Showing posts with label brits 2014. Show all posts
Showing posts with label brits 2014. Show all posts

Sunday, March 02, 2014

Brits 2014: Corden's defence

James Corden was on Channel 4's The Last Leg on Friday and, while perhaps his shaky grasp of judicial proceedings needing to take place in public is forgivable, his attempts to defend this years Brits deserve a closer bit of attention.

First, he was asked about Alex Turner's toe-curling speech at the end. Corden - as ever - was upbeat and positive; last year, he pointed out, the Monkeys picked up a prize without a word, and everyone complained about that. "You're damned if you do..." reckons James.

Up to a point. That point being if you assume that there's only a binary position between making no noise, and making a noise. On this basis, if Turner had come on stage and had a yodel, Corden would have been satisfied.

Actually, it might have been better if Turner had yodelled. Because it's not that he had said something, it was that he had nothing to say of any value. Sure, the NME might have thought we were being summoned to the ramparts, but the rest of the world just saw some drunken rambling where the lights were on, but flickering in a way that suggested a rewiring was due soon.

Secondly, James tried to parry the claims that it was all a corporate bunfest by pointing out that there was that Billie/B*Witched/Steps Abba medley thing a few years back. He seemed to be suggesting that if you used that as a measure, this year's event was hardly corporate at all. Which was an interesting argument, although one fundamentally undermined by there having been a special award invented this year to persuade One Direction to turn up, and that the sole criteria for the award was 'having sold a substantial number of units in key overseas territories'.

On the plus side, he did seem to indicate he won't host again.


Wednesday, February 26, 2014

What the pop papers say: Turner over, it's done

For the last few weeks I've been telling people that the NME had turned a corner, and that it was packing something of a punch in a way that it hadn't for years.

And then it does this.

Genuinely, despite having watched the Brits and liveblogged them, I had no idea what speech they were talking about. After all, the speech that actually did create a minor stir was Kate Moss-as-David Bowie mutter about Scottish independence; if anyone did mention Turner after the event was over it was 'what the hell was he babbling about' and by the following morning even that had been forgotten. To claim that people are still talking about it a week later is a bit of a stretch.

And the cover itself?

Oh, my.

But the Neneh Cherry piece inside? That's worth reading. To be fair, you probably wouldn't want to have put Cherry on the front page, either, but at least you'd be showcasing what's great about the magazine at the moment.


Thursday, February 20, 2014

Brits 2014: The morning after

A couple of thoughts as the 2014 circus passes into history.

First: If Kate Moss mumbling something about Scotland is the most outrageous thing to happen, congratulations: your awards ceremony is officially moribund.

There is an interesting point, though: if Scotland does break from the UK, would it have an influence on the Brits?

Not really. None of last night's winners are Scottish. None of the performers were Scottish. I don't think any of the award presenters were Scottish.

Bowie might have been better off sending the message 'Scotland, join us' rather than 'stay with us'.

For the record, here's the full list of winners:
British Male Solo Artist - David Bowie

British Female Solo Artist - Ellie Goulding

British Group - Arctic Monkeys

British Breakthrough Act - Bastille

British Single - "Waiting All Night" by Rudimental ft. Ella Eyre

British Album Of The Year - AM by Arctic Monkeys

Best Video – One Direction

International Male Solo Artist - Bruno Mars

International Female Solo Artist - Lorde

International Group - Daft Punk

Global Success - One Direction

Critics' Choice - Sam Smith

British Producer Of The Year - Flood & Alan Moulder

Today just tried to draw the Arctic Monkeys on the Scotland issue, and got rewarded with one of those sub-Lennon "witicisms" rather than an answer. Their desire to not say anything upsetting confirms they've passed a certain point in their career - the Muse Horizon - where they just turn up with album after album that sounds a bit like the last one; the record business assumes they're some sort of edgy, alternative act; and everyone does very nicely out of this drifting along. Apart from the fans.

Finally:


You can see Prince thinking "aaaand this is why I don't do this sort of thing."


Wednesday, February 19, 2014

Brits 2014: Liveblog

6.50pm
Welcome to the No Rock & Roll Fun Brits liveblog. For younger viewers, a liveblog is like a bunch of tweets, but without anyone reading them.

The red carpet is underway - this year the Osbournes are being delivered flat-packed, and assembled inside the O2, but there's still plenty for the masses to see.

