Saturday, February 01, 2014

Skinny Puppy demand their fee

Having discovered that their music was being used in Guantanamo as part of - remind me, what's the current sanitised phrase for 'torture' they're using at the moment? - Skinny Puppy have sent a bill:

"We heard through a reliable grapevine that our music was being used in Guantanamo Bay prison camps to musically stun or torture people," founder cEvin Key told the Phoenix New Times. "We heard that our music was used on at least four occasions."

"So we thought it would be a good idea to make an invoice to the US government for musical services," Key added.
The surprise is that the team from PRS - who I'd assumed had left no business unbothered for one of their licences - hadn't yet made it to Cuba to insist that the US Military get a little sticker for the door.


A second shot at obscurity

Revenge is a dish best served well past its sell-by date, apparently:

A TALENTED singer, who was once dropped from a hit girlband by Louis Walsh, is to make her TV comeback this weekend.

Cork woman Paula O'Neill (33) will appear on this Sunday's Voice of Ireland, more than a decade after being dumped unceremoniously out of the band Bellefire.

Paula was never given an explanation as to why she was kicked out of the group, co-managed by Louis Walsh, and said that she would love to finally hear an answer.
If, as the Herald claims, she is a talented singer, it'd make sense why she wouldn't have fitted in with Bellefire.

Still, you can understand her continued ire at being kicked out of the band. For the last decade, she's known the pain of not being in a hugely successful pop group.

Which, to be fair, she'd also have known if she'd been in Bellefire.


Friday, January 31, 2014

The Artist Formerly Known As A Litigious Gadfly

Prince had launched a lawsuit demanding millions in damages from defendants, known and unknown, who he believed had been helping distribute unlicenced copies of his music.

It was a move about as popular as his last couple of records, and in the face of a huge backlash, he's backed down. He's trying to spin this as a victory:

On Wednesday, TMZ quoted Prince's attorneys as saying: "Because of the recent pressure, the bootleggers have now taken down the illegal downloads and are no longer engaging in piracy. We recognize the fans craving for as much material as possible, but we’d prefer they get it from us directly than from third parties who are scalpers rather than real fans of our work."
Yes. It's absolutely likely that you'd not have been able to get the links taken down without demanding stupid levels of damages, Mr. Prince.


MTV notices women at gigs, senses a trend

That MTV has a section on its website called Guy Code is bad enough. That it runs stuff like this...:

... is unbelievable.
Why Are There So Many Cute Girls At Metal & Hardcore Concerts Now?
Perhaps, Ethan Fixell, they're there because they like the music?

Or, if you need something a little more chunky to make an article, perhaps they're there because they like the music and had assumed that in 2014 there were a bunch of sexist, sweaty cocklegs at the venues who acted like it was even a thing.

Almost every part of this think-with-your-dick-piece will make first your feet, and then your legs, curl up with horror that a proper media company would run this sort of thing in 2014:
When Dying Fetus, a death metal act not exactly known for catering to female tastes
By this, I suppose, Ethan means that Dying Fetus have no songs about ponies or babies.
... recently came to New York City, the Gramercy Theatre was — shock of shocks — populated with plenty of beautiful ladies.
Plenty?
As a frequenter of such concerts for over a dozen years, I couldn’t believe my eyes. Death metal events are known to be…how do I put this…”vaginally-challenged.”
Vaginally-challenged. I know all writers want to come up with neologisms, but there are some newborn phrases which are crying out to be taken down the canal and put in a burlap sack. The impression of a man standing at a gig saying "hey, there's a shortage of vaginas in here; there must be something challenging these vaginas about coming in..." is an image nobody would want to share, surely?
Is this Dying Fetus crowd a new trend at hardcore and metal shows? And if so, why are so many hot ladies now showing up?
In other words, how has hardcore over come the vagina challenge? It's interesting, by the way, that Fixell only seems interested in the "hot ladies".
My opportunity to get to the bottom of this came when Brooklyn Vegan and Red Bull announced a surprise Pig Destroyer performance at Brooklyn’s Saint Vitus Bar. Once again, my experience-based assumptions were wrong, as neither chaos nor sausage were in excessive abundance at the door.
Sausage! He's an equal opportunities reductivist.
Within a minute of entering the club, I met Sarabeth and Noa, two cute women who were also quick to support my hypothesis: “Oh, I definitely think the [girl-to-guy] ratio is evening out,” said Noa.
You've only been in the club a minute, and already women are rushing to support your hypothesis. Except Noa hasn't, has she? Because first of all, she's talking about the entire gender balance, and isn't engaging with your hypothesis about "cute girls/hot ladies", and secondly, she says that balance is "evening out" - and even the very fact that she has enough experience to judge this pretty much proves there have always been women at these gigs, and they've not just started to appear.
The change isn’t lost on the bands, either. Pig Destroyer bassist John Jarvis told me that while working at the Summer Slaughter Tour (featuring The Dillinger Escape Plan and Cattle Decapitation), he “never saw so many beautiful women before,” also noting happily that “side boob seemed to be a popular theme.”
John Jarvis there, doing his best to try and make gigs hostile places for women. But it's not just the bands who are working on looking at the audience in a creepy way:
Even Jeff, a bouncer at Saint Vitus, has noticed a change in crowd composition in just the two years he’s worked there. “There are more and more women at these shows. Especially more single women in groups. In fact, I’m trying to get laid tonight.”
Reassuring to know that, while he's also there to ensure the crowd are safe, Jeff is also taking the time to try and get to have sex with some of the people he's supposed to be looking after.
Lila and Lyndsay, two attractive female metal vets who have been going to hardcore shows “since Marauder played CBGB” (whenever that was) also confirmed an increasing number of girls at these types of shows.
Ethan, do you not think your entire 'I am an expert in this area and girls are showing up now' article falls apart when you meet women at gigs who have clearly been doing it for longer, and have far more knowledge about the scene, than you?
I asked them why they thought this might be happening.

“Because they wanna meet dudes?” joked Lyndsay.
Perhaps this is all Lyndsay said. Or perhaps a jokey, throwaway reference that fits the tone of the article has been selected.
Joke or not, metal and hardcore music no longer solely appeals to angry misanthropic males with poor social skills.
Yeah, the band gurgling about sideboobs and the bouncers hoping to get laid and the writer banging on about hot ladies really demonstrates that.

