Currybetdotnet recalls when Record Collector ruled the second-hand music industry:
They often used freelance writers who were real specialists on one band or artist through being chairperson of the fan club or an ex-manager or something like that. I used to hope that one day I would get to write the definitive Record Collector article about one of my more obscure favourites, like Slab! or Globo or Tot or The Wolfgang Press or Clan of Xymox, but sadly that call never came.
And it is funny how you always seem to remember crushing blows to your ego many years later.
Bob Stanley delivers an overview of DRM and the persistence of vinyl in The Times:
The industry may dismiss this as a fleeting trend, but one group is taking it very seriously indeed. Having decided that no digital format is stable enough for posterity, the Church of Scientology has been pressing the collected thoughts of L. Ron Hubbard on to futuristic, nondigital, unbreakable, good old-fashioned vinyl.
Meanwhile, BBC News celebrates the 25th anniversary of the CD:
"It was revolutionary in many fields - the optics were new, the disc was new. At the start of development there wasn't even a laser that would work well enough for our needs.
"The most advanced laser at the time had a lifespan of only 100 hours."
He said the company had always planned on the format lasting at least 20 to 25 years.
"That was the model we had in mind although it seems that CD is going to last a lot longer than that. For many people the CD is still the original format, with others being derivative or back-ups."