Angus Deayton sharing a joke with rubber-faced comedian Phil Cool; Robin Nedwell out of that band that Denis managed on Corrie. And June Sarpong, with nobody quite sure why she's there, repeating a tradition now stretching back ten years.

Actually, BBC News just had a chat with Lily Allen on the red carpet. That's where the barrier of expectations has been set for the evening, everybody.

7.00pm
If you fancy staring at a bunch of logos, the Daily Mirror has a rather stuttery livestream of arrivals. At the moment, the old Independent Television For Schools And Colleges countdown logo has arrived and is posing for photos:


7.02pm
As we wait for people to drift by the Mirror's camera - ooh, look, there's a bored girl texting - here's a quick catch-up on what we can expect.


Yes, that. God help us all.

7.05pm
ITV2 also have a live red carpet "event", although that's even less slick than the Mirror's, and is going out on proper television, too.

So this morning, Robbie Williams was being quoted on the Radio 4 Today programme bemoaning that nothing exciting happened last year. Given he was one of the performers, and could have done something exciting had he chosen to, that seemed a bit rich.

Alexis Petridis tried to probe this 'boring' problem a bit more deeply in yesterday's Guardian:
In the runup to this year's Brit awards, the organisation's new chairman, Christian Tattersfield, has struck a bullish, even combative note.

He acknowledges that last year's event was a pretty dull evening for all concerned – "last year could have been better … we lacked superstars… so that took a bit of the edge off". Nevertheless, he is not a man given to fondly recalling the Brits of the past. Then it was a "shambles", now it is "an important event of gravitas, rather than just a shoddy knees-up".

"We needed to stop the mayhem," Tattersfield says, before offering assurances to anyone who thinks all this talk of gravitas suggests that 2014's ceremony, heading to us on Wednesday, promises to be as dull as its predecessor. "James Corden wants to put in a performance as host that creates the excitement we all talk about. We're saying to James, 'Go for it – let's all have some fun.'"
This is the problem: for viewers, a Brits watercooler moment would end in the words "and he got punched in the face, but even frame-by-frame on Sky Plus it wasn't clear if it was Holly Walsh who hit him or not"; but for the organisers, it'd be "... and then Jamie Cullum and Emeli Sande were joined on stage by Sting, and he had his zither with him."

Rizzle Kicks interviewing Rick Astley on ITV2, there.

7.15pm
The big story today - bigger, even, than PopJustice liveblogging whether to liveblog - has been the cheesy attempts Mastercard made to get some leverage from sponsoring tonight's event.

In effect, they asked journalists to wank on a webcam for tickets; the good seats where you could see Kylie needed a cumshot.

More or less:
The email reportedly from House PR reads: “Firstly as part of our Priceless Surprise we are putting on cars to take guests directly to the awards – we will be booking your car to take both yourself and Katy from the office at 4:30pm. Are you happy with these details?

“In addition – in return for this ticket we would like to ask that you agree to the following…” It then lists a number of conditions.

Dawbell, who handle the official PR for the Brit Awards told The Independent: “We’ve made no such asks of our invited media, which are the majority of journalists attending. This request has come from Mastercard’s PR company.”
It even suggested the words attendees might like to tweet, both from their personal accounts, and their publication's twitterfeed.

How did that work out for you, Mastercard?


Elsewhere on Twitter, people are posting pictures of One Direction arriving at last year's ceremony to wind up One Direction fans. Frankly, though, given the live pictures are of James Corden hugging both Rizzle and Kicks out of Rizzle Kicks, you'd be better off with a photo from happier times.

7.22
ITV2 now getting older people to listen to this year's albums because it's funny, right? David Bowie is nominated and is 67.

7.25
Keith Lemmon's turned up. Time to take a short break for tea.

7.30

Is this a SUPERSECRETREFERENCE that PRINCE has reformed TIME for a SUPERSECRETPERFORMANCE or merely someone missing the word "what" from the start of a Tweet?


To be honest, you can't remember Ben Howard three minutes after seeing him (does he wear a hat?), never mind twelve months on.

7.45
Yes, Five Seconds Of Summer are attending the event. I literally cannot express how this makes me feel. No... hang on... it's not I can't express it; it's just not making me feel anything.

