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We really must thank them
Due to an idiotic internal postal service, we've only just got hold of last week's Music Week with the year end charts in it. Thanks, guys.
What's obvious about the state of music from looking at them is just how quickly singles acts burn out now - of the Top 50 selling singles acts this year, only nine were on the list for 2001; and only three of the top twenty were in the top 20 last year (Atomic Kitten, Blue and Westlife, since you ask.) The biggest selling seven inch was The Jam's anniversary repress of In The City, which still only managed 5,555 copies despite a pocket-pleasing 75pence price tag. But more seven inch singles were sold than any year since 1998, and although the format now accounts for only 0.6% of the singles market, that's double its 2001 share.
There's some oddities in the singles chart - topped by Will Young's Evergreen, a stain of shame that the year shall have to wear for all eternity. Addicted to Bass by Puretone is up at 37; surprisingly Tainted Love by Marilyn Manson made the 100; Sophie Ellis Bextor's Murder on the dancefloor was higher placed (87) than Get Over You (89), despite having been split its sales across the Christmas and New Year 2001-2 break.
Albums sales saw Frank Sinatra doing well for a dead bloke, moving up from 33rd to 30th biggest album act, and there was a plummeting in popularity for the Stereophonics which gives us hope for the future. But best selling album was Robbie Williams' escapology, edging the much better Pink from the top of the chart.
Now 53, 51 and 52 dominated the compilation chart; just ahead of Pop idol's Big Band Album.
The airplay charts are interesting - if you like this sort of thing. Overall, Kylie's love at first sight was the most played track on UK radio. Surprisingly, Shy FX Shake UR Body topped Radio 1's list (569 plays over the year); Travis' Flowers in The Window shuddered Radio 2 to a halt 199 times. The commercial network pressed the button to make Liberty X's Just a Little take us up to the news one million, one hundred and forty four thousand, six hundred and twenty two times - a cummulative audience of just over forty five million. And as if the fear of poison in the underground and the congestion charge wasn't bad enough, people in London had to endure 1,352 plays of How You Remind Me by Nickelback on Capital Radio.
On telly, MTV filled the few gaps where it wasn't going "We have the Osbournes - aren't we wonderful" by sticking Shakira's Whenever, Wherever on 750 times; it was also the most requested on The Box, getting 973 plays.
