Showing posts with label bobby gillespie. Show all posts
Showing posts with label bobby gillespie. Show all posts

Saturday, May 18, 2019

Liveblog: Eurovision 2019

6.12pm
Bollocks. I was rather hoping I'd have forgotten how to use Blogger as an excuse to swerve this year's Eurovision Song Contest. As, perhaps, we all should be doing, what with it being held in Israel and, thus, helping the Israeli government in their campaign to appear like any other country.

There have been numerous calls for the competition to be removed from Israel, or for a boycott of the event - although, in fairness, if your objection is to Israel hosting the contest, you're effectively saying you don't mind them taking part in Eurovision, so long as they don't win it.

The management of Eurovision are, of course, adept at making the case that you shouldn't spend too long thinking about how the government making everyone so welcome to sing a few songs doesn't really have so great a human rights record. After all, they got a chance to trot the arguments out a few years back in Russia.

Netta - whose inability to lose despite offering up a dreadful, twee performance last year got us into this mess - popped up on the BBC yesterday stressing how Eurovision is a chance for everyone of all races, sexualities and genders to come together in peace. It's a line the Eurovision producers are hoping will be amplified across the course of the show, although I've checked the running order a couple of times and am struggling to see whereabouts the Palestinian entry is coming on.

The approved Eurovision, um, vision of everyone coming together can't be seen as a political message, though. Because the producers are very clear that no politics will be tolerated in the arena tonight - one senior man, whose name I didn't catch, told BBC News last night that anyone trying to make a political statement will be "stopped and punished".

Stopped is disappointing. Punished is really concerning. What sort of punishment will the Eurovision organisers have at their disposal? Engelbert Humperdinck can attest that simply setting foot on a Eurovision stage has the power to make you disappear completely from public view so god knows what they could do if they were pissed off with you.

The point at which the contest is most likely to lurch into an unplanned commercial break (while UK viewers are treated to the hosts awkwardly bantering over the sound of human howling) is during Hatari's performance. Back in February, the band challenged Netanyahu to a wrestling match and have given off signals that, if we must go to this place and do this thing, we're not going to do it quietly.

Back when it was Russia, the it was comfortingly easy to get outraged.. Because it's Russia, and Putin. With Israel, though, the politics are a lot more complicated - it's almost impossible to type the words "Tel Aviv" without wading into a confused chamber of rows stinking of racism, antisemitism, and bad-faith extrapolations in all directions. It's almost as if the politics of the Middle East is an easy thing to get drawn into, but becomes something of a quagmire should you look to leave.

If you'd like a calm, clear explanation of why holding Eurovision in Israel is fucked up, you could do a lot worse than read Abier Almasri's piece for Human Rights Watch. And if we are going to not pretend that we can't see where Eurovision is this year, maybe the best we can hope for is that as many voices like Abier's are amplified and help drown out the messages the Israeli government want to send.

If you're not looking for a calm, clear explanation of the politics of Eurovision 2019, though, you should send for Bobby Gillespie.

Bobby's already had something a red letter month. Denise Johnson tweeted this a few days back:



And a couple of weeks earlier Gillespie did a fashion spread. Now, doing a fashion spread is one thing. But when you appear wearing a three thousand quid coat in a newspaper edited by George Fucking Osborne, you might have lost the moral high ground a bit.

So, things weren't looking good when he went onto Newsnight and was asked about Eurovision.

He served up a take so bad it's possible Ben Gurion and Yasser Arafat, watching it from their not-really-that-different-heavens, might be able to make common cause on yelling "shut up".




"All of my heroes are Jewish" is both a refreshing reworking of "some of my friends are black", but also an amazing revelation about the Paint It Black era Rolling Stones.

But even before being awful about Israeli politics, Bobby has already been awful about Madonna.

To say "she's a prostitute" as a criticism, and then to rush out "not that there's anything wrong with being a prostitute" is perhaps the most radical attempt at a remix since Weatherall somehow shook Loaded out of I'm Losing More Than I'll Ever Have. You might think that Gillespie is a misogynistic arsehole - not, of course, that there's anything wrong with misogynistic arseholes. "She's a whore" was one of the most commonplace attacks Madonna had to weather during her early years, and as an insult says nothing about either Madonna or sexworkers, but a whole lot about the person hurling it.

It's less controversial to say that Madonna will do anything for money, but it's also not exactly revealing a hidden truth when one of the songs she's going to do tonight is The One From The Big Pepsi Commercial. It's also a bit much to take from someone who's just reissued Velocity Girl with a shiny new video, and promoted it in an article which contains the words "Givenchy jacket, £1,810; shirt, £476; trousers, £684 (givenchy.com). Gucci boots, £875 (gucci.com) (Drew Jarrett)" as the image caption.