7.58
We're nearly there. The tension is building. I ill-advisedly went with linguine and now have sauce on my face.

James Corden is presenting for the fifth time this year - he did one with his comedy partner Horne, and the other three with a growing sense of desperation. He says its the last time, but he might just be trying to get us on side.

8.00
Usual warning about flashing lights, and we're in with The Arctic Monkeys. Oh, with big flaming letters. Still doing the fire thing in lieu of spectacle, are you, Brits?

Alex Turner is wearing a jacket made from Crunchie wrappers.

8.04
It's not exactly a barnstorming start. More like a minor squall over a shed. Everyone is watching very politely, though.

It's a stage in the middle of lots of chairs and tables layout this year, which means the entire audience is sitting down. Live coverage of supper.

Shhh... James Corden's coming on.

8.06
hahahahahahahahahah HE'S ON FIRE

James tells us that British acts have taken the world by storm over the last twelve months. Really? If you bet without One Direction?

"How good were the Arctic Monkeys?" Meh, actually.

It's the biggest and coolest line-up on the Brits, apparently.

Ooh, we at home can vote for one of the awards. Video of the year, via Twitter. How very modern.

8.08

Shortlist: John Newman, Ellie Goulding, Naughty Boy, Calvin Harris and One Direction.

There's not really any point in voting, is there? It's basically inviting One Direction fans to choke up Twitter, thereby preventing people from moaning about the show there. Cunning.

8.10
Prince has come on to present an award. He's wearing a big hat and accompanied by his band.

Hahahahahahahahaha Corden does a selfie.

For younger viewers, Prince once had a hit with a cover of Tom Jones' Kiss.

It's the female solo artist.

Shortlist: Goulding, Mvula, Marling, Birdy, Jessie J

Surprise! It's Ellie "playing tonight" Goulding. Whoever would have thought?

Goulding looks like she's regretting her choice of dress and shoes as she makes heavy weather of coming to the stage Goulding thanks the people around her who have their hearts in what she does. Sounds messy.

8.15
First break of the night.

By the way: I know Kiss wasn't a Tom Jones' song; it was by Age Of Chance.



Good god, no; the adverts are the only respite we get. This is probably the only national event which is improved by ITV stopping to flog M&Ms every five minutes.

Over on Twitter at the moment, One Direction fans are noticeably struggling with the voting instructions for the video prize.

8.18

Apparently this is a reference to football.

They're really dragging out the Kylie break bumpers, aren't they?

"The atmosphere here is electric" says James Corden, an original thought a lesser presenter might not have been able to put into words.

Katy Perry is coming on to do her turn now. Remember she was slagging off Miley Cyrus for being too sexualised, so let's see what she's got planned.

She thinks she's come on as Cleopatra, but really she looks like someone trying to do Susannah Hoffs for an 80s themed fancy dress night.

8.20
Perry is being pulled round the stage on a small trolley, like a singing bunch of sandbags.

Oh, she's taken off her coat and is now doing her dance routine in a skintight leotard.

I say dancing. It's mostly standing and pointing.

Her backing dancers are now twerking their tushes off. See, Miley? It's not cheap if you pay someone else to do it.

ITV try for an audience reaction shot, but it's just the tops of lots of heads sat at tables.


8.22
International male solo artist. It's Kylie and Pharrell.

Kylie is in something that looks like a Toto Coleolo binliner original; Pharrell invites the audience to make some noise for Kylie, like they might have been cheering him.

Shortlist: Bruno Mars; Eminem; Drake; John Grant; Justin Timberlake

For younger viewers, Justin Timberlake is the man who invented MySpace, which was like Facebook with colouring pens.

Bruno Mars wins, and brings an small entourage with him to pick up the award - all of whom are probably capable of making records more engaging than Mars seems capable of. If I were John Grant - and frankly, I could be, as he's so anonymous - I'd be feeling cheated.

Oh, what's that, Bruno? You're playing tonight? And you won a prize? What are the odds?


8.26
We're not doing the first album nomination - Derek Bowie's The Next Day. There's a little film with some words and things.

Onto Breakthrough - Tinie Tempah and Fearne Cotton are coming on. Not to one of Tinie's songs, oddly.

Fearne is wearing one of those foil blankets you get when you complete a marathon.

Shortlist: Odell, London Grammar, Bastille, Mvula, Disclosure

Bastille - who I think might be playing tonight - get the prize. "Their name derives from Bastille Day" a helpful voice informs us, in case you thought they couldn't spell the name of the sweets properly.