Sorry, I'm being unfair. Ethan's doing research, isn't he? Lets see what his 'going to one gig and using that as evidence' sweep turns up.
The guys in the Pig Destroyer pit looked pretty mainstream to me.
Oh?
Ultimately, shows aren’t as scary as they were 20 or even 10 years ago, back when “mosh pit” was defined as “place to punch / get punched in the face.”
So actually, this article you've written about how there's a bunch of women at gigs is actually a piece about how metal gigs just have a wider appeal lost in a sexist puddle, is it?

By the way, Ethan Fixell is 31 years old. If he really was going to hardcore gigs twenty years ago, maybe the reason he found them frightening wasn't because of the lack of women, but because he was a preteen.
Bouncer Jeff has noticed that these days, “When someone falls, everybody picks ‘em up.”
Yeah, Jeff. You're there trying to get laid. We know you're trying to pick people up.
Punk rock seems to now tolerate a much more supportive vibe. In fact, I twice witnessed Pig Destroyer vocalist J. R. Hayes ask the crowd to give the front row some breathing room, a request which would have been mocked in most hardcore rooms of the ’80s and ’90s.
Again, Fixell's knowledge of what happened at hardcore gigs in the 1980s is incredible for someone who didn't turn 10 until the 1992.
The internet has helped demystify extreme music, making it more accessible and less intimidating. A girl can watch clips from a Napalm Death concert and see that it’s not so scary after all, which makes her much more likely to attend.
Or she might read an article and discover that members of Pig Destroyer are trying to see her tits, and decide to go and see a different band entirely.

Even if he wasn't being so damn patronising, Fixell makes no sense - surely the point of extreme music is to be intimidating to everybody? Maybe these girls watching the clips aren't thinking 'why, providing I tie my bonnet tightly I might be able to attend this concert event and remain alive by the end of it' but just 'wooooah that is fucking wooooaaah I MUST GO AND EXPERIENCE THIS NOW'? Did it occur to Fixell that what the internet has done for hardcore is what it has done for all sorts of musical types - allowed it to find a larger audience by making it easier to discover things you might not have come across otherwise? And that might account for the increasing, less intense audience of all genders?

It sort of has, it turns out, but he only takes the though as far as 'perhaps this has something to do with Pinterest':
And plenty of studies have shown that women are more apt to share photos or videos online than men are, thus creating a quicker spread of the news amongst themselves.
At this point MTV helpfully pastes in a selfie it appears to have lifted from the Facebook page of latex model Dani Divine to illustrate, erm, something.

So far, then, so bad. But it's about to get worse, as Ethan makes the leap from wittering on about women being at gigs to thinking about how we might use this knowledge to hit on them.
Ultimately, it doesn’t matter why cute girls are there — they’re there. So get your ass to a metal, punk or hardcore show. It can be easy to pick up a woman at such a concert if you follow a few quick preparation tips:
Yeah, women at punk gigs are easy to pick up, providing you put in the work beforehand. I'm starting to think Ethan Fixell must assume the Barney episodes of How I Met Your Mother are documentaries.
Dress Slightly Better Than Everyone Else

If you own anything nicer than a Cannibal Corpse shirt and torn jeans, you already have an advantage over your competition. But for God’s sake, it’s still a metal show: Leave the chiffon sweater at home.
Or, on the other hand, the women might be at the gig because they want to listen to the band, and don't care what you're wearing.
Bring A Wingman (Or, Bonus Points, Wingwoman)

Single metal chicks often travel in packs, and it’s easier to approach such a crew with a pal in tow. Plus, it’ll help mask your ulterior motives, you head-bobbing lurker, you.
I think no matter how many wingmen you have, your attempts to clumsily hit on women are stalkery, creepy motives that you're not going to be able to easily mask. The tiny semi is always a give-away.
Get There Early

The show is going to be loud as hell, and you won’t be able to talk to anyone when the music starts playing. Early arrival will help you get a lay of the land, a feel for who’s there and the ability to talk to a woman without screaming at her like the vocalist for a powerviolence band.
I imagine for anyone who is actually following the article with anything other than a depressed horror the phrase "the ability to talk to a woman" is going to sound like a cruel jibe.

But remember, guys: make sure you get there before the music starts and spoils the whole point of going to a gig in the first place.
Bring Extra Pairs Of Earplugs

Offering them to a lady is a great icebreaker, and she’ll appreciate your thoughtfulness. Protecting your ears doesn’t make you less of a man — it demonstrates your caring, paternal instincts. (WARNING: May cause imminent pregnancy.)
Who knew that it was possible to take a sensible precaution, and make turn that into something creepy?
Know Your Sh*t

Noa even offered me a tip of her own: “Don’t assume that [any girl] is there because a guy dragged her there by the hair,” she said. “Assume that she’s into the music. Talk to her like you would talk to any other fan.” A dude into metal or hardcore can fare pretty well at any show.
I think what Noa was trying to say was 'talk to her like she's a person, not a vagina'. But that advice would have come too late.

I think, really, Laura Snapes probably summed this piece up best, and swiftest:


Thursday, January 30, 2014

Lorde: Telegraph readers share their views

After Helmer and the Mail, let's go for the trifecta and see what Telegraph readers make of Lorde's views on the music industry.

Some context; the article quotes Lorde talking about the Faustian pact she's made:

She said she was becoming used to being a public commodity, adding "the fact that I'm getting used to it frightens me".

"There is a difference between attn from fans, which I love, and the constant, often lecherous gaze that I'm subjected to in this industry," she tweeted.

"I know that success comes with a price tag. it just sucks when you see that in your tiny home country where you previously felt safe."
A fairly balanced expression of a horrible situation, right?

Not once the Telegraph readers have got to it:
Steve Moxon • 2 hours ago
She should be so lucky. An ordinary-looker like her goes for stardom to up her chances of getting a 'lecherous gaze' from a high-status guy.
There's never any limit to female hypocrisy.
Yes, that's right. Women who fail to live up to Steve Moxon's high standards of sexual attractiveness would only want to become popstars so a "high status guy" would perve at them.
Andy mx • 3 hours ago
she's not even attractive..... talk about being up your own backside
Why would you even have an opinion on this unless Andy mx found you attractive?

Someone tries to support Lorde:
susieq2u • 5 hours ago
the lecherous gaze she's subjected to in the industry is real and it's from creepy aging pedophiles who are dying to convince her to disrobe... She was the only fully dressed female performer at the Grammys. And her performance was stunning. Hope this kid can stay strong and true to herself.
... and immediately becomes a target:
Steve Moxon susieq2u • an hour ago
This is the definition of paedophilia where the age of the girl is any age younger than yours, then?
Paedophilia is the exclusive sexual interest in pre-pubescents. 'Lorde' [sic] is SEVENTEEN. That's SIX TO SEVEN YEARS POST-PUBERTY.
It's not clear if Steve really doesn't understand the way younger women are presented as even younger than they are in parts of mainstream culture, or - more worryingly - that he believes that paedophilia ceases to be in any way disturbing providing the child has reached puberty. Or if he just gets out a kick of pretending he doesn't understand.