So here we are, then: The attempts to protest Eurovision haven't brought down the Israeli regime, or even stopped the contest. But they have managed to destroy Primal Scream for us.

Which is something of a long way round saying: welcome to the No Rock & Roll Fun 2019 Eurovision Song Contest Liveblog.

We'll be back just before 8.00pm...

7.15pm
Have just realised the football starting at 5pm has robbed us of the chance for a Eurovision Pointless.

7.58
Here we go, then. The gap between the TV and the streaming version of BBC One is now so huge you could edit out a swear-filled rant from Shaun Ryder between one and the other.

8.00
Oh god. There's some business with a pretend plane kicking us off, apparently piloted by last year's winner.

Oh, and waving scouts.

8.04
I'd forgotten they'd introduced the 'having all the contestants walk on at the start' thing; to give you a chance to have completely forgotten what they look like by the time they actually come to the stage.

8.06
Dana International is looking fabulous, but it's not clear why she's got El Al cabin crew stood behind her.

The sound mix is terrible on this. Hopefully they;ll sort it out before the event proper gets under way.

It's time to meet the presenters . Four of them this year. Probably one is there solely to wrangle Madonna.

8.12
"This is our third date" says the bearded host to the host in a corset, "and you know what happens on a third date".

Well, that's awkward.

This bit of cut-up old presenters talking about how you vote is quite a nice touch.

8.14
They've added a new touch, we're warned. The intro videos are going to feature the contestants dancing.

"How about we open tonight's Grand Final?" Yes, you've been going for quarter of an hour already, please do get a crack on.

8.15
Malta: Michela – Chameleon

Michaela is wearing a cheap rain mac of the sort you buy at Alton Towers when you forget your anorak; with a denim top over it.

There's some very Primary School Teacher doing the lights for a play effects going on here. Sadly, thats the most interesting thing about the performance. The song is like a watered down version of Baltimora's Tarzan Boy.

At least it can only get better from here.

I say that, there's plenty of time for it to get worse.

"She'll be thrilled with that" observes Graham Norton. That makes one of her.

8.18
Albania: Jonida Maliqi – Ktheju tokës

Jonida is dancing in a pond.

She's performing from inside a crown of thorns, which is a provocative choice from Israeli State TV all things considered.

This sounds like it could be authentically Albanian, although I have no idea if that is the case.

Hang on, now it sounds like she's singing about Oreos.

8.20
They've added some fire to the stage set. Didn't improve Uncle Roy's barbecue party; didn't help this.

Czech Republic: Lake Malawi – Friend of a Friend

They could have made Lake Malawi stand in a pond for their dancing video, because that would have made more sense. Or at least a weak sight gag. Instead they appear to be dicking about on a wall.

Oh god, that drummer is clearly not playing that drum.

"He was my neighbour when we were 13" sings the grinning Pellow-like lead singer. I think we see where this is going.

I might be being unfair to the drummer; it could just be that he's six feet tall and using a kid's drum set. Perhaps he forgot his own drums, and that was all you can get in Tel Aviv on a Saturday? Is there a drumming animatronic bear at a kid's restaurant missing his kit?

8.27
Germany: S!sters – Sister

Oh, this isn't sisters like Buffy and Dawn. This is sisters like Shula and Elizabeth. The sort of sisters whose drama you wouldn't tune into if you were sat behind them on a long train journey. They're teating us to the sort of the thing that Elaine Paige and Barbara Dixon would have thrown out to test the mic levels.

The blonde one is wearing the 'sexy outfit', which looks like she's gone to a fancy dress shop and bought a 'sexy sexy outfit outfit'

8.30
Russia: Sergey Lazarev – Scream
Apparently did well in the public vote last time he appeared at Eurovision, says Graham.

Imagine that. Russia doing well in a public vote.

Sergey is dressed entirely in white, and singing in front of a BBC Micro rendering of a leap into Hyperspace.

Hold on, he's now standing in a shower.

This song is so slow, you'd be able to lead a funeral procession with it.

8.34
How can it only be 8.34? He's been singing this for an hour and a half.

Oh, we're up to a break already. A chance to talk to Jean Paul Gaultier for no apparent reason other than maybe Madonna?

Denmark: Leonora – Love Is Forever

This starts like it's going to be Orinoco Flow and then quickly morphs into the sort of plinky-plonky song that they might use in a Nationwide commercial.