8.30
"This is so unexpected". Really? You had a 20% chance. Can't be that surprising.

"Look who I'm sat with" says James Corden, who's sitting down with One Direction at a table. Corden does a joke about Justin Bieber being raped in prison.

8.31
Another break.


I suspect half of the people who have to show up because its their job are playing Candy Crush. Actually, judging by the lack of atmosphere in the room, it's possible everyone is on the phone there.

8.37
Bruno Mars is doing the song in return for his award. Corden calls him "the finest showman in the world right now"; but then Corden hasn't seen that Chinese Elvis impersonator in Tunbridge Wells.

What does it say on Mars' hat? Angel Kitty?
I haven't really noticed the song. It's like a vegan version of the Jackson 5.

8.41
The song just stops.

Corden does a joke that suggests that Bruno Mars might be uncomfortable around gay men.

Next album is Rudimental. Unlike Bowie, they talk in their little film. THEY NEED IT MORE. Don't show them that you need it, boys. Act aloof. Cold. Like the big, cold, empty O2.

"We wrote it as music, not as a genre" they explain, helpfully. Which is lucky, as their producer doesn't know how to read genre.

Lily Allen is back, trotting on to give British Group.

Shortlist: Arctic Monkeys; Bastille; Disclosure; Rudimental; One Direction.

Tell us Lily, who is it?

Arctic Monkeys! Who played earlier this evening! So surprise!

8.46
Alex is no longer wearing his golden jacket. There's a laconic acceptance speech that will at least please the prioducers as they keep on schedule.

Critic's Choice now, or the 'who will labels pour money into until you're sick of them'.

It's Sam Smith.

Sam Smith was the lead character in the sitcom Goodnight Sweetheart, where he was played by Nicholas Lyndhurst.

8.48

I'm not saying anything.

We're back from the third break, in time for the Global Success award, or the 'please come, One Direction, we'll make up a prize for you.'

Rosie Huntington Thingymy is going to do the honours here.

I really hope Arctic Monkeys fans take to Twitter to complain about One Direction winning this over their band.

8.54
Rosie announces One Direction like it was a surprise. Even after showing a film of them.

OH MY GOD THEY HAVE GONE AS A FOUR PIECE MAYBE THEY HAVE SPLIT CURLY HAS LEFT LARRY, MOE, AND THE OTHER TWO. BREAKING NEWS I THINK I'M GONNA HURRRRRL.

Styles trots on late saying he was having a wee.

OH MY GOD HARRY HAD HIS PENISES OUT AND WAS WAVING THEM AROUND LITERALLY SECONDS AGO I AM GONNA DIE FOR HONEST.

8.56
They're putting Beyonce on halfway through? Really? I know they don't want to have to fade her down for the news but... surely this is peaking way too soon?

Beyonce wants us to sing along with her. Mostly she's on a massive screen behind her own head, which is like watching a grainy TOTP performance on a TV on the other side of a pub.

But it's Beyonce. She's the first thing this evening where it doesn't matter the room is full of Universal's accountants eating pies.

And she's got a glittery dress that actually glitters on screen.

9.01

Yes. Way, way, too good for this.

9.02
Noooooo! Come back Beyonce. Don't leave us with... with... this Cordenism.

9.03
Best British Single. Katy Perry is going to give the prize away. She does a plug for her tour.

Shorlist: Rudimental; Calvin Harris; Disclosure; Bastille; Naughty Boy; Olly Murs; Passenger; John Newman; Ellie Goulding; One Direction.

The winner is Rudimental. Katy Perry nods her approval, in that 'I'm not quite sure who they are but I'm sure it's a good choice' way that parents often do when you talk about music.

Rudimental "didn't expect this". Everyone turned up with low expectations tonight, then, and to be fair most of the evening hasn't let them down.

9.06
The Arctic Monkeys try to summon up some enthusiasm for talking about the record in their best album film. They don't quite manage it.


Apparently football and music are now in a state of war.

Another break.

9.12
Disclosure and Lorde are teaming up. It's like a crazy two-for-one deal, like at Dominos on a Tuesday when you can have a pizza and another pizza that's a bit different but still basically a pizza for the price of one.

There's a strange Lorde-face-made-out-of-lights hovering over the stage. That's got to be off-putting.

