Jessie J heads off to crack America, apparently

Can it really be true that Jessie J is leaving, as the Daily Star says?

Jessie J moving to the U.S.
Pop star JESSIE J is moving to the U.S. in a bid to crack the American music industry.

The headline is pretty clear. Sounds like she's already deep in conversations about baseboard heating with Remax realtors, right?

She tells KISS FM's Breakfast Show, "I'm kind of 50/50 there and within the next kind of 18 months I'm gonna basically get a place in L.A. or New York. Yeah. Flying in east."

So that's less 'is moving to the US', more 'might at some point in 2016 buy a small flat but haven't even given any thought about which coast it might be near'.

Not so much with the "now or never", then.

We have a while to wait before we need to put together comfort packs of marmite and PG Tips.

The Civil Wars is over

Given they've been on hiatus for a couple of years, the final act of The Civil Wars will come as little surprise:

The Civil Wars—made up of duo partners Joy Williams and John Paul White—have regretfully decided to permanently part ways. The difficult decision ends a tumultuous period for the four-time Grammy Award-winning band, who has been on indefinite hiatus since late 2012.

As a thank you gift and farewell, the band is offering a download of their rendition of “You Are My Sunshine.” Recorded in 2010, the track was originally released in 2011 as a b-side to the band’s limited edition Barton Hollow 7” vinyl. This is the first time the song has been available digitally in the U.S.

Both Joy and John Paul have added their personal words on disbanding here below.

Joy Williams comments, “I am saddened and disappointed by the ending of this duo, to say the very least. JP is a tremendous musician, and I will always be grateful for the music we were able to create together.

I sincerely hope that ‘You Are My Sunshine’ will be accepted as a token of my gratitude for every single person that has supported our duo throughout the years. I’m so thankful and my heart is full.

Looking ahead, I’m excited to share the music that I am writing and recording in the midst of this difficult transition. I’ve loved being back in the studio, and have missed performing live. I look forward to seeing you soon.”

John Paul adds, “I would like to express sincere thanks to all who were a part of the arc of The Civil Wars—from the beginning, to the end, and all points in between. My deep appreciation goes out to all who supported, disseminated, and enjoyed the music. Whatever shape or form the next chapter takes, thanks for being a large part of this one.”

Full statement and "You Are My Sunshine" download at http://thecivilwars.com/

I'm not sure you can be both tumultuous and on hiatus at the same time, but somehow they managed it.

Mercury falling

That Freddie Mercury film? The one with Sacha Baron Cohen/hold on no it's Ben Whishaw as Fred?
Starting to look increasingly like it's never going to happen. The Telegraph's Mandrake column brings the news:

So when will Whishaw actually set about the business of rocking us? “Actually, I don’t know what’s happening, it seems to be on the back-burner,” the Paddington star now admits in an interview with Time Out London. “It was going, then there were problems getting the script working.”

I'm taking this to mean the studio are going "he's being gay on too many pages", but it could simply be they're asking if Brian May wouldn't mind if his character became a wisecracking CGI badger. (I suspect Brian May wouldn't mind.)

Katy Perry: Google News would claim this was an algorithmic coincidence

I think the photo tells us all we need to know, thanks:

Ian Gillan gets all sassy with the Rock & Roll hall of Fame

Talking to Rolling Stone, Ian Gillan gently schools the Rock And Roll Hall Of Fame in rock:

I've heard quotes of somebody on the [Rock Hall voting] committee saying, "Well, Deep Purple can't be in it, because they were a one-hit wonder." I don't know if they were referring to "Hush" or "Smoke in the Water" or "Child in Time" or "Highway Star" or "Perfect Strangers," any of those one hit wonders that we were.

He then says he'd treat the museum with respect if they approached the band, but "it's really an American thing", which is the sort of respect you get when someone says "I hear what you're saying, but..."

Beyonce crosses the Madonna Horizon

Beyonce has, after a period of silence, turned her attention to the most famous elevator fracas since that doctor discovered Damien's blood was like a jackal's.