"Don't get too political" she sings, confusing the instructions taped to the side of the stage with her autocue.

It's a testament to how poor this evening has been that this is the best thing we've had so far.

Leonora is climbing up a ladder from which a young version of Albert Steptoe is hanging off.

8.40
San Marino: Serhat – Say Na Na Na

"This song took five minutes to write" reveals Graham. Very little of that spent on coming up with a title.

Another all-white outfit.

"Be strong - look at me" says the background. I mean, you're no oil painting Serhat, but I don't think it's fair to say you'd need superpowers to gaze at you.

The backing dancer blokes have forgotten to put their strides on.

8.44
North Macedonia: Tamara Todevska – Proud

Tamara presents a challenge. Is she meant to have an asymmetric bob, or does she just have a bad hairdresser?

The lyric so far is generic "say it proud and loud" stuff, which was pretty much the message of the last one. Given we're in a Contest where participants have been told to ensure they shut the fuck up, that's a little ironic.

I keep expecting this song to kick up a gear. It is running out of time to find that gear.

Nope. No new gear. She just shouts a bit.

8.48
Another break. Pencilled on beard man is throwing to commercials. Corset woman is sitting with the Maltese singer, who is being more animated than she was during her performance.

Pencil beard is with the German sisters. They don't entertain him with their claim they see each other as queens, so he heads off to someone else.

8.50
Graham's done the toast to the ghost of Terry Wogan.

Sweden: John Lundvik – Too Late for Love

Starts off dangerously close to Curiosity Killed The Cat's Name and Number, but then shifts into standard Eurovisionballadry. Oh, and then shifts again into a standard Euro pumper..

"Everything reminds me of your face" says John. What, everything? Doing the bins? Nigel Farage on the telly? A dead badger mouldering slightly in the drizzle on the side of the A37? Really, John?

Backing singers channeling off-Broadway performance of Sister Act energy.

8.55
Slovenia: Zala Kralj & Gašper Šantl – Sebi

They met on Instagram, warns Graham. Okay, Slovenia: double influencer power is go.

They're wearing all white, of course. Is tonight sponsored by Persil?

She's looking at him as she sings with the eyes of someone who had been promised everything would be alright and doesn't believe that any more.

Yeah, they're going to do this whole song staring at each other. This feels awkward.

She's pawing him now. This is just the ten minute freeview, isn't it?

8.59
Cyprus: Tamta – Replay

When Tumblr axed all the adult content on their platform, the deleted posts came to life. And they came to life as Tamta, with her 'rustle up your own PVC costume' approach.

The song are two verses of nothingness held together by a chorus of a robot marching downstairs.

"You're stuck on me, darling". Yeah, you'll get that if you don't use enough talc with your PVC.

9.03
The Netherlands: Duncan Laurence – Arcade

The favourite to win tonight.

But first, a quick look back at Slovenia as seen on Twitter:




Back to the Dutch. Well, at least Duncan isn't wearing white, but he has bought a keyboard which is both too large and too small at the same time.

"My mind feels like a foreign land, silence ringing in my head" sings Duncan, and boy, does a foriegn country where it's quiet sound like a real treat compared with this year's song.

9.07
Greece: Katerine Duska – Better Love

Kat is doing some stuff in a library for her dance video, which must be annoying for people trying to use the library. I know libraries aren't all "shush" and "no noise" any more but you've got to draw a line somewhere, surely?

Florence And The Machine That Needs New Batteries, isn't it?

Oh, there are people fencing on stage. I hope they're really good at fencing. (Secretly thinking: it'd be amusing if they're not really good at fencing).

Kat reaches for a high note with confidence. Misplaced confidence.

"Burning feeling inside" she trills. Mmm. Try yoghurt for that.

9.11
Halfway point. Of the songs. Just of the songs.

Time for the home team.

Israel: Kobi Marimi – Home

Jesus Christ alive, that bust of Lionel Richie from the Hello video has been animated and thrown on the stage.

Is that a metal bow tie he's wearing?

Well, I think we can rest assured that a year hence Newsnight isn't going to be asking the lead singer of The Bluetones what they think about the occupation of the Palestinian territories.

Oh, he's crying.

9.16
Norway: KEiiNO – Spirit in the Sky

Presumably this isn't going to be the Norman Greenbaum one.

Why is Nick Tilsley off Corrie pretending to be Norwegian here?

He's just been joined by cabaret-tribute-to-mid-period-Madonna.

Oh, and a third voice provided by Varys, who has time on his hands now he's been burned off Game Of Thrones.