9.15
It's pleasant enough, but...



AlunaGeorge turning up doesn't quite cut it.

9.17
Bastille's little film about the album what they made now on.

And we're on to International Group.

Shortlist: Daft Punk, Haim, Kings Of Leon, Arcade Fire, Macklemore & Ryan Lewis

Nicole Sherzzzinger announces Daft Punk, who cannot be with us tonight because they've got better things to do. Nile Rodgers comes on, though, and he's playing tonight, so that keeps things square, right?

For younger viewers, Nile Rodgers was the bloke who got in the way of the guy with the iPad at Glastonbury.

Rodgers claims the award as belonging to everyone connected with the record, which is a bit like he's elbowing his way in.

9.23
Corden is with Kylie. He's doing a bit of business about the name of her album. Because it sounds like she wants hier to kiss him.

Kylie tries to look like she's enjoying being ribbed about being single.

More commercials.

9.28

The what isn't difficult, surely? It's the why, isn't it?

Good lord, apparently they're still making The Only Way Is Essex.

9.30
The last of the best album film goes to Disclosure - "everyone on blogs was getting so excited". Yeah. You'll find that about people with blogs. But what do they know?

9.31
Goulding up now - Corden says she "really came into her own with her second album". I suppose getting to the end of the first one and still having a record deal is something of an achievement in its own right these days.

Goulding dressed like Miss Havisham but with a giant guitar.

No, hold on, she removed the demure top layer to reveal a bra top and hot pants. SHE WAS DRESSED ALL SEXY UNDERNEATH. Why has nobody ever thought of that provocative move before?

9.35
This song really only exists to soundtrack an advert for one of those summer holidays where you have to do things, doesn't it? Shot of people rock climbing - "burn burn" - shot of people walking down beach - "burn burn".

British male now, with Noel Gallagher dragged up to present it. Sadly not in the 'wearing drag' sense.

He goes straight to nominations with all the charm of a man asking the owner of a red Fiat to move their car as it's blocking the back door.

Shorlist: Bugg; Odell; Blake; Newman; Bowie.

Ironically for a man who appeared with a mask covering his face, David Bowie wins against the faceless interchangable hordes.

Kate Moss comes on to accept to Bowie's behalf. David's given her something impenetrable to read. Everyone's a bit confused.

9.40
They're picking up the pace all of a sudden. Nick Grimshaw to do international female. "Can we have a round of applause for James Corden? Bloody killing it..."

Nominations: Perry, Monae, Pink, Lorde, Lady GaGa

Lady GaGa! I remember her! Wasn't she one of the scissor sisters?

Lorde wins the prize, though. Oddly, she was performing a few moments ago.

9.42
Lorde says she feels like her brain's exploding. Actually, is that Lorde or has Darlene from Roseanne nipped on stage to pick up the prize?

Corden is now sitting with Pharrell and Rodgers, doing some jokes about his hat. I hope they spin this out into a sitcom.

Oh, god. Keith Lemon has now appeared - BUT HE'S WEARING A HAT TOO. My sides are in danger of overflowing like the Thames did.

Everything shambles into some more commercials.

9.45

Just when they'd picked up the pace, too.





I suspect Niles is muttering to Pharrell now "are you sure Prince is closing the show tonight? Because if I'm hanging around here and it's just some bullshit whey-faced British boy singing a plaintive song about his broken heart, I swear to god I'm going to throw this table at his head..."

9.48
Still half an hour to go. Be strong, everyone.

The programme has now started to sink so badly David Cameron is announcing that there's an open chequebook to help survivors.

Jimmy Carr has come on, to demonstrate how you might want to host a show like this. Although his Cowell joke falls flat.

It's the video of the year award - you'll recall the uninspiring shortlist was farted out at the start of the show for One Direction fans to rig the votes. So what's happened?

One Direction win.

That's such a surprising surprise.

One Direction get a round of applause for James Corden. Perhaps he's got a disease and everyone's being supernice to him.

9.52
Time for a collaboration. Again. Bastille and Rudimental playing together. It's like when people made mash-ups, isn't it? For younger viewers, mash-ups were two songs that were unconvincingly slopped together to create something that could be used to demonstrate the phrase "less than the sum of its parts".

Actually, this could be worse. But it'd have still been better if they'd both done their songs in full. They could have dropped... well, almost anything, to make space for that.