Won't someone think of the children?
Thomas • 5 hours ago
No one asked you to release music to the public, you retard so stfu and think of the starving Africans while you're getting millions for singing a boring song. ARSEHOLE!
Oh. Not quite the children I was thinking of. But, er, yes, how dare you express an opinion about your life when your job doesn't directly feed starving children. (Thomas, perhaps, thinks that every time he calls someone a retard on the Daily Telegraph site, someone gives a child in South Sudan a cup of grain.)

And on and on it rolls:
Rideintothesun • 14 hours ago −
You can't have your cake and eat if comes to mind here love. Post Cobain, it appears to have become a requirement that every aspiring 'alternative' star must, at periodic points of their privileged existence, issue asinine whines about the evils of fame......it wouldn't surprise me in the least if this was some sort of contractual obligation. Perhaps she could console herself with the fact that, up until this point, I hadn't heard of her.
Rideintothesun hadn't heard of Lorde until now, but having just discovered her he's managed to decide that she's in some way like Kurt Cobain, working in a vague 'alternative' music style, and decided that her complaint must be completely without basis and probably part of a marketing drive. Just in the few seconds it took to read a very short Telegraph article. Imagine what he'd be able to get out of something more substantial, like three minutes watching one of Lorde's songs.

I know, I know. You shouldn't read the comments on anything, much less papers owned by reclusive twins who live in a castle in the sea. But sometimes you have to dip in, if only to remind yourself that maybe an asteroid striking Earth wouldn't be all bad.


Ellie Goulding wears an outfit

Ellie Goulding played a gig in Cologne earlier in the week. Here's a photo of her doing just that:

How would you describe that outfit?

Hmm. And if you were a shrill, link-baiting former newspaper turned SEO machine like the Daily Mail?
She's not short of admirers: Singer Ellie Goulding takes to the stage wearing bondage-inspired outfit in Germany
Bondage-inspired? In what way (except for 'trying to pick up some murkier Google natural searches') is that bondage-inspired?

It seems the words "bondage-inspired" was, erm, inspired by Perez Hilton describing the outfit thus. So that's a reliable source, then.


Twittergem: Justin Bieber

Roger Helmer, UKIP MEP, has taken a break from pointing out places where it's snowing and saying 'ha! What happened to global warming, eh?' to, er, stand up for Justin Bieber:


I suspect Roger has been so busy attacking renewable energy - he literally tilts at windmills - that he might not have had time to think through that when celebrity stories mention "prescription drugs", they're not suggesting that the person involved had popped down to the local chemist with a script for a packet of Diflucan. Or, indeed, had a prescription at all.

It's unclear if this marks an official UKIP policy on Justin Bieber, although given that Nigel Farage ripped up the last manifesto, it's possible that there are no UKIP policies on anything.


Wednesday, January 29, 2014

This was always going to happen

You knew it would happen sooner or later. It doesn't make it any easier.

Madonna turns up, tries desperately to elbow her way into Miley Cyrus narrative.

Onlookers said "it's just like that time she sucked every last ounce of joy out of Britney Spears."

Miley Cyrus fans commented "who's the old lady? Is she like Alma Cogan or someone?"


Kym Marsh to return to music with the help of... hang on, is this a typo?

Is Kym Marsh really planning to relaunch her music career? (If you can call being in Hear'Say a music career in the first place?)

Given that her character in Coronation Street is being so awfully written at the moment, it's easy to see how music might seem a more tempting job. But it's quite a big task to go from the Rovers to the charts again. She'd need help.

What's that, Daily Mirror? She's got help?

Kym Marsh is looking to go from soap star back to pop star with news David Gest is pushing her to relaunch a career in music.
Gest is pairing her up with Candi Staton for a gig he's organising, and sees it leading onto bigger things:
He added: "I think this record will put Kym right back on top of the charts. Candi and Kym will perform a duet together on the closing date of my tour at Gilgamesh in Camden.

"They will be performing Candi's version of 'Suspicious Minds', which was a top 10 hit for her in the UK."
Suspicious Minds peaked at 31 in the UK.

It looks like a typical bit of Gest work - a Marsh/Staton live duet would be an interesting thing and worth mentioning, but as ever, he's overselling it as something that it isn't. I suspect Marsh better prepare herself for another few years of yomping through never-ending rows with Tracy Barlow yet.


Tuesday, January 28, 2014

Ministry hits trouble

What are your plans for February? Al Jourgensen is spending his in rehab:

My sobriety will not, and I repeat, not knock off my sarcasm. If anything, it will intensify. I appreciate the support from my brother and family. I kicked dope and crack by myself, but I need help on this one, so all your thoughts and prayers are more than welcome."
Al Jourgensen requesting prayers? It must be worse than we thought.


Folkobit: Pete Seeger

Pete Seeger, American legend and folk singer, has died.

The New York Times obituary explains how he was a one-man timeline of the American left:

He sang for the labor movement in the 1940s and 1950s, for civil rights marches and anti-Vietnam War rallies in the 1960s, and for environmental and antiwar causes in the 1970s and beyond. “We Shall Overcome,” which Mr. Seeger adapted from old spirituals, became a civil rights anthem.

USA Today pointed out his unique double, which hopefully will never be repeated:
Seeger is the only singer in the Rock and Roll Hall of Fame who was convicted of contempt of Congress. In 1955, he refused to testify about his past membership in the Communist Party. (He later said he quit the party in 1949 and "should have left much earlier. It was stupid of me not to...I thought Stalin was the brave secretary Stalin and had no idea how cruel a leader he was.")
The LA Times captured why folk music attracted the young Seeger:
Seeger fell in love with the old-fashioned five-string banjo. "I liked the rhythms," he said. "I liked the melodies, time-tested by generations of singers." Above all, he said, he liked the words.

