Over on the Oxford University Press blog, Steve Savage launches a defence of Autotune:
As a recording professional, I see Auto-Tune primarily is a tool that allows for the occasional pitch fixing of a small part of a vocal performance. Before Auto-Tune I had numerous debates with singers about a particular phrase that I felt was especially emotional and effective but had one slightly sharp or flat element. I’d say “But the performance is great! No one is going to notice that tiny pitch issue.” Often the singer “just can’t live with that line” so we’d record it again. (We’ve been fixing pitch in vocal performances by re-recording for a long time.) However, when we’d re-record the line, invariably it wouldn’t be quite as emotional or expressive, but it would be more in tune. The singer would be satisfied and I’d be disappointed. Now, thanks to Auto-Tune, I can pitch fix the little problem and save that great performance.