Mark Kozelek has, sadly, form for coming across like a boor, and he's not learning from his mistakes. This week, he turned his creepy ire on Laura Snapes, who had the temerity to talk to people about him:
Last Monday (1 June), Sun Kil Moon played at the Barbican in London. During the encore, Kozelek introduced a snippet of a new song he had apparently been writing. I wasn’t there, but a friend/colleague was, and phoned me after the gig. I’ve since heard the audio and it made me feel sick. “There’s this girl named Laura Snapes, she’s a journalist. She’s out to do a story on me, has been contacting a lot of people that know me,” he told the sold-out, 1,900-capacity room. Then he started repeating the line: “Laura Snapes totally wants to fuck me / get in line, bitch … Laura Snapes totally wants to have my babies.” The audience clapped and cheered. He played another song, then said he’d only been kidding around before: I was “cute”, “sweet”, “a good kid”. “She’s written some nice things about me.” Then he sang it a few more times before chiding himself. “Better stop before I make Pitchfork headlines for myself again.”There is, of course, no line of people wanting to have sex with Mark Kozelek, apart from in his head. Kozelek is just an asshat. Snapes would be justified in throwing something heavy at his head; instead, she marvellously takes him down using his own work:
Kozelek trades in sucker-punches. He impugns online “bitching and whining”, but hides behind one-way email exchanges, balks at the idea of his peers speaking about him and issues tirades (and sometimes, sexual advances) from the cowardly remove of the stage, with the get-out clause that it’s a performance. He can use sexually violent language to reduce female critics to the status of groupies, knowing that while male musicians’ misogynist acts are examined for nuance and defended as traits of “difficult” artists, women and those who call them out are treated as hysterics who don’t understand art. “The world don’t owe us shit, I learned that real fuckin’ young,” he sings on Universal Themes’ Little Rascals. If anything remains to separate Kozelek from his work, it’s that his music preaches that the least we owe one another is decency.