"Compared to the trivialities of most popular songs, the words of these songs had all the meat of human life in them," Seeger said. "They sang of heroes, outlaws, murderers, fools. They weren't afraid of being tragic instead of just sentimental.... Above all, they seemed frank, straightforward, honest."
Volksrant remembered that Seeger was passionate to the end:
He continued to write songs, targeting world leaders and environmental pollution, such as in 2010, with a song about the oil spill in the Gulf of Mexico.
How did he see his role? The New York Times went for a simple quote:
“My job,” he said in 2009, “is to show folks there’s a lot of good music in this world, and if used right it may help to save the planet.”
USA Today, though, went with one that had a bit more nuance to it:
"Songs won't save the planet," Seeger told his biographer David Dunlap, author of How Can I Keep From Singing? "But, then, neither will books or speeches...Songs are sneaky things. They can slip across borders. Proliferate in prisons." He liked to quote Plato: "Rulers should be careful about what songs are allowed to be sung."
On Sunday night, Stephen Colbert beat Seeger to the Grammy in the best spoken word category.

Seeger was 94; he died from natural causes in New York.


Monday, January 27, 2014

Listen with No Rock: Chvrches

You'll have seen this elsewhere on the internet, but anyway, you'll be able to enjoy it again, yes? Chvrches cover Bauhaus:

It's for the film Vampire Academy, which used to be Blooddrinkers' Comprehensive until Michael Gove intervened.


Grammys 2014: Daft Punk get lucky

Emmylou Harris, Black Sabbath, Herb Alpert, Led Zeppelin. Nothing says "it's the 1970s" like the 2014 Grammy awards. Even Paul McCartney got a prize, for that Sound City project thing, which made a nice change from the bit of the ceremony which they banged on about The Beatles. Where they reunited The Beatles, or what's left of them. Oh, and The Beatles even got a prize, too. The Beatles.

Oh, sure, there's a few prizes given to Daft Punk, but really, more than ever, this year's Grammys was The Music Industry Nurtures The Artist Who Are At The Heart Of A Catalogue Business Strategy. (Effectively, a prize for Bruno Mars and Michael Buble is the same thing - if not artists who made records twenty years ago, then artists who could have made their records twenty years ago.)

Meanwhile, the long battle for the right to marry the person you love was reduced to a stunt at a music business jolly as Macklemore and Ryan Lewis wheeled in Madonna and Queen Latifah to rush through a Moonie-style mass wedding:

The weddings of 33 couples during the Grammy Awards were legally presided over by Queen Latifah. The rapper-actress-talk show host had to be sworn in as a commissioner by the state of California to perform the ceremony.
"You can call me Queen Commish for a little longer," she joked backstage Sunday night.

Latifah said she's not an ordained minister and her special powers expired at midnight.

"It was something I took very seriously," she said. "That is someone's life commitment to one another, you want to make sure you do it right. That's what sunk in for me."
Yeah. It's someone's life commitment, and how can you take that more seriously by having it squeezed in between Madonna's chorus, the network cutting to commercials and the prize for the least threatening R&B performance?

I know the intention was to be positive, and I know Macklemore and Lewis' song was at least about gender-blind marriage, but god, what a shitty, miserable little stunt; using people's love for each other to shore up an awards ceremony.

I guess we're lucky that the Grammys started a couple of years after Rosa Parks made her stand, otherwise we'd have had buses of all kinds of people being driven round and round the stage to demonstrate just how forward-thinking the horribly conservative music industry is.

Here are the winners in full from last night:
Album of the Year:
Daft Punk, Random Access Memories (Julian Casablancas, DJ Falcon, Todd Edwards, Chilly Gonzales, Giorgio Moroder, Panda Bear, Nile Rodgers, Paul Williams & Pharrell Williams, featured artists; Thomas Bangalter, Julian Casablancas, Guy-Manuel De Homem-Christo, DJ Falcon & Todd Edwards, producers; Peter Franco, Mick Guzauski, Florian Lagatta, Guillaume Le Braz & Daniel Lerner, engineers/mixers; Antoine "Chab" Chabert & Bob Ludwig, mastering engineers)

Record of the Year:
Daft Punk, "Get Lucky" (Thomas Bangalter & Guy-Manuel De Homem-Christo, producers; Peter Franco, Mick Guzauski, Florian Lagatta & Daniel Lerner, engineers/mixers; Antoine "Chab" Chabert & Bob Ludwig, mastering engineers)

Song of the Year:
Lorde, "Royals" (Joel Little & Ella Yelich O'Connor, songwriters)

Best Country Album:
Kacey Musgraves, Same Trailer Different Park

Best Pop Vocal Album:
Bruno Mars, Unorthodox Jukebox

Best Rap/Sung Collaboration:
Jay Z Featuring Justin Timberlake, "Holy Grail"

Best Pop Solo Performance:
Lorde, "Royals"

Best Rock Song:
Dave Grohl, Paul McCartney, Krist Novoselic, and Pat Smear, "Cut Me Some Slack"

Best Pop Duo/Group Performance:
Daft Punk Featuring Pharrell Williams and Nile Rodgers, "Get Lucky"

Best New Artist:
Macklemore and Ryan Lewis

Best Rock Album:
Led Zeppelin, Celebration Day

Best Metal Performance:
Black Sabbath, "God Is Dead?"

Producer of the Year, Non-Classical:
Pharrell Williams

Best Alternative Music Album:
Vampire Weekend, Modern Vampires of the City

Best Rock Performance:
Imagine Dragons, "Radioactive"

Best Country Song:
Kacey Musgraves, "Merry Go 'Round" (Shane McAnally, Kacey Musgraves and Josh Osborne)

Best Country Solo Performance:
Darius Rucker, "Wagon Wheel"

Best Country Duo/Group Performance:
the Civil Wars, "From This Valley"

Best Music Film:
Paul McCartney, Live Kisses (Jonas Åkerlund, video director; Violaine Etienne, Aron Levine and Scott Rodger, video producers)

Best Music Video:
Justin Timberlake Featuring Jay Z, "Suit and Tie" (David Fincher, video director; Timory King, video producer)

Best Blues Album:
Ben Harper With Charlie Musselwhite, Get Up!