Ooooh I love love love their giant stag. The giant stag is the best thing so far.

9.20
United Kingdom: Michael Rice – Bigger than Us
Michael's used to the big occasions, having won that awful singing thing with Geri Halliwell and Rob Beckett in front of an audience of at least two dozen.

"It's bigger than us. It's bigger than You And Me." Yeah, but we'd rather be watching Crow and Alice.

This isn't a terrible song, and on the evidence so far, it's a lot less terrible than many of the other terrible songs we've heard. It doesn't deserve to win, but it deserves to do a lot better than it actually will wind up doing.

9.24
Another break. This time they've made the contestants come to the hosts. This is what they call a format tweak.

They're asking the guy from San Marino what he'll do if he wins, which is that level of cruelty you get when they ask people on Pointless who have offered no credible answers how they'll spend the jackpot "if by chance" they find a Pointless answer.

9.27
This is what we've waited for.
Iceland: Hatari – Hatrið mun sigra

Now, THIS is how you do a BDSM performance. It's like mid 80s Martin Gore has been brought on to do the visuals, while Skinny Puppy have chucked in the tune. VOTE FOR THIS WITH ALL YOUR LIFE.

Extra points for the prancing gimp.

"Verfur lyga" they snarl, and I don't think that's their safeword.

9.31
Estonia: Victor Crone – Storm

Poor Victor Crone, having to follow that. I'm not sure they'll even have had time to mop the lube up yet.

Victor has come on after the sex people with the air of Ralph McTell the week Alphabet Zoo reached the letter Q and the format's weakness has just revealed itself to him.

"When it all calms down, we'll be safe and sound" sings Victor, making a love song sound like a Protect And Survive leaflet.

9.35
Belarus: ZENA – Like It

This year's favourite for the 'send the show to somewhere problematic' option.

"Tonight, Matthew, I'm going to be Paris Hilton. And Paris Hilton will be being Gwen Steffani."

To be fair to Zena, this is the first song tonight that sounds like it would fit in the current Top 40. I mean, not the Top 10 or the 20, but it could certainly hold its head up down in the lower 30s.

9.38
Azerbaijan: Chingiz – Truth

Takes some balls for someone who has a Jimmy Hill style protrusion to go on stage with a name that starts with Chin.

He's being operated on by one of the robots that used to build Fiat cars back in the 1980s for some reason that isn't entirely clear.

Hats off for making "shut up about it" a hook, though. And "I'm in the mirror/so fucking bitter" is a great line. This isn't offensive.

Oh, and the massive head from the Space Sentinels has popped up to do backing vocals.

"She is a killer with that freaking perfume." Yeah, we've all been sat behind someone like that on a plane.

9.43
France: Bilal Hassani – Roi

Imagine if a PSE lesson was made flesh. Yeah. Like that.

"Only you can choose who you want to be" says the backdrop. John Whiterow'll have something to say about that in the morning.



Graham Norton: "this show gives exposure to people who wouldn't normally get this sort of exposure". Mmm, this is true. Oh, if only you were in a position to allow people like that on the TV more often, Graham . eh?

9.48
Italy: Mahmood – Soldi

Mahmood's shirt is made from wallpaper found in an Indian restaurant which closed in 1984. He's also still got his housekeys on a long chain dangling from his waist.

He looks really, really angry. Oh my god, and they've just flashed "it hurts to be alive" on the wall. This is all really uplifting, then.

9.51
Serbia: Nevena Božović – Kruna

Nevena is the only person who's bothered to hire an evening dress for the show. She's singing a song which sounds like it could be about her recent divorce.

Meanwhile, Twitter is still talking about Italy:




9.55
Switzerland: Luca Hänni – She Got Me

Luca is sexy, in a 'I haven't had it for a while and you clearly know your way round a zipper' sort of way. The sort of sexy that does quite well as the clock edges towards closing time.

He's singing a song about "the kind of woman that mama likes", and so it's possible he's just helping his mum get back on the dating scene.

The chorus is just repeating Dirty Dancin', which is just lazy. I bet there was a draft where he was going to be shouting out "Top Gun".

9.59
Australia: Kate Miller-Heidke – Zero Gravity

At last, I suppose, we've come to terms with Australia being in Eurovision. So let's not pretend we never learn anything year on year.

Proving their commitment to Eurovision, Kate is wearing a headpiece based on the 1970s Eurovision logo. She's singing on the top of the globe. Maybe thats a nod to the 1970s BBC One ident? Are we going to see her spinning off on a flying Y, like Dusty Bin at the start of 3-2-1?

