You know that point in Michael Caine's career where he suddenly started wittering on about how it's great in America because nobody cares about class? That's the point Mumford And Sons have reached:
anjo player WINSTON MARSHALL said: “Class is a big issue here. And some people get picked on more than others. I think we probably do.Yeah, Winston. People think you're posh boys because of the tweed. Nothing to do with you and Mumford having met at an Eton Group private school, of course.
“I mean, it doesn’t help that we wear waistcoats and tweed the whole time.
“But there is a reverse snobbishness in England towards that sort of stuff.
“And I think that’s one of the reasons we really enjoy America, ’cos we’re classless.”
Worth remembering here that a couple of years back, there was an attempt to drag The Vaccines into the posh band part of the venn diagram, but, despite the parents with expensive London property and the best efforts of Simon Price, the label never stuck.
Compare that with the Mumfords. They can send their footmen to the front gates all they like, displaying "We are classless" messages on gilded easels until it's time for a kitchen supper, but the sense that they'd be played in a sketch by John Cleese rather than Ronnie Corbett always hangs over them.
I don't think it's that America doesn't notice this; indeed, it's a big part of their appeal over in the US - a country which happily shoved all the guns from the Royal baby salute onto the news.
If Winston turned up with his banjo but without the accent in New York, he'd not be given Grammys and would probably be thrown onto a bus heading off to the Appalachians.
It's okay for the Mumfords to complain about how they get "picked on". They seem less interested in admitting the massive advantages their background gave them.