Best R&B Album:
Alicia Keys, Girl on Fire

Best Urban Contemporary Album:
Rihanna, Unapologetic

Best R&B Song:
Justin Timberlake, "Pusher Love Girl" (James Fauntleroy, Jerome Harmon, Timothy Mosley and Justin Timberlake, songwriters)

Best Traditional R&B Performance:
Gary Clark, Jr., "Please Come Home"

Best R&B Performance:
Snarky Puppy With Lalah Hathaway, "Something"

Best Pop Instrumental Album:
Herb Alpert, Steppin' Out

Best Dance Recording:
Zedd Featuring Foxes, "Clarity"

Best Dance/Electronica Album:
Daft Punk, Random Access Memories

Best Rap Performance:
Macklemore and Ryan Lewis Featuring Wanz, "Thrift Shop"

Best Rap Song:
Macklemore and Ryan Lewis Featuring Wanz, "Thrift Shop" (Ben Haggerty and Ryan Lewis, songwriters)

Best Rap Album:
Macklemore and Ryan Lewis, the Heist

Best Traditional Pop Vocal Album:
Michael Bublé, to Be Loved

Best New Age Album:
Laura Sullivan, Love's River

Best Improvised Jazz Solo:
Wayne Shorter, "Orbits"

Best Jazz Vocal Album:
Gregory Porter, Liquid Spirit

Best Jazz Instrumental Album:
Terri Lyne Carrington, Money Jungle: Provocative in Blue

Best Large Jazz Ensemble Album:
Randy Brecker, Wlodek Pawlik Trio and Kalisz Philharmonic, Night in Calisia

Best Latin Jazz Album:
Paquito D'Rivera and Trio Corrente, Song for Maura

Best Gospel/Contemporary Christian Music Performance:
Tasha Cobbs, Break Every Chain

Best Gospel Song:
Tye Tribbett, "If He Did It Before . . . Same God"

Best Contemporary Christian Music Song:
Mandisa, "Overcomer" (David Garcia, Ben Glover and Christopher Stevens, songwriters)

Best Gospel Album:
Tye Tribbett, Greater Than

Best Contemporary Christian Music Album:
Mandisa, Overcomer

Best Latin Pop Album:
Draco Rosa, Vida

Best Latin Rock, Urban or Alternative Album:
La Santa Cecilia, Treinta Días

Best Regional Mexican Music Album (Including Tejano):
Mariachi Divas De Cindy Shea, A Mi Manera

Best Tropical Latin Album:
Pacific Mambo Orchestra, Pacific Mambo Orchestra

Best American Roots Song:
Steve Martin and Edie Brickell, "Love Has Come for You" (Edie Brickell and Steve Martin, songwriters)

Best Americana Album:
Emmylou Harris and Rodney Crowell, Old Yellow Moon

Best Bluegrass Album:
Del McCoury Band, The Streets of Baltimore

Best Reggae Album:
Ziggy Marley, Ziggy Marley in Concert

Best World Music Album:
Gipsy Kings, Savor Flamenco (tie)

Ladysmith Black Mambazo, Live: Singing for Peace Around the World (tie)

Best Folk Album:
Guy Clark, My Favorite Picture of You

Best Regional Roots Music Album:
Terrance Simien and the Zydeco Experience, Dockside Sessions

Best Children's Album:
Jennifer Gasoi, Throw A Penny In the Wishing Well

Best Spoken Word Album (Includes Poetry, Audio Books and Storytelling):
Stephen Colbert, America Again: Re-becoming the Greatness We Never Weren't

Best Comedy Album:
Kathy Griffin, Calm Down Gurrl

Best Musical theater Album:
Kinky Boots

Best Compilation Soundtrack for Visual Media:
Sound City: Real to Reel

Best Score Soundtrack for Visual Media:
Skyfall, Thomas Newman, composer

Best Song Written for Visual Media:
Adele, "Skyfall" (Adele Adkins and Paul Epworth, songwriters)

Best Instrumental Composition:
the Clare Fischer Orchestra, "Pensamientos for Solo Alto Saxophone and Chamber Orchestra" (Clare Fischer, composer)

Best Instrumental Arrangement:
Gordon Goodwin's Big Phat Band, "on Green Dolphin Street" (Gordon Goodwin, arranger)

Best Instrumental Arrangement Accompanying Vocalist(s):
Bobby McFerrin and Esperanza Spalding, "Swing Low" (Gil Goldstein, arranger)

Best Recording Package:
Reckless Kelly, Long Night Moon (Sarah Dodds and Shauna Dodds, art directors)

Best Boxed or Special Limited Edition Package:
Paul McCartney and Wings, Wings Over America (Deluxe Edition) (Simon Earith and James Musgrave, art directors)

Best Album Notes:
John Coltrane, Afro Blue Impressions (Remastered and Expanded) (Neil Tesser, album notes writer)

Best Historical Album:
the Rolling Stones, Charlie Is My Darling - Ireland 1965 (Teri Landi, andrew Loog Oldham and Steve Rosenthal, compilation producers; Bob Ludwig, mastering engineer) (tie)

Bill Withers, the Complete Sussex and Columbia Albums (Leo Sacks, compilation producer; Joseph M. Palmaccio, tom Ruff and Mark Wilder, mastering engineers)

Best Engineered Album, Non-Classical:
Daft Punk, Random Access Memories (Peter Franco, Mick Guzauski, Florian Lagatta and Daniel Lerner, engineers; Bob Ludwig, mastering engineer)

Best Remixed Recording, Non-Classical:
Lana Del Rey, "Summertime Sadness (Cedric Gervais Remix) (Cedric Gervais, Remixer)

Best Surround Sound Album:
Paul McCartney, Live Kisses (Al Schmitt, surround mix engineer; tommy LiPuma, surround producer)

Best Engineered Album, Classical:
Dawn Upshaw, Maria Schneider, Australian Chamber Orchestra and St. Paul Chamber Orchestra, Winter Morning Walks (David Frost, Brian Losch and Tim Martyn, engineers; Tim Martyn, mastering engineer)

Producer of the Year, Classical:
David Frost

Best Orchestral Performance:
Minnesota Orchestra, Sibelius: Symphonies Nos. 1 and 4 (Osmo Vänskä, conductor)

Best Opera Recording:
the Metropolitan Opera Orchestra; the Metropolitan Opera Chorus, Adès: the Tempest (Thomas Adès, conductor; Simon Keenlyside, Isabel Leonard, Audrey Luna and Alan Oke; Luisa Bricetti and Victoria Warivonchick, producers)

Best Choral Performance:
Tui Hirv and Rainer Vilu; Estonian Philharmonic Chamber Choir; Sinfonietta Riga and Tallinn Chamber Orchestra; Latvian Radio Choir and Vox Clamantis, Pärt: Adam's Lament (Tõnu Kaljuste, conductor)

Best Chamber Music/Small Ensemble Performance:
Brad Wells and Roomful of Teeth, Roomful Of Teeth

Best Classical Instrumental Solo:
Albany Symphony, Corigliano: Conjurer - Concerto for Percussionist and String Orchestra (Evelyn Glennie; David Alan Miller, conductor)

Best Classical Vocal Solo:
Maria Schneider; Jay anderson, Frank Kimbrough and Scott Robinson; Australian Chamber Orchestra and St. Paul Chamber Orchestra, Winter Morning Walks (Dawn Upshaw)

Best Classical Compendium:
Hindemith: Violinkonzert; Symphonic Metamorphosis; Konzertmusik, Christoph Eschenbach, conductor

Best Contemporary Classical Composition:
Schneider, Maria: Winter Morning Walks, Maria Schneider, composer (Dawn Upshaw, Jay anderson, Frank Kimbrough, Scott Robinson and Australian Chamber Orchestra)
Still, at least Stephen Colbert won.