When you're thinking about Ted Rogers, it's a sign that the song isn't very catchy, for all the cheap operatic trilling thrown at it.

Now on a massive pole, like Simon Stylites.

10.03
Spain: Miki – La Venda

We're nearly there. One last push. Oh, Miki, will you be so fine, so fine you'll blow our minds?

Good use of the old Celebrity Squares set here, Miki.

This is impressive. Lots of colours. Lots of energy. Lots of bounce. And a body popping whicker man. It's the polar opposite of Iceland. It's the sound of optimism. It's not bad.

10.07
Pencil beard is calling for a toast - "I don't drink, sorry" he says, as if it's impossible to toast with anything other than alcohol. Unless he doesn't drink any liquids at all. Maybe he's on a drip.

Goggles, foil dress and corset have just opened the voting. So time for the last couple of hours of our lives to flash before our eyes again.

10.16
"It's a scientific fact" says tinfoil dress "that we're more alike than we are different".

Is it, though?

Conchita Wurst has been dragged out on stage again, dressed a little bit Frankie Goes To Accessorise.

10.21
We're now balls deep in singers you've forgotten winning doing songs you'd forgotten won.

Oh hang out - this one didn't even win. It's last year's forgettable second place song.

10.24
And, yes, I'm afraid I haven't forgotten the Christopher Biggins Cybermen, who are back too.

Pencil beard is bringing Gali Atari on stage now. You remember. From 1979.

10.27
In the BBC Newsroom, Clive Myrie glances at the screen, sighs, and puts on an eye mask. It's going to be a while until he's going to be needed.

Graham Norton is reading out a really long list of names of people who are having parties. It's like listening to Junior Choice.

10.34
Oh god Madonna's wearing the eyepatch.


She's just said "everyone here is from all over the world".

Oh, Jesus, she's making the crowd chant "music makes the people come together". You know, from the one that had Ali G in the video.

10.37
Sweet hell, she's not even the next act. They've brought on one of Israel's most celebrated musical performers. The Idan Raichael Project, apparently. He's shouting out "make some noise", and - to be fair - getting more response than Madge did.

10.41
"Do you know what Eurovision is?" Goggles man asks Quaver. His eyes scream back "if I knew, do you think I'd have come?"

Over in the green room, meanwhile, a mindreader has turned up. It's like a shit bit from a Paul Daniels.

10.44
This is not a trick; if you ask anyone to name a Eurovision winner they will always choose Waterloo by Abba.

"Don't let all the fun distract you" says Pencil Beard.

To help with the fun not distracting you, they've dragged last year's winner back to do her new song. It's like a cold cut found outside a Palomar Faith recording session.

10.49
Foil dress, who is no longer in a foil dress, appears to hit on Netta. She is rebuffed. "I'll do my walk of shame then" says foil dress. But... you'd only do a walk of shame if you'd not been rebuffed.

This hasn't been though through.

We still have two songs from Madonna before we even get to the voting bit. Somehow I don't think we're going to be done by 11pm tonight.







10.55
Finally, we're getting the chance to see Madonna. This is so late, the pub Bobby Gillespie was planning to storm out of has already called last orders.

10.56
Oh, look, it's the Total Eclipse Of The Heart video.

Jesus, Madonna missing notes. This is quite bad.

Why is she doing this silly accent?

Gingerly picking her way down the stairs.

I suppose at least nobody knows or cares what the new one is meant to sound like, so it won't be as disappointing.

10.59
This is so bad. "Your voice can take me there", perhaps, but unfortunately Madonna's voice can't get you there.

Now about to do a cover of Frank Muir's Fruit and Nut adverts.

Erm, people with gas masks dying on stage perhaps a bit ill-considered given the circumstances of this contest.

Quaver's on stage, doing quite a bit of the heavy lifting.

11.03
This is what she chose to do from the new album. You wonder what the rest of it is like. But not so much that you'd fire up Spotify.

Oh, a tiny Palestinian flag on the back of one of the dancers. Well, Madonna, that's certainly answered the critics there.

11.06
At last, the voting is over.

Clive Myrie is heading out to get a burger.

We now seem to be getting a message from the Tel Aviv tourist board delivered by Gal Gadot. What can YOU do with three minutes in Tel Aviv?

11.09
Goggles and Pencil Beard are behind a table ready for the scores to come in.

We all want the scores.

Portugal are up first, doing the 'who has two thumbs' stance - 12 to Netherlands

Azerbaijan have the narrowest tie in the world. 12 to Russia.