That she's bothered at all is disappointing; like Thor, the mighty God of Thunder taking time out his busy schedule to explain a hailstorm in Chislehurst last summer.

But she's decided to rap about the scuffle between Solange and Jay-Z. So, what was going on, Beyonce?

We escalatin', up in this bitch like elevators
Of course sometimes shit goes down when there's a billion dollars on an elevator

First of all, as explanations go, this doesn't hold water - I'm pretty certain that if Solange had got out at the next floor, there would still have been a billion dollars in that lift, and there wouldn't have been a shin-kicking farrago.

But let's take Beyonce at her word, because this is a sad, historic moment. The point where Beyonce has become so rich and famous and powerful that she has forgotten how to be relatable. The point, then, where she crossed the Madonna Horizon.

On this side of the Madonna Horizon, Beyonce would have been rapping about families, and how you know what families are like, and what can you do, eh? But once across the Madonna Horizon, you turn into this:

Scientists believe that as you pass through the Madonna Horizon, you're suddenly convinced that the world wants to see a photo of you being taken from behind by Vanilla Ice.

So, then: now we know. If you put rich people into a confined space, there's going to be an almighty scrap. This is why you don't see billionaires on the tube, by the way: imagine if three bank CEOs got in the same carriage on the Underground. It'd be carnage before you got out the station.

Naturally, the richer you get, the further you have to keep apart. Bill Gates and Warren Buffett are forbidden from being in the same state, as with all that cash just a few miles apart could trigger an earthquake.

It's our fault, people. We've given all this money to the Knowles-Z family. In effect, we're no better than medieval peasants forcing chickens to fight for our entertainment. I hope we're all ashamed.

Zoe Saldana defends Britney Spears

For reasons we can't quite begin to understand, Zoe Saldana's promotional work for Guardians Of The Galaxy seems to involve talking about Britney Spears a lot.

Saldana appeared with Spears in Crossroads, a movie so bad many assumed Britney's character was supposed to be the young Amy Turtle. And Saldana has nothing but praise for Brit:

"She was the one big, big celebrity that I met when I was starting to work in Hollywood, who literally was humble. I do believe that people and children gravitate to good energy, and she`s definitely an abundance of that," said the 36-year-old.

It's not just children who gravitate to good energy. It's people as well.

Humble, of course, has many meanings, so it's possible that Saldana is actually claiming that Britney was literally low in rank, or literally small in size. Or, equally, that Saldana meant "genuinely" rather than "literally".

It's worth noting that she doesn't bother attempting to defend Spears' acting in the movie.

Oddly, Saldana is then dragged into giving an opinion on the current round of 'can Britney sing without Autotune' chatter - because, naturally, the best person to ask is somebody who did some acting with Spears over a decade ago.

"I`m pretty sure that 80 percent of our musical artists would be mortified if they were caught singing without auto-tune."

"She was the only pop star at that time - and I can name a lot of prominent figures right now that today are more famous than Britney - that literally got to where they were at by hating on Britney a lot."

"Because it was cool at one time to really just diss her. And Britney never did that,"

I think calling this a half-formed thought would be to over praise it - presumably Saldana means that Spears didn't get where she is today by attacking other singers, but that seems to be an odd defence to accusations of 'not being able to sing' even if properly expressed. What Saldana ends up saying is that Britney isn't that famous any more, but at least she never dissed herself.

But to be fair, the whole answer has a subtext of 'why are you asking me this anyway?'

Here's Zoe in her current role:

She's on the left, playing the woman out that Chinese Girl painting everyone had on their walls in the 1970s, alongside (l-r) Wilf 'Gasmask' Grimshaw (gas mask not pictured); Pepe Le Pew; Dom Littlewood and The Singing Ringing Tree.

Eurovision activist arrested

Rasul Jafarov - who used the 2012 Eurovision Song Contest as focus for protests against the shitters who run Azerbaijan - has been arrested:

A prominent human rights campaigner in ex-Soviet Azerbaijan has been arrested and charged with economic crimes amid a new crackdown on dissidents, his lawyer said on Sunday.

