door of her life. It's funny how many of us there are now. I guess it's good for lyrical content, though. Maybe I will be among the blessed to have a song written about me, too. Maybe the song will be 'Call Me When You're Broke'."

It's fascinating that Amy Lee seems to be going about becoming solo by a really circuitous route. She's always tried to play down the Christian origins of the band - presumably that's why she's behaving with so little compassion or charity.

Wouldn't you love to see LeCompt bring an unfair dismissal suit?

Epic records "one step away from handing out deals at random"

While we can understand modeling agencies tying up with Tyra Banks to offer contracts to winners of ANTM - after all, if they're that bad, they can always be made to stand in the background - if the music industry is doing as badly as they say, it is really wise for Epic Records to agree in advance to sign a band who wins some sort of online talent show? They're down to the last five now - and Epic execs must be wondering if what they'd thought would be a PR-friendly way of hooking up with a band with a small but dedicated fanbase is going to turn out instead to be the equivalent of discovering a demon child left on their doorstep?

We've voted for Rudy and The Rhetoric. That'll show 'em

Event Verizon: Akon blows his contract

US telecoms giant Verizon has hung up on its deal with Akon, and deleted him from their phonebook. It was all going so well, until Akon went to Trinidad and simulated sex with an underage girl on stage.

There also seems to be some suggestion he might have promised the girl a trip to Africa as some sort of prize in a non-existent competition, which makes him not only seedy, but grubby in a whole lot of other ways.

Akon has suggested the whole thing was the spirit moving him, or something:

"I got carried away," Alleyne, a pastor's daughter, said in a public apology last month after a local TV station aired the footage. "I started to dance, as well, but I never thought it was going to be like that. I was shocked. My head was hitting the floor."

Luckily, though - or perhaps, unluckily - he managed to pick up his head long enough to get to the end of the routine where he pretended he was fucking a teenager on stage.

There is, of course, an innocent victim in this - Gwen Stefani, oddly enough. Akon was opening for her on her US tour, and so keen are Verizon to distance themselves from even the merest hint of underwriting the activities of a kiddie-fiddler, they've yanked their funding for that, too:
"This week the partnership ended," Verizon said in a statement to Fox News. "We have music services on our cell phone service and we were promoting him as one of the artists. The other part of the sponsorship was the Gwen Stefani tour, of which he was an opening act. We are no longer sponsoring the tour."

It's not yet clear if the loss of this sponsorship will force Gwen to cut back on the number of muter Japanese children who will follow her around backstage.

Ndour calls for Darfur action

Earlier this week, Time called Youssou N'Dour one of the most influential people on the planet. Let's hope so: he's trying to mobilise artists from across Africa to campaign for immediate help for people in Darfur.

He might not solve the civil war and the humanitarian nightmare we've all helped to create, but it's got to be more use than Hugh Grant throwing egg-timers filled with blood around, surely?

Battles of Britain

Truly, this will be their finest hour - Battles have arranged a may tour to accompany the debut album:

May 16 - London Scala
17 - Sheffield The Corporation
18 - Bristol The Cooler
19 - Minehead ATP
20 - Leeds Stylus
21 - Manchester Academy 2
23 - Glasgow, ABC2
24 - Birmingham The Barfly

The album is out a week on Monday but is ready to pre-order.