Malta's Ben is someone waiting for a Grindr hook-up: 12 to Italy

North Macedonia stares nervously into space. 12 to Italy.

11.14
San Marino have spent their entire 2018 GDP on that necklace. 12 again to Italy.

Italy heading out into the lead. UK still on a solid zero.

Netherlands have thrown a boa on to stop the cold biting. Sweden get their 12.

Montenegro's off-the-shoulder dress looks more like they couldn't afford the whole thing. 12 to Serbia.

Estonia appear to be doing their bit via Skype. 12 to Sweden.

Poland's turn next. He's posing for a 1980s dating video. 12 to Australia. This is quite jerky voting.

11.18
Alex James left in the washing machine turns up to do Norway. 12 go to Czech Republic. The UK have got our fist point

Spain have got a beautiful dress on; 12 to Sweden.

Austria's perky bloke has an equality t-shirt. 12 to North Macedonia.

Italy are in the lead.

Rylan! Rylan! Hey - how are you in London when you were in Tel Aviv yesterday? Did you really fly home to do this bit? UK's 12 to Macedonia.

11.21
Confusingly, Italy have got the Eiffel Tower tattooed on their arm. Denmark get their 12.

Albania have rolled their sleeves up for this one. They give 12 to North Macedonia again. They're starting to firm up a lead.

Hungary have shown up in an old thornproof. 12 to the Czech Republic.

Moldova give 12 to Macedonia.

Ireland are glittery; 12 to Sweden.

Belarus are being attacked by crows. They've given 12 to Israel which has lifted the hosts from being a solid zero.

God alone knows where Armenia got that outfit. 12 to Sweden.

UK on 11 now, which is probably few than we deserve, but more than we'd expect.

Romania got dressed in the dark, and is yodelling. 12 to Asutralia.

11.28
Cyprus is as you'd expect. 12 to Greece. Who would have guessed, eh?

We're about halfway through. So they've gone to commercials.

11.31
Australia kick off the second half. They've got two people to deliver the scores, but one does have sticks in their head. 12 to Sweden.

Russia (I wish the hosts didn't always sound slightly uncertain when they say who's coming next). Oh, he's playing the fucking piano. Clive Myrie is sobbing into his pillow. 12 to Azerbaijan.

Germany's Barbara looks like the woman on the front of all German magazines. She's pretending to be Australian. 12 to Italy.

Belgium is the ghost of George Michael and loves Madonna. So that's one person, then. 12 to Italy.

North Macedonia are heading out into a commanding lead.

Sweden is wearing pyjamas. 12 to the Netherlands.

Croatia send kisses from Zagreb and give 12 to Italy.

11.37
Lithuania's "12 Points To Go" tshirt is probably funny if you're Lithuanian. 12 to The Netherlands

The UK hasn't picked up a point for quite a while now.

Serbia are ready to fire a shotgun, but stylishly. 12 to North Macedonia.

Iceland's jacket might be an electronic circuit. 12 to Sweden.

Georgia have broken off from pouring the wine at a wedding to give 12 to the Czechs.

Greece are doing a tribute to Bill And Ted. 12 to Cyprus. The booing when Cyprus gave Greece 12 is reprised.

Latvia want to yack on about music being a universal language. 12 to the Netherlands.

11.41
Czech Republic do a lot of waving. 12 to Sweden.

Denmark really looks like you'd hope. 12 to Sweden

France are chic, in an Amelie sort of way, though disappointingly don't have the Tower of Pisa tattooed on their arm. 12 to the Netherlands.

Christopher has a natty windcheater. 12 to Sweden. Every time he gets 12, John Lundvick does a pose which is meant to look greatful but screams 'heart murmur'

Switzerland have sent Bill AND Ted. 12 to North Macedonia.

Slovenia know they're coming late so have pulled out the stops - 12 to the Czechs.

Last jury vote is Israel and the last 12 to the Netherlands.

So at this stage, Sweden have overhauled North Macedonia. The UK has 13, and aren't quite bottom.

11.48
Clive Myrie's last tube has left.

Bring on the popular vote.

Apparently we've got to have some waffle.

A lot of waffle.

The public have given the UK three points. Or "the bum's rush" as it's known.

11.51
Yep, UK solid bottom whatever happens now.

Germany got nothing at all, though.

Norway have got over 200 and jumped from lower arse of the board to the top.

Iceland flashing Palestinian flags as their score comes through.

Italy take the lead, but Netherlands, Sweden and Macedonia to go.

North Macedonia only got 58 points. Blimey. That's brutal.

Midnight

It's fucking Sunday.

And they're dragging this out.