Sunday, January 26, 2014

Let's hope Gary Barlow doesn't turn up and spoil Robbie Williams Day

You know how small towns in America get so excited when something vaguely famous happens that they lose their heads and the mayor declares it "such and such day"?

It couldn't happen here.

Except in Stoke, where it's happening: They're having a Robbie Williams Day:

The arrival of Robbie's milestone occasion, styled across the city as Robbie Day, will trigger an array of civic celebrations, Stoke-on-Trent council officials have said.

The council's leader said that as one of the city's most famous global exports - together with its historic pottery trade - Robbie is dear to the hearts of many in Stoke, not only for remaining true to his Burslem roots but for his local charity work.

Mohammed Pervez said: "He is a global superstar, but one who has always remembered his roots.
Roots, maybe. But in Stoke, there are also routes. Seriously, you can take a trip round the places of Robbie's life:
A tourist trail taking in former homes and locations mentioned in his songs is already running, while a new housing estate being built in the Middleport area will feature streets named after his songs - Angels Way, Candy Lane and Supreme Street.
Sadly no Bongo Bong Boulevard, though.

Actually, the first two are quite good names for streets, but - unless it's a major thoroughfare - Supreme Street is going have a hollow ring to it, isn't it?


Twittergem: Eminem

Can I have your attention, please?


This week just gone

What were the most popular things on No Rock this day last year?

1. Watch: Kimberley Walsh's slightly dodgy National TV Awards performance
2. Black Flag sort-of reunites
3. Michael Jackson never sold as many albums as you might have heard
4. Watch: Paul Weller doing Sunflower
5. RHCP reveal all about their negotiations with Coachella
6. Gerard Way: The Phyllis Pearce connection
7. The baby from Nevermind goes on Buzzcocks
8. Fergie caught in dirty protest
9. Kyle Maclachlan introduces Corinne Bailey Ray
10. Gordon Smart runs an article claiming Victoria Beckham's dog looks like Harvey Keitel. That's how you get to edit the Scottish Sun

You can't tell me these weren't interesting:


Warpaint - Warpaint


Download Warpaint



Mogwai - Rave Tapes


Download Rave Tapes



Sophie Ellis Bextor - Wanderlust


Download Wanderlust



I Break Horses - Chiaroscuro


Download Chiaroscuro


Saturday, January 25, 2014

Courtney Love cleared in the case nobody was calling Twibel

There's a lot of guff being wafted around the decision in the libel action bought against Courtney Love by her former attorney Rhonda Holmes. The LA Times both claims this to be a the case people were calling "Twibel" (they weren't) and that it's somehow a landmark.

But, really, it's not that much of a landmark:

A jury of six men and six women listened to eight days of testimony and statements, then deliberated for just three hours. They determined that although Love's statement had a natural tendency to injure Holmes' business, they did not believe she knew the statement was false.
There's nothing different about this from the finding in hundreds of similar cases; the only vaguely noteworthy thing about it is Courtney Love winning a case against her. That it concerns a Twitter message might make it, at best, a footnote.

But nothing has changed here; there are no sudden clarification of legal issues. It's a bog standard libel action that has failed on the same test used by juries to settle generations of perceived slights.


Justin Bieber proclaims... something

There might be better way to proclaim your innocence:

"What more can they say," wrote the recently troubled pop star along with a split image of himself and the King of Pop; one half of the image shows Bieber sitting on top of a SUV after leaving police custody, while the other side shows Jackson standing on top of a vehicle in Santa Monica, waving to fans after his infamous "not guilty" plea to charges of child molestation.
I'm not sure if I'd been filmed driving car way too fast, I'd decide the best way to comeback is by comparing myself with someone who never shifted the taint of behaving oddly with kids. But, hey, Justin, whatever works.

What's more interesting is that Rolling Stone still refer to Jackson as "the King Of Pop", despite that being a nickname he chose for himself and one that - by the time he died - should have been more honestly downgraded to perhaps an Earldom.


Bookmarks: Backstreet Boys

What's the appeal of the Backstreet Boy cruises? Torie Bosch - who once ran a BSB fanfic site - went on to find out. Turns out, when you cross into international waters, for some people it wipes out the passage of time. The whole thing is on Buzzfeed:

Normally, being in line like this for such a long time, without my iPhone, would feel hopelessly awkward — I’m a terrible conversationalist even with old friends. Which is one of the reasons the Backstreet Boys became so core to my life: It gave me something to talk about with people (online, at least, where I spent most of my time). Every person here delights in sharing her BSB story. They compare notes about recent concerts, about their most pivotal experience — and about the judgment they face from others. Everyone — whether in their twenties or fifties — has been asked condescendingly, “Aren’t you a little old for this?” Sometimes they scoff with pride: Heather, a British woman in her late fifties who now lives in Canada, pooh-poohed, “People expect me to be sitting with my hair in curlers and knitting at my age. Ain’t gonna happen.” Sometimes, it’s said softly and wistfully, like when a woman discusses how scornful her grown kids were when she told them she was going on the cruise.


Good reasons for not going to the Grammys

Regina Spektor is up for her first Grammy this weekend. Is she going to go?

No.

This isn't a principled stand against the idea of judging music and awarding prizes in this way.

She's got a reason:

"Hi there friends! I was so happy to be nominated for my first Grammy!" she wrote. "I would have definitely gone to L.A. for all the fun, in a party dress and with bells on, if I wasn't so super pregnant at the moment. (!!!!!!!!!!). Jack and I are very excited to be expecting a brand new human together!!!"
Of course, this might just have been a very clever ruse to avoid having to go to the Grammys, albeit one that calls for almost as much commitment as Keith Moon's "pretending to be dead for 35 years" Grammy swerve plan.


Friday, January 24, 2014

CNN thinks you might be having difficult conversations this weekend

Good old CNN. It's trying to help you. More "trying" than "help", though:

"Mummy... can I ask you something?"
"I see you've read the newspaper. It's time to talk about Justin Bieber..."
"Jesus, mummy, I'm six; I like grew out of Bieber four years ago. Guy's a shit-hawk, I get that. You think we don't have cock-bundles like Bieber at school? I was going to ask about Syria..."

