There's an excellent piece about Terence Trent D'Arby at the New Statesman website. Interviewed by Kate Mossman, he's by turns self-aggrandising - claiming he was debated about in the House of Lords, something Hansard doesn't appear to record; charming; alarming; disarming and even - and this isn't something I've ever come across in a few decades of reading TTD interviews - like a human:
I press him about the lyrics to “Giraffe”, a likeable, child-friendly melody that contains the lines: “Giraffe/can I have your autograph?/Please sign it to Sananda”. When I suggest that it sounds like a song from Sesame Street he brightens. For the past five years he has been listening almost exclusively to children’s music with his two sons, aged three and five. Joe Raposo, who wrote many of the programme’s best-loved songs, including “It’s Not Easy Being Green”, is one of his favourite composers. His husky voice swells into a perfect, sparkly croon: Can you tell me how to get – how to get to Sesame Street! “You know,” he says, “I think Elvis Costello was also influenced by some of Raposo’s stuff. You’re not supposed to say that, as an angry young writer, ‘Oh yeah, I listen to Sesame Street,’ but I can hear certain devices of his that sound like that whole Electric Company style of songwriting.”
His boys love “Giraffe”, but he can’t be around while they are listening to it; his wife later tells me she has to wait until he’s out of the house to play it to them. He talks touchingly about love being “something you have to work on – it doesn’t just come to you”. As a young man, he scythed his way through women, partly because of his mother issues, he thinks: then one day he decided to stop, “because you’re only going to wind up looking for the same thing anyway”.