Sweden only get 93 points. And the look on his face.

So the Netherlands win.

Their first win since 1975.

Duncan Lawrence takes the stage to belt out the song with the credits rushing over it. Over an hour late. I suppose we shouldn't have expected Israel to respect the boundaries of the schedule.



Duncan asking the audience to "sing it", as if they might have been able to remember any aspect of his song.

12.10
So, what have we learned? Greece and Cyprus are the only countries who are prepared to run the risk of booing through mutual back-scratching. Madonna's voice has gone to shit. The UK got the result it didn't deserve but should have expected. And at least next year we might be able to avoid holding a silly song contest in a human rights disaster zone.


Saturday, April 06, 2013

Bobby Gillespie pops in to TopShop to complain about the world

Here's the new Primal Scream single, 2013:

What's it all about, Bobby Gillespie?

The first single from the new album, entitled ‘2013’, Gillespie describes as “a critique of youth culture”, and it’s a theme he feels strongly about, the album is running live with anger. Talking to us at the bands tiny North London recording studio he explained further.

"We're living in very extreme times, but that doesn't seem to be reflected in the music that I hear or the art that I see. It seems that people are kind of asleep or they've anaesthetised or they just don't care. It just seems that there's no sense of revolt or resistance in art at the moment, whether it be music or the visual arts. Hollywood - it's like a propaganda machine for the USA, but the thing is; we're not writing albums against America or anything like that. Our country is heading towards being more right-wing and countries all around the world are getting more and more right-wing. There's less rationality, less liberalism, less love around. There was always a lot of love around, but it seems to be we're heading towards unenlightened times and nobody's talking about it or writing about it or even noticing it. It's like people are asleep or anaesthetised."
Two things here. First, Bobby Gillespie is fifty years old, so his idea of what happens in youth culture is on a par with my understanding of Boulogne municipal politics.

Secondly, where has Bobby Gillespie chosen to stand and wail about the harsh, right-wing, cultureless culture we live in?

TopMan Generation.

A web publication which describes itself thusly:
Topman GENERATION is a daily digital men’s magazine providing a unique cultural insight into the worlds of fashion, film, music and art.

Featuring exclusive editorial from writers and editors at the likes of NME, GQ, Blast, Undercurrent, AnOther Magazine, Art Review and Re-Bel, and headed up by editor Alistair Mulhall, Topman GENERATION is informed, irreverent and utterly irascible.

Welcome to Topman GENERATION, talking about your GENERATION…
Yeah, it's a spin-off of TopShop.

So Gillespie is wailing about how shit youth culture is in a publication which represents itself as creating, reflecting and celebrating that culture.

And that horrid right-wing world we live in? Remind me again who owns TopMan?

That's right, it's tax-avoiding Philip Green, a man to whom David Cameron has cosied up during his time in government; a man targeted by the 2011 anti-cuts movement (a movement which, by the way, suggests that Gillespie's take on youthful apathy is misplaced to begin with.)

So if Gillespie really does believe that the culture is bland and right-wing, what the hell is he doing taking part in a marketing campaign for the people making money out of that?

EDIT: In response to a comment below, I've added in the first paragraph of the first quote from Bobby Gillespie to make it clear that he was talking about youth culture.


Wednesday, February 03, 2010

McGowan does his bit for Haiti

As group singalong singles go, you've got to prefer the news that Shane McGowan has put together a bellowy cover of Screamin' Jay Hawkins to raise money for Haiti:

The song is set to include Nick Cave, Primal Scream's Bobby Gillespie, the Pretenders' Chrissie Hynde, the Clash's Mick Jones, the Sex Pistols' Glen Matlock, and singer Paloma Faith.

Johnny Depp is also going to be involved, playing guitar. It won't sell in anything like as many numbers as Cowell's tune, but at least there's no message.


Thursday, March 26, 2009

MM STV VN ZNDT unimpressed by PRML SCRM

Steve Van Zandt, off the Sopranos and out the E Street Band, is not a big fan of Bobby Gillespie. He loves Primal Scream, but Bobby Gillespie? Not so much:

"I tried to get Primal Scream to come over to America several times," he said. "I thought their album before this last one was one of the greatest records in 10 years. I begged them to come over. I had a whole tour for them."

"Their agent talked me out of it," he said. "[The agent] said: 'They can't do 20 shows.' I'm like, 'Come on, man. We do 20 shows a month.'"

"Primal Scream could be the biggest band in the world. They are fantastic when they make rock records – once every 10 years. But they can't tour because of drug problems, or whatever. I don't have patience for it. I'm like, all right, you want to be a drug addict, go be a drug addict. Don't waste my time."