Still, given that CNN's Kelly Wallace has taken the time to prep this, we should at least pretend we don't think this article manages to pull of the strange feat of making an ever-expandable internet seem like a page has been wasted.
Parents should try to do more listening than talking, and ask kids what they think about Bieber's troubles, said Rachel Vail, a New York City mom of two and author of numerous books for kids and teens including her latest "Kiss Me Again."
The kids, of course, won't think anything, given that the only people who really have any thoughts about this are those struggling to fill celebrity columns.
"Scaffold their growing ability to think through complex issues like celebrity, entitlement, fame, substance abuse -- and really listen to their thoughts," said Vail, also on Facebook.
Oh, yeah. Kelly hasn't actually had an awkward conversation with Vail, she's just read something on Facebook.
"So often we think we have to have the correct answers and serve them up like so many inoculations to our kids. Being present and asking questions is sometimes the wiser, more respectful, and ultimately more empowering route."
"Being present". Well, yes, I guess that'd be better than standing at the end of the garden and shouting 'what do you think about Bieber?' through a loudhailer.
There's a lot more of this stuff, calling in several people for their views.
As for Bieber's teenage fans, Dean Schmidt, the Denver radio personality, believes they shouldn't stop liking him.

"And I'll go one step further and say they shouldn't judge him," she said. "Every person needs love, so I'm not going to tell a child to stop loving a person (celebrity or not) just because they've made some bad decisions."'
Hang about... isn't judging someone and stopping loving someone two different things? Isn't it wrong to suggest to kids that they shouldn't have an opinion on whether Bieber was in the right? That seems a bit strange.

Still: if you're parent, read up. That way you'll be fully prepared for the conversation your kids won't be wanting to have anyway.

Newsround, by the way, are running 'How to wind up your parents and make them ever more embarrassed by pretending you're upset about Justin Bieber'. Step three is to ask 'and why did Miley Cyrus rub her lady innards on the big ball?'


Last FM tries something else, hopes it doesn't smell desperate

Last FM hasn't exactly been thriving in the last couple of years, what with Spotify basically doing what it did, but much better. (Because, face it, if you want to hear the Dum Dum Girls, you want to hear the Dum Dum Girls, not a bunch of bands that other people who wanted to hear the Dum Dum Girls listened to when they weren't able to listen to the band they wanted to hear.)

But now, Last FM have revived their player. They've got a question to ask:

“Ever wondered what radio would be like with video?"
Well, no, because (i) that'd be MTV and (ii) that wouldn't be radio.

It's like asking 'ever wondered what a car would be like with two floors, eighty seats and a timetable which requires it stop every so often to pick up passengers', and hoping that people won't notice what used to be a car is now a bus.

So the player - or at least the beta version - is now throwing out YouTube videos instead of music streams. MusicAlly reframes the question in a more honest way:
Although from a business perspective, it’s more about wondering what a personal radio service would be like with YouTube absorbing the licensing costs.

In the UK, Last FM remains twice as popular as MySpace, but... well, that's not saying very much, is it? It's also more popular than kidney stones. But there's hope, reckons MusicAlly:
Plenty of work to do for a comeback, then, but it’s worth noting that if Last.fm was launching in its current form today, as a YouTube-scraping personal radio service with big-data features in the background, it’d be all over the tech blogs as the Next Big Digital Thing.
Yes, because if there's one thing YouTube is lacking, it's access to a massive data-crunching operation crammed with detail about people's tastes and behaviour. If you ignore it being part of Google, obviously. If you factor that in, it's not entirely clear what Last FM might have to bring that's new.


Lance Bass tells us he is unsurprised at Bieber's arrest

Lance Bass saw it coming, you know. He knew there was trouble ahead for Bieber. He'd even shared his worries with dozens of listeners to his radio programme:

"I was not surprised at all," he told us at tonight's Delta Airlines pre-Grammys party in West Hollywood. "I host my own talk show on Sirius XM so we've been following the Biebs for quite a few months. The spiral down. So no, we called it a long time ago."
Yes. Yes. "We've been following the Biebs". That's a thing he said.

It might be worth wondering if, following someone on a downward spiral going 'he's heading for the bottom of a downward spiral' actually takes much in the way of predictive powers.

You might also ask if there was anyone at all on the planet who was expecting Justin Bieber to suddenly start a course at his local community college, start dating that nice girl from the next street and generally sort his life out.

Indeed, Channel 4 had already announced a series - "Justin Bieber's Further Descent Into Absolute Dickwaddery" - so obvious was this happening.

Indeed, three States had already got Bieber to pose for mugshots as it'd just save time when the inevitable occured.

Indeed, this year's MTV Awards had already negotiating with The Corrections Corporation of America as they're expecting to need some sort of live link to the rec room this year.

Lance Bass is very much a man watching the sunrise going "knew this would happen. I said the sun hadn't spiralled off into space, never to return."

Still, Lance - having called it - knows what Bieber needs now:
Like I said, he just needs a little chill time to snap him into reality.
Absolutely, Lance. When anyone gets loaded and drives too fast, putting people at real risk of life-changing injuries or death, the solution is booking into a day spa.

It was different for Lance, of course, because he wasn't the popular one in NSync ("was in a group"):
I feel for him because I know exactly what he is going throug," Lance said of Bieber. "I've seen it with Britney, with Lindsay, with all the other teen stars out there. It was easier for me because I was in a group, I had four of my best friends knocking me down when I needed it and a great family. But with solo artists, it's hard because you got a lot of yes people around you and there like, 'Yeah, that's great.' They'll never tell you no. When no one tells you no, your reality is so out the door."
"Hey, I'm going to get drunk and drive too fast - good idea, yeah?"
"Excellent idea, Mr Justin. How about something from the drug cupboard to take the edge off?"

I wonder if Lance's interpretation is as mistaken as you'd expect from someone who has a show on Sirius XM. Surely the problem Bieber will have had is not people saying yes, but rather - as he was a chunk of marketable meat that needed to be TeenBeat friendly - he's been surrounded by a lot of no; and when he finally broke free of that, it's an explosion.

Still, there's something that Bass gets right:
Bass added of Bieber's low jail bail amount of $2,500, "I have a feeling if it was any other person they'd be in jail right now."
Especially as most people can't easily post two and a half grand bail.


Thursday, January 23, 2014

Fa loves Papa Don't Preach: Madonna's dolphin house only a glint in an architect's eye

It would have been easy to believe that Madonna might own a house in Dubai, one which had dolphins in a tank swimming by the living room.