9.57
And if you're just tuning in to ITV to see the News At Ten, everyone already watching ITV really wishes they'd be about to see the News At Ten, too. But life isn't like that.



9.59
The final award of the night. The sweetest words in the English language.

It's Emil And The Detetcive Sande to present the best album award - because you can't do a show on telly without her turning up.

Will it be Bowie again? Has he more words for Kate Moss to read out about the Scotland referendum?

No, it's the Arctic Monkeys, thereby closing the circle of the band who played first picking up the last award.

They're over the show by now. We're all over the show by now.

Alex just babbles a bit. He could be deliberately trying to see if he can push the show over time single-handed, which is the first thing in any way interesting to happen tonight.

10.02
Jesus. Corden is at a table which appears to be stuffed with the cast of Pointless Celebrities - Rizzle Kicks, Tom Daley, Rita Ora, Harry H Corbett, Olive from On The Buses, Nadine Dorries...

10.03
They're going for a break before the closing number. They're TAKING A BREAK BEFORE DOING THE BIG FINISH.

By the time they get to the 398th trail for Ant And Dec, half the room at the O2 will be queueing for their coats and the other half will be minesweeping the leftover lagers from the expensive tables.

10.06
More breaking awards news:

"The panel were impressed wiht Stewart's ability to read a headline about the Cambridge Guided busway for the 79th consecutive day without looking as bored as the audience."

I've just realised that there have been hardly any music ads in the breaks tonight - there's just been one for Pharrell's album, but more or less everything else has been not music. If even the music industry can't be fagged to advertise in the Brits, what IS the point?

Pharrell and Niles are doing the closing number, then. Not Prince. Which is a bit of a shame as Prince had made his band turn up carrying their instruments at the start of the show. Maybe he was just waiting to be asked, guys.

I've still yet to have it convincingly explained to me why Pharrell is wearing Dudley Do-right's hat.

10.13
They've finished with enough time to do a highlights package. In fact, given how few highlights there were, they've got more than enough time to do a highlights package.

The voiceover at the end suggests that all that was missing was Ant And Dec. Perhaps. It was crying out for a bit more atmosphere and surprise.

We have made it through - thank you for the comments, and the plugs on Twitter. I'm now choosing cinnamon rolls over the ITV2 aftershow. I hope God can forgive me.


Monday, February 17, 2014

Brits 2014: The artist formerly known as above this sort of thing

Prince has been confirmed as playing the Brit awards this week.

In other news, ITN have sighed and moved Wednesday's News At Ten back to around 3am on Thursday morning.


Friday, January 10, 2014

Brits 2014: The nominations

It's considered bad luck to not have your Christmas decorations down by the time the Brit Awards shortlist is released, so let's hope your tree is packed away.

Moving a large pile of baubles to one side, let's see what we've got this year.

Katy Perry, Ellie Goulding, Bruno Mars and Bastille are all going to play the event.

In totally unconnected news, Katy Perry, Ellie Goulding, Bruno Mars and Bastille have all been nominated.

For some reason, they've produced a shortlist for Critic's Choice, even although they announce the winner of that prize at the same time as the shortlist - so, congratulations Sam Smith; bad luck to Chloe Howl and Ella Eyre. Especially to Chloe Howl, who must be wondering why critics have favoured Sam Smith's plodding-about-in-a-dead-mans-coat over her work. It's like a fun fair losing out to a domino table.

Smith presumably helped through his work with Disclosure, whose name ripples through the shortlists alongside that of Bastille. It's actually quite positive to see this - two names that I don't think you'd have been able to predict having such resonance this time last year.

Elsewhere it's business as usual: Lady GaGa, despite her only having done a shit record last year. Pink, despite her not having done any records at all. Bruno Mars, despite him being Bruno Mars.

That godawful One Direction One Way Or Another record has somehow been picked as one of the best singles of the year.

It's unclear what's more surprising - that Olly Murs is considered to have made one of the best singles of 2013, or that - if we accept this as a fact - he's not considered to be one of the best male solo artists of the year.