A court in the capital Baku on Saturday ordered that Rasul Jafarov be held for three months after prosecutors charged him with tax evasion, illegal entrepreneurship and abuse of power, said his laywer.

It's obviously an amusing joke on the part of the Baku government to accuse people of "abuse of power". Like a premiership footballer accusing the team's cleaners of being overpaid.

Gennaro Castaldo Watch: One Direction sell a lot of records

It's been a while since we've heard from Gennaro Castaldo, former HMV think-speaker, in his new role as BPI thought-pronouncer. But the Internation Business Times has secured a few words from the great man on the occasion of One Direction selling records:

Gennaro Castaldo, a spokesman for the music industry trade body BPI, said: "For home-grown talent to have recorded the world's biggest selling album six out of the last seven years is a phenomenal achievement that says a great deal about the popularity of British music around the world.

"Aside from the obvious contribution to British exports, this success underlines the vital role our music and artists play in promoting the appeal of British culture around the world."

I'm not sure the contribution to British exports is that obvious. Isn't most of the One Direction crap sold in shops made overseas and, thus, the band's success is actually harming - rather than helping - the UK's balance of payments? And the CDs sold overseas aren't made in the UK; nor are the downloads normally housed on British servers. There's the intellectual property, of course, but the songwriting and production credits on One Direction are drawn from an admirably wide range of territories, so at best represent money flowing through, but expressly out, of the UK economy.

But, regardless, suggesting that One Direction are - narrowly - a British success is a bit of a fib.

Idolobit: Michael Johns

Michael Johns, an Australian who did fairly well on American Idol, had died.

Johns came 8th in the final of the 2008 season of American Idol. After the competition, he released a couple of albums - Hold Back My Heart sold 20,000 copies in the US; the follow-up Love & Sex wasn't quite as successful as that.

Michael Johns died August 2nd; the cause is believed to be a bloodclot on the ankle.

Homes under the hammer

Coming to the property market: Neverland, Michael Jackson's old home (or Six Flags Xanadu, as it'd have been more appropriate to call it).

It was once a toy town wilderness, complete with carnival rides, artificial lake and a zoo that housed a five-tonne elephant and an orangutan named Patrick.

Now Michael Jackson's famed Neverland Ranch is up for sale for the first time since it was acquired by the King of Pop in 1988 and, despite being valued at $30m (£18m) by California property experts, could sell for between $75m and $85m.

Yes, because who wouldn't want to pay nearly treble the value of an already overpriced house on the off-chance there might be skeletons buried underneath the master bedroom ("for its links to one of the most famous celebrities of the 1980s")?

The funfair has been taken out and replaced with a "zen garden", but they still reckon just upkeep will cost the new owner five million dollars a year.

But there's almost certainly no ghosts of small children haunting the place, so that's an upside.

If the idea of a place where a rich man abused kids and got away with it isn't for you, how about the former home of an angry flying man?

John Denver's Aspen home is on the market:

The main house (6 bedrooms)and the guest house (5 bedrooms)are on two separately deeded lots with separate entrances and driveways but has a lovely walking path between the two featuring the red mountain ditch gurgling along the way.

I think I'd be nervous about anything in the Colorado mountains that has a small stream gurgling away, what with how Colorado floods so easily, but it'd be worth the risk of the views.

This week just gone

Geekystatspecial: Countries which send the most visitors to No Rock & Roll Fun this year:

1. UK
2. US
3. South Korea
4. Norway
5. Canada
6. Germany
7. Australia
8. France
9. Brazil
10. Ireland

(Lets sum that up as "declining popularity in Germany…")

These were this week's interesting releases:


Jenny Lewis - The Voyager

Download The Voyager



The Bluebells - Exile On Twee Street



Loudon Wainwright III - Haven't Got The Blues (Yet)

Download Haven't Got The Blues (Yet)



Andy Bell - Torsten The Bareback Saint

Download Torsten



Anti-Flag - A Document Of Dissent

DJobit: Mike Smith

Mike Smith - who died yesterday - was the Radio One breakfast DJ at the point where I stopped listening to the Radio One breakfast show.