It sounds like the sort of thing that someone with too much money and a sometimes questionable ethical approach might do. And there was a celebrity architect, too, happily sharing the details:

The news came to the fore, when a profile of celebrity architect Joaquín Torres, revealed the plan and a rendering of Madonna’s new Dubai pad, complete with a dolphinarium in her living room.

Torres is best known to have designed the homes of high profile sporting stars, including Cristiano Ronaldo, Zinedine Zidane and a majority of the Real Madrid team; also, let’s not forget styling the plush villa for Hollywood’s golden couple Penélope Cruz and Javier Bardem.
Making it worse, the first of Madonna's acolytes who made it to the internet launched a defence which was based on the dolphins being shared with neighbours.

Eventually, the story started to fall apart:
Celebrity blogger Perez Hilton carried a statement by the Grammy winner’s rep, which simply said: “Despite reports to the contrary, Madonna does not own a home in Dubai with dolphins.”
Of course, this is actually denying that Madonna and some dolphins co-own a home in Dubai, something which yet hadn't even been suggested.

Torres then made things worse, by taking to Twitter to talk more about the house. And the dolphins. Oh, those beautiful, beautiful dolphins:
When Twitter user Julian posed the question to Torres, whether he has built a home with a ‘dolphin area included’, the architect did not deny this.
He replied: “Yes, we did.”

When Stephanie Wireman asked whether the dolphins were captive or free, Torres simply stated: “Captive.”
Of course they'd be captive. You can't have dolphins wandering round the house, sticking their salty flippers into the cookie jar and constantly putting the water polo on the television.

But Twitter decided to push this point.
However, when Shona Polona asked him whether the house has been physically constructed, Torres further explained: “No, it has not been built. It is just a project.”

He later added to a similar query: “This is just a concept. I am not the developer I am just the designer.”
So that's "yes we did build a home with dolphins trapped in it, if by build you mean 'draw a picture of a house with some dolphins looking through a window".

It is of course ridiculous to think that Madonna would share her home with dolphins. They'd be ripped to shreds by the three Siberian tigers she keeps in her shed.


Listen with No Rock: Slum Of Legs

An email arrives, suggesting I might want to listen to a thing. That happens a lot, but the thing is a cassette/digital album from Brighton. And they describe themselves like this:

I never know how to describe ourselves other than pop-noise and we love the Velvet Underground. The tape is super lo-fi and was recorded on 4 track over an old Jim Reeves cassette by Tom House from Charlottefield.
Obviously, recording over Jim Reeves will add the sound of distant drums to your final mix.

It all ended up sounding like this:

You don't have to go with the tape version, but you should at least make sure you buy the demo in some format, because it will improve your life. Guaranteed.

Slum Of Legs. A buzzy, fuzzy wake-up sound. Yesyesyes.


Wednesday, January 22, 2014

Vivian Girls to play two more shows, stop

Oh, bugger, no:

Brooklyn, New York, March 2007: we started making music together and became what we know as Vivian Girls. It's been a long and crazy journey in the seven years since, and we feel as though the time has finally come to let our band rest in peace. It's been an experience that we'll look back on and cherish and we'd like to thank you for sharing it with us. We have had such an amazing time being a band, touring the world, releasing records and meeting all of you.

We've booked some ALL AGES shows as a goodbye. The first will be on February 14th at The Church on York in LA. The second will be on March 1st at Death by Audio in Brooklyn.
This is the sort of thing that this means the end of:

And this:

And this:

Good night, and good luck, Vivian Girls.


Bookmarks: Kathleen Hanna

You might have enjoyed Everett True's interview with Kathleen Hanna in the Guardian last week; today he's posted the original transcript to Collapse Board:

When I was 13 me and my best friend Angela Cheever were out on a Friday night, hanging out at video arcades, playing Ms. Pac Man, flirting with boys from our school etc…While walking from this place called ‘Pins and Cues’ to ‘Jerry’s Sub Shop’ I noticed a man was following us. We were near the road but there were no cars and when I told Angie about the man we both started walking really fast and so did he, and then we ran and he started chasing us. Nothing was open but we saw a light on at a funeral home so we ran up the stairs and started pounding on the doors screaming. No one came, but the guy freaked out and backed off. I sometimes wonder what would’ve happened if we didn’t run and he would’ve caught up with us.

From puberty on, I felt like me and my friends were always running. From abusive Dads, men on the streets, or even running away from mean things people would say to us that got stuck in our heads. But running meant we thought we were worth saving. That’s why the record is called Run Fast.


Tuesday, January 21, 2014

Beats gets going

Overpriced headphone manufacturer Beats has taken a step closer to launching its streaming music service, with an app going live in the Apple app store:

The service, which goes up against the likes of Spotify, Rdio, Pandora and iTunes Radio — as well as Mega CEO Kim Dotcom‘s new music streaming service Baboom – will cost $9.99 per month for unlimited streaming from its catalog of more than 20 million songs.
Besides the ability for journalists to mention Dr Dre in articles about the service, it's not entirely clear what Beats believes makes it different from other streaming services.

The company's business models so far has been to encourage conspicuous consumption - people pay over the odds for oversized headphones so they can wear them on the tube or bus. It's not obvious how this will work for streams of music.


Communists finally accept Lady GaGa

If you needed more evidence that Lady GaGa's early edge has long since been lost, she's being allowed back into China. CNN reports:

[I]n China, the pop diva's songs had been on a blacklist since 2011, when the Culture Ministry deemed her work to be "creating confusion in the order of the online music market, and damaging the nation's cultural security."
[...]
Lady Gaga last week responded with enthusiasm to the lifting of the ban on her Twitter feed.
"China has been given the go ahead singer I'm so excited!!!! The Chinese Government approved 'ARTPOP' to be released in China with all 15 songs! Next I hope I can come to perform!," she said on her Twitter account.
It's bittersweet, isn't it? On one hand, you're getting access again to a massive market. On the other hand, nothing says 'mostly harmless' like an endorsement from Politburo.


Monday, January 20, 2014

Rockobit: Fergie Frederiksen

Fergie Frederiksen, singer with a number of bands, has died.

His greatest claim to fame was his period as singer with Toto - during the Isolation era - but he also fronted Trillion, LeRoux and World Classic Rockers. He also had a brief solo career under the surprising name David London.

His spell with Toto came to end due to not-very-eumphemistically-described "substance issues"; peace was made in 2007 when he was invited to join the band onstage to rattle through Africa.

Fergie Frederiksen was 62; he'd had lung cancer.