Anyway, here's the slim pickings that some poor sods will have to weigh against each other in full:

British Male Solo Artist
David Bowie
Jake Bugg
James Blake
John Newman
Tom Odell

British Female Solo Artist
Birdy
Ellie Goulding
Jessie J
Laura Marling
Laura Mvula

British Group
Arctic Monkeys
Bastille
Disclosure
One Direction
Rudimental

British Breakthrough Act
Bastille
Disclosure
Laura Mvula
London Grammar
Tom Odell

Critics' Choice
Sam Smith
(Winner)

Chlöe Howl
Ella Eyre

British Single
Bastille - 'Pompeii'
Calvin Harris/Ellie Goulding - 'I Need Your Love'
Disclosure ft AlunaGeorge - 'White Noise'
Ellie Goulding - 'Burn'
John Newman - 'Love Me Again'
Naughty Boy ft Sam Smith - 'La La La'
Olly Murs - 'Dear Darlin''
One Direction - 'One Way or Another (Teenage Kicks)'
Passenger - 'Let Her Go'
Rudimental ft Ella Eyre - 'Waiting All Night'

British Album of the Year
Arctic Monkeys - AM
Bastille - Bad Blood
David Bowie - The Next Day
Disclosure - Settle
Rudimental - Home

British Producer of the Year
Ethan Johns
Flood (Mark Ellis) & Alan Moulder
Paul Epworth

International Male Solo Artist
Bruno Mars
Drake
Eminem
John Grant
Justin Timberlake

International Female Solo Artist
Janelle Monae
Katy Perry
Lady Gaga
Lorde
Pink

International Group
Arcade Fire
Daft Punk
Haim
Kings of Leon
Macklemore & Ryan Lewis
The Kings Of Leon. Nobody actually likes the Kings Of Leon, do they? They just exist to pad out this sort of thing.

Now, time to try and shove tinsel into a tube.


Wednesday, July 31, 2013

Gordon in the morning: Corden announces availability

A second dip into the Sun this morning, as Gordon Smart reveals that James Corden is hoping to extend a Mugabe-like grip on the Brit Awards:

JAMES CORDEN has held talks about another year at the helm of the Brits.

This year’s show pulled in the biggest TV ratings in the event’s 30-year history – but in terms of rock’n’roll antics the best description of the night was “beige”.

However, the host with the most has demanded some assurances on the line-up for next year before committing to the gig for a fourth time.
Corden should be in with a chance of keeping his job - when last year's show was met with ill-stifled yawns, James trotted out a defence so corporate I suspect he delivered it via Powerpoint:
“The show is put on and made to showcase British music and sell British music so people buy those albums and that money will go back into record companies to invest in other British artists who will then inspire another generation of musicians.
I suppose it's slightly more appealing than the jokes he tried during the show.


Thursday, February 21, 2013

You know what would make the Brits better? A lot more Brits

A startling and refreshing admission of failure from Jay Marciano, the European CEO of AEG, host of the Brits:

Eight out of ten people don't know the Brits is on tonight"
You're the man in charge of promoting what is meant to be the biggest musical event in the nation. It has a live slot on one of the main TV channels, and is co-sponsored by one of the UK's largest radio companies and the nation's biggest newspaper publisher. And still eight out of ten people have it drift by without them noticing. Now, it's not like this is an expedition to the North Pole, but I imagine you'd be proposing giving someone else the chance of promoting next year to see if they might be able to do a bit better?

Oh. No.
"so we plan to make it a week-long celebration."
Oh, of course. Having failed to get anyone to notice a massive gig on a single night, you think watering it down across a series of nights would somehow help.

The model Marciano is proposing is copying the Grammys - so not spinning the prize giving out over a calendar week, but boosting the main event by having a run of concerts running up to it.

It's not entirely clear how this is going to work. If this is to boost the 20% awareness rate, these extra gigs will have to be very special and very high profile.

How are you going to get the top-line acts you need to play this? It's unlikely ITV are going to want to televise a solid week of gigs, certainly not on ITV1, not during the European football season. Maybe ITV2 might pick them up, or one of the more distant music channels. But the more digits in the channel position on the EPG, the lower the audience, so the lower the chance of attracting top acts, and the lesser the chance of raising 'awareness'.

And that, of course, is a downward spiral.

And where are you going to find bands wanting to play one-off dates in a massive space like the O2? You might get someone to redirect an existing tour there, but is there going to be any enthusiasm for redirecting a European leg of a tour to London at the same time as everyone else?

Wasn't the idea of the Brits to support and promote British music - not for British musicians to be pressed in to service to support the Brits?

[Thanks to James in the Brits liveblog comments for the link]