It wasn't because of him - in fact, his reworking of the programme with a soft-but-still-noticeable news agenda was rather well done and arguably lives on in Five Live. It was just reaching that point where you find Today a bit more compelling. (And then, during its glorious reign, Danny Baker's Morning Edition; and then Today again.)

You wouldn't say he was the most exciting of broadcasters, but his hands were definitely safe. (And, knowing what we know now, who could blame Radio One management for wanting someone a little more trustworthy?)

A series of solid performances - across CBTV, Radio One, Breakfast Time, sidekicking for Noel Edmonds and straight-facedly spooking the nation on Ghostwatch - before deciding he'd had enough of being on the presenter side and took to doing aerial photography work instead. For a full, generous overview of his work, you could do worse than dip into TV Cream's appreciation of Mike Smith from a couple of weeks back.

Mike Smith was 59; he died following complications after heart surgery.

Jarvis Cocker: Made of cake

Sheffield pop star Jarvis becomes one of the cake people

Sorry... what did you just say, Sheffield Star?

Bespectacled Pulp frontman Jarvis Cocker, along with Louis Tomlinson from One Direction, have both had their likenesses moulded out of cake, complete with edible painted icing.

This is to celebrate Yorkshire Day. And to be fair, the one on the right is meant to be Judi Dench and not Louis Tomlinson.

Ne-Yo has lost some money

Ne-Yo apparently had millions of dollars snaffled from him by his manager, according to a lawsuit he's just filed.

What's surprising is that the manager - Kevin Foster - appears, based on these figures, to have allegedly embezzled littleless than he was paid:

The lawsuit says Foster moved some of Ne-Yo's money without permission. It also alleges that Foster faked Ne-Yo's name on loan documents and invested Ne-Yo's money in a water company that was teetering on the edge of bankruptcy.

The lawsuit seeks $4.5 million plus $3.5 million in fees that Ne-Yo, 34, says he paid Foster.

Ne-Yo, if someone is charging you millions and millions in fees, while also finding time to run a leaky water company, you're being ripped off, even if you're not being ripped off.

Katona cancels; loses battle

Tonight, there was meant to be an 80s v 90s face-off in Blackpool, but Kerry Katona has pulled out after realising she couldn't remember the words to the Iceland commercials ("after an incident-packed week at home").

This means the 1980s wins by a walkover. The 80s were pleased, telling local reporters that they felt honour was restored "after what Atomic Kitten did to The Tide Is High". The decade will now go on to face down One Direction, with a special focus on One Way or Another.

I do not recognise this song. Please turn it off.

There was an interesting piece in yesterday's G2 about how the Co-op tried playing unsigned music in its stores, and lasted 24 hours before bailing:

The supermarket was piloting a new system to “help emerging artists promote and monetise their music” by playing only unsigned acts from licensing company Emerge on Co-operative Radio (the fact that it is about 50% cheaper to profile unsigned artists than mainstream ones may have been an incentive, too). Unfortunately staff weren’t thrilled about the chance to explore new music at work. One angry Facebook campaign later, and the supermarket chain returned to playing its regular, pricier chart music.

You've got to feel for the Co-Op. They really can't catch a break at the moment. When they're not putting a drug-quaffing amateur in charge of the bank, they're facing Facebook backlashes for promoting unknown singer-songwriters over the baked beans.

Although, it turns out, we might have to take the side of outraged customers here. The Guardian's Harriet Gibsone visited Sports Direct - where Emerge are still in charge of the music - to find out what the experience was like.

A few minutes into one particularly epic track – think the Killers fronted by X Factor’s Jamie Afro – I sidle up to an unsuspecting member of staff to ask who is playing.

I'm thinking of an act like that, and it is making me feel so queasy I'm starting to wish I had the need of anything Sports Direct sells just so in order I could buy it elsewhere in protest.

