Showing posts with label dinosaur jr. Show all posts
Showing posts with label dinosaur jr. Show all posts

Saturday, October 19, 2013

NME oversells products

What's this, NME?

Dinosaur Jr have launched their own clothing line.
Really? J Mascis has been up all night fretting over hemlength, has he?
Frontman J Mascis has teamed up with New York clothing company Mishka for a range of band-branded beanie hats, T-shirts and jackets.
Ah, so when you say "launched their own clothing line", you mean "put some band merchandise on sale."


Saturday, June 29, 2013

Glastonbury 2013: Dinosaur Jr

Very much enjoyed Dinosaur Jr last night on the Press Red stream.

Until July 29th, 2013 you can watch the set on iPlayer.

Possibly more resilient will be this track, from the BBC's YouTube presence, of Watch The Corners:


Tuesday, July 14, 2009

Dinosaur Jr prop up Playboy mansion

It's a bit disappointing that Dinosaur Jr have done their bit to prop up Playboy by doing something for Playboy.com. It's part of the site's bid to find something that it can charge for, what with so much porn being available for free on the net.

At least they're treating the whole procedure with only half an arse - the idea is for bands to cover other bands, and Dinosaur Jr are offering Just Like Heaven. In other words, the same bloody song they covered two decades ago.

In other words, it's like this exclusive:


Wednesday, May 06, 2009

Downloadable: Dinosaur Jr

Thanks to the lovely people at RCRD LBL, you can enjoy a lovely slice of Dinosaur Jr:



This is I Want You To Know. Yes, it's off Farm.

[via RCRD LBL]


Monday, August 25, 2008

1988 Festive Fifty Weekend: Number five

Another band which is currently enjoying a reunion surge, then, at five, with the mighty Freak Scene by Dinosaur Jr.




Buy: Bug

[Part of the 1988 Festive Fifty Weekend]


Monday, April 30, 2007

They didn't have MySpace back when they ruled the earth

Streaming now, over on TheirMySpace: that new Dinosaur Jr album in full.


Thursday, April 05, 2007

Bookmarks: Somethings to read on the internet

David Bowie launches a "career as an online musical agony uncle" with the help of The Times and his memory:

It was at Furlongs that I got my first real taste of how things could be. Furlongs was owned and run by a man in his forties who was the perpetual jazzer/college type. New Orleans was his thing.

Furlongs was the record shop. For absolute integrity and a huge stock of jazz, R&B and pure blues, there was nowhere else like it until you reached London itself.

It was here that the power of recorded music struck home. I don’t mean it was where I discovered music (I had already discovered that power through Little Richard and Elvis) — no, it was more how those bits of black plastic could affect other people’s behaviour.



Stylus explores how the internet has made it possible to be indie again:

But it’s Cherry Red’s dalliances in the diverse multi-media market that have many regarding the label as a model for independents looking to make web-fueled modifications and survive in today’s industry. A book division opened in 1997, while the label began issuing DVDs in late 2006 (over 50 releases are slated for this year). Cherry Red’s site, which is updated daily, also features a download shop with over 17,000 songs.

“We still see ourselves as a ‘physical’ label,” McNay says, “but there’s no question we have embraced new products, and new ways to distribute and market old products. It’s a matter of adapting. If you look at many of the independent labels that formed around the time Cherry Red did, you’ll see many haven't survived. Adapting has involved making some radical changes, but without those changes we might not still be here.”


Lou Barlow tells Nashville Scene about being back with Dinosaur Jr, and crowd reactions:

You can’t hear people anyway, so it doesn’t matter. At a Dinosaur Jr. show, they can yell whatever they want, they’re not gonna be heard or responded to at all. Dinosaur is not about communicating with an audience on any level. As the reunion has kind of evolved, I’ve realized—not that I didn’t know it already—that the majority of Dinosaur fans came to Dinosaur long after I left. It’s similar to the Eric thing in Sebadoh.



Jack Marin posts to his LiveJournal about why he quit Cute Is What We Aim For:

At first when I joined the band everything was great and everyone seemed happy. But shortly after, I started having some personal issues with another member. I've tried to just ignore the problems, but the truth is, I'm just not happy at all.

This is a decision that I've been debating for weeks. Even as I was getting ready to tell the guys, I was still wondering if I was making the right decision. But I've finally decided that it's in my best interest to leave this band as soon as possible. It's a matter of principle and to me, being in the band just isn't worth what I have to deal with.


Monday, February 12, 2007

First listen: Dinosaurs walk the earth again

How lovely to have a new Dinosaur Jr single after so very, very long - Gideon Coe played Almost Ready on his show today (Listen again - it's about two hours eighteen in). Coe observed that "almost" from the start it sounds like Dinosaur Jr, and it does - except a much more detailed form of the band. Perhaps it's the shift towards digital being so comprehensive since the band last picked up their instruments in a studio, but you can hear a lot more of how the glorious noise is structured. It's like having an expensive Irish whiskey after a week on the supermarket bourbon.