But this is unfair. That's just one song, one act. What, Harriet, beside Killerkaraoke, did you hear?

one breezy little song by a band I’m touting as the German Sugar Ray

I see.

Midway through a song by a group I’m calling “Nickelback for the Tinder generation”

Swipe. Swipe, dammit. SWIPE.

a pop track by a guy I’ll call Darius 2.0

Oh, the humanity. It seems the good shoppers of the Co-Op have been unfairly traduced. They weren't music haters, reacting violently at the opportunity to hear something new. They were music lovers, trying to save themselves from a service which appears to be dedicated to uncovering artists who are clearly unsigned for a bloody good reason.

Vince Power: Hop Farm Fest relied on hope

You'll recall Vince Power, regarded as one of the most competent music festival impresarios despite the odd problem here and there, and despite the Phoenix Festival. Oh, and having to pull Hop Farm Fest last year. And those years when Leeds ended in fire.

Still, he's been running festivals for years, so at least he knows what he's doing, right?

What's that, Kent Messenger?

The founder of the Hop Farm Music Festival has been banned from playing music in public after it was revealed events were hosted without a licence.

That's quite a big oversight. Especially for someone who has been running festivals back when it was possible to do one without a sodding ferris wheel and silent disco.

But just an oversight, yes? Embarrassing but maybe an envelope unposted?

However, at the court it was claimed Power infringed copyright at The Hop Farm Festival at the events in 2009

Well, that was the second year. Maybe the assumption was that last year's licence was still valid?

2010

Okay. Two small oversights.

2011

Uh.

and 2012.

Well, that looks a bit systemic. You kind-of hope that Power had actually gone to all the trouble of getting a licence last year, and it turned out to be such a complex process he had no time to do anything else.

Still, I'm sure that Power was able to clear up why he ran a festival for four years without a licence for playing music. Right?

PRS claimed that Power was the “guiding will and mind” of the companies and authorised or directed the alleged acts of infringement.

But when they took legal moves against him he failed to file a defence to the action with the result that PRS was this week given judgment against him by Mr Justice Birss at London’s High Court.

There's a secondary question here: if a barber shop in Golders Green switches on the radio without a PRS licence, they're being swarmed over by the royalties company in seconds. How the hell did a festival run by a large company manage to get away without having a PRS licence for so long?

[Thanks to @RichardButton04 for the tip]

Rajars: two key moments

Two key things from the latest round of Rajar audience figures.

First, Chris Evans is now pulling the largest-ever radio audience (this century, at least), with 9.91 million. (This isn't at the expense of Grimshaw, either, as the Radio 1 breakfast show has started to grow an audience, too).

Second: 6Music now has more listeners than Radio 3. Not bad for a network that was supposed to be nothing more than a trivia question by now.

N'Sync: The last to know

Were you surprised at the recent release of the two-disc Essential N'Sync collection?

You weren't the only one:

Sony released the two-disc album on Tuesday, July 29. Member Lance Bass, however, tweeted his frustration at the label for not informing him and his bandmates.

Bass wrote: "I love when the record label doesn't even tell you they are releasing a new 'NSYNC album tomorrow !"

"Guess the label didn't expect all our amazing fans to still be there for us," he added later on.

I'm not quite sure how Bass thinks that would work - presumably Sony thinks there's still a bunch of middle-aged people desperate to cling to their youth by repurchasing tracks they have already got at least twice already ("still a massive fanbase") otherwise they wouldn't have released the record at all.

What the pop papers say: The Stinger

It's not often these days you get the chance to write about a successful music magazine; it's even rarer you hear of one which is a print magazine. Which makes the success of The Stinger even more something to celebrate.

It's a free publication which serves Hastings and what appears to now be known as "the 1066 area". (The implication that nothing much has happened in the area in the last thousand years or so might seem unfair, unless you've ever been to Battle.)

It looks gorgeous, and is just coming up to its third edition. It works because it treats music as a perpetual timeline and runs history alongside the contemporary. Kind of the thing NME has spent the last five years trying to fumble its way towards, but without the horrible whirring of gears. Perhaps living in an area where the main attraction is a military defeat a millennium ago makes you better at absorbing the past and using it to drive the present. Or perhaps the team is just more confident at explaining why music moves them.

Either way: a great read. Let's hope their reign is as long and solid as that of our Norman overlords.

Google News giggles at Gaga's jazz direction

Of course, it's just an algorithm pulling an unrelated image from a nearby article, but...

It does look like Google is suggesting GaGa's jazz collaborations are most likely going to end up with the off-brand breakfast cereals and wonky-faced dolls on the shelves of US discount stores.

Michelle Shocked attends to new dog audience

Last time we heard from Michelle Shocked, she was trying to explain her disappointing-cum-heartbreaking anti-gay ranting as some sort of play acting.

She's back, though, and going after a softer target - digital music executives. And she's, erm, using the medium of songs only dogs can hear (a step forward from stage shows only Republicans can stomach, I suppose):

She recently released a silent album on CDBaby.com called “Inaudible Women,” containing 11 brief “songs” named after big-shots in the music industry. With titles like “David Drummond (Google, Youtube),” “Robert Walls (Clear Channel),” and “Chris Harrison (Pandora),” she’s calling out people who run the digital streaming world.

Or possibly acting the part of someone who calls out the people who run the digital streaming world.

Dygeddit? It's not a silent album, because that would be bad and break the rules; it's an album with music on, but music that only dogs can hear.

A spokesperson for some dogs issued a statement, saying that while they enjoyed her early work they're more excited for the La Roux album right now.

Charli XCX: Apparently PopCrush is easily surprised

A rustling in the bushes, and Popcrush is at our window, panting wildly:

Charli XCX Shares Surprising Remarks on Music Industry

Surprising remarks? She's not suggesting that the remaining major labels merge, stop making music and start raising chooks and herbs instead, is she?

What did she say that was so surprising, Popcrush?

Her next album is due out later this year, and armed with her new LP, Charli says she wants to “f— up the music industry, not make it a prettier place.”

Oh. That's not actually especially surprising, is it? That seems to be exactly the sort of thing that Charli XCX has been saying since she first started releasing music. It's a bit like hearing Ed Miliband say he intends to win the next election and finding that a surprise.

Still, surprised Popcrush is, and it needs to reassure its apparently hugely conservative readership:

But don’t let her tough words fool you — her sound is still pure pop.

Phew. That's alright then. I was worried her attempt to work around the structure of the multinational music industry would only be possible by making free jazz.

Aretha Franklin: Burger queen

Aretha Franklin ordered takeout from a Johnny Rockets. She then sat down to eat it inside the restaurant, whereupon a staff member tried to explain the concept of takeaway.

Now, obviously, it's Aretha Franklin, but that didn't buy her any favours:

The spokesman says Franklin ordered a hamburger after performing a sold-out show. But he says the server screamed at Franklin, saying she couldn't sit down to eat because she ordered takeout.

Franklin says in a statement that the worker was "very rude, unprofessional and nasty."

Of course, releasing a statement about getting some subpar service in a minimum-wage establishment is in no way rude, unprofessional or nasty.

But Rockets, naturally, has caved and has kicked its own staff:

A Johnny Rockets spokeswoman says the franchise owner is sorry for the actions of "a new and very young employee."

She says the owner has spoken with the employee and has clarified his takeout policies.

The clarification is "don't pick a fight with someone who looks like they might have their own PR team and nothing much to promote right now."

Nivea: 'I was seen as unfuckable, and therefore unsellable'

Remember Nivea? No, not the lotion, the singer.

At the start of the century, she was doing quite well, but around 2005, Jive Records suddenly stopped promoting her second album, Complicated; since then, she's seemed to spend a lot of time working on projects which didn't seem to go anywhere.

What happened? Nivea has a theory:

“At the time I wasn’t receiving a lot of support,” expressed the Atlanta native. “I had management issues and imaging issues. I was being labeled ‘unf*ckable’ to male fans because the industry wants female artist to be attractive because sex sells. They said, ‘you are getting booed up, wifed, and trying to have a baby. You are unf*ckable to us.’ Jive Records, the industry itself and all of the games you have to play, and the fake persona you have to maintain is overwhelming.”

Of course, it's not impossible to be, erm, "wifed" and still have a successful career - but you do have to be Beyonce first.

What's especially depressing is that even within its own shabby logic, the music industry makes no sense. Because if you're saying 'basically, we're only making records so we can film videos for people to wank to', what sort of people do you think make up that target market? They'll be sat at home, sports sock at the ready, just about to get going but thinking "you know what, I'd better just check Wikipedia to make sure the person I'm just about to dehumanise doesn't have a home life"? The music industry doesn't understand music fans; it doesn't really seem to understand solitary masturbators either.

What's wrong with the entertainment industry? Don't they understand how fantasy works? "Yeah, sorry, you'd have been perfect for the role of Superman but now the Mail Online has these pictures of you taking a bus, the audience will KNOW you don't fly everywhere."

But this is discovering someone has dug a cesspit in your living room and worrying about the quality of the spadework. The most depressing thing is it's not even surprising hearing that the 21st Century music industry still has the values that made post-war Hollywood such a wonderful place for a young woman to be.

Folding magazines: Bop

Bop - which has provided American youngsters with permatanned-and-white-toothed pin ups since 1983 - has been closed by its publisher:

Sister title Tiger Beat remains, but probably on borrowed time.

Bookmarks: REM

If you have 20 minutes to spare, discover why REM's Out Of Time turned wasteful CD packaging into a solid piece of legislation. And what happened to the Longbox format. Pitch, the music podcast, explains all

Promoterobit: Jon Fat Beast

Last night, noticing it was the 25th anniversary of the the Venue, I was thinking about there was the only place I ever saw Jon Fat Beast doing his warm-up act (for The Family Cat), and was wondering what he was doing these days.

Woke up to this, this morning:

Very saddened to hear that the legendary Jon Fat Beast passed away this morning. pic.twitter.com/XQzIVKkrPq

— Jim Bob (@mrjimBob) July 27, 2014

Although most famous as the shouty, shirtless, sweaty bloke who'd come on stage just before Carter USM, Beast's real contribution to music was the work he did as promoter - through The Timebox, and (at first) The Bull & Gate.

If we live in an age now of landfill indie, Beast's model was - as he cheerfully acknowledged in an interview with Plunder The Tombs - more pile 'em high; sell 'em cheap:

I would get sent over 300 demos a week at its peak.
We were very cheap/free entry and made our money selling hundreds of sweary tee shirts I designed

It'd be difficult to come up with a list of bands from the era who played their first (or sometimes last) London date thanks to the support of JFB, but if you write down a list of bands from the era, you wouldn't be far wrong.

And - again from that Plunder The Tombs interview - he upset the right people:

I used to call Simon Cowell a cunt twice a week, he was at Phonogram as an A and R man.

No further details about his death at this point. But the music world has lost a legend - even if the focus of the legend probably looks at the wrong part of his work.

This week just gone

The most popular July stories:

1. Harry Styles likes porn
2. Nicky Wire meets John Major
3. Lloyd Cole withdraws from Spotify
4. Tax asshole Gary Barlow to launch invesigation into how he came to be a tax asshole
5. James Arthur feels Glastonbury was missing James Arthur
6. VH1 organises a chance to kick Robin Thicke
7. Why it's worse when it's the Arctic Monkeys than it is when Gary Barlow
8. Downloadable: Hannah Peel
9. RIP: Tommy Ramone
10. Jack White sounds a bit creepy out-of-context

These were this week's interesting releases:


La Roux - Trouble In Paradise

Download Trouble In Paradise



King Creosote - From Scotland With Love

Download From Scotland With Love



Raveonettes - Pe'ahi



Woman's Hour - Conversations

Download Conversations



Sparks - Left Coast Angst

Download Left Coast Angst