Well... the biggest band in the world seems unlikely; and to be frank, they're at their most ropey when they make their rock records - it's the ones in between that really connect.

And as Jim M observes as he alerts me to the story:
If the intention is to galvanise Gillespie & co. to clean up their act & grab what chances remain for them in the States (debatable, I know), I suspect it will have the opposite effect. Better to be a cliched, tiresome wasted rocker, Gillespie may foolishly surmise, than a side kick to Springsteen:

He only takes the drugs to forget the hairstyle on the cover of Sonic Flower Groove, you know.


Saturday, July 12, 2008

Bobby Gillespie: Gary Glitter touched me when I was a kid

Not like that, though. Musically:

"Listen to [Glitter's] songs again and see what you think. 'Do You Wanna Touch Me', 'Rock And Roll (Part 2)', 'I Didn't Know I Loved You (’Til I Saw You Rock ’N’ Roll)' are ecstatic and fantastic.

"Those records are better than The Beatles."

"When I was a little kid, I heard those songs on the radio and I loved them. I still love them.

"What The Beatles were for people in the '60s is what glam rock was for us. We love Glitter, we love Bolan, we love Roxy, we love Suzi Quatro."

And yet, when Gillespie started making music, it sounded more like the Velvets than glam rock. Funny, that.


Friday, February 22, 2008

Bobby Gillespie's there

While it's not entirely untrue, we're amused that the latest episode of Soft Foucs is billing its guest as "Bobby Gillespie of Primal Scream / Jesus And Mary Chain" - obviously, it's factually correct but seems a little bit odd to give a few months banging a single drum equal weight with Bomb The Pentagon and Crystal Crescent and Kate Moss and Screamadelica and... you get the point.

This is the first episode (and, no, we don't know when Gillespie turned into Ian McCulloch):



Further chunks on VBS.tv.


Tuesday, November 13, 2007

Ramalamalama fa-fa-fashion

Sian Pattenden makes some sport with Bobby Gillespie's sudden reinvention as a fashion model. She is, at least, polite enough to not mention that he's wearing a tie, nor wonder how posing for a fashion company's adverts squares with the whole "Bomb the Pentagon/Swasitka Eyes anti-military industrial complex is bad" Primal Scream worldview.

More suprisingly, Gillespie's co-option is accompanying the opening of two UNIQLO stores in London. We didn't know that that company - which, half a decade ago arrived in the UK with a string of openings followed, about six months laters, with a string of closings - was still going. Mind you, many people might say the same about Primal Scream.


Tuesday, March 06, 2007

And Bobby makes three? Gillespie offers to take up Mary Chain sticks

Bobby Gillespie has indicated that he wouldn't mind joining in the Jesus and Mary Chain reunion:

“If they asked me I would play, I haven’t played with them since 1985 you know. It’s a long time ago, the last time I saw them play was 98 and then they split up 3 days later.”

Jim and William will probably be planning on having a drummer who can play more than one drum at a time, but we're sure they'd be happy to have Bobby along for some clapping.


Sunday, March 04, 2007

This week just gone

The last seven days on No Rock and Roll Fun:

The ten most-read individual stories on the site:
1. Heather Mills' nude calendar - which never existed
2. McFly naked - they're doing that again in this month's Attitude, you know
3. Lily Allen swaps her clothes under the sea
4. R Kelly sex video to be played in open court
5. KT Tunstall - does she like girls?
6. Mariah Carey does Playboy...
7. ... which is more stylish than Heather Mills
8. American Idol camp. It's not a joke
9. Jo O'Meara brazens out her behaviour
10. Charlotte Church's ex-lover sells story to News of the World

The two most-commented stories this week were about Everett True and - following us being condemned on some sort of Ocean Colour Scene message board - the new OCS album. Boy, those OCS fans can be sniff so mean.

The big news this week was the NME awards, which saw Victor Spinetti ("Mick Jones") presenting Bobby Gillespie with a godlike genius award after Kate Moss disappeared.

Also this week: Beth Ditto loved herself and loved herself some more; and amongst the hats being thrown into the Eurovision ring were Justin Hawkins, Brian Harvey and Scooch.

Five years ago this week, Liverpool's much-loved Voodoo club closed; Music Week flogged off DotMusic to BT - who would eventually sell it on to Yahoo; and Oasis released The Hindu Times: "George Harrison playing 'Does Your Mother Know?' by Abba on a sitar. Possibly in his death throes."

You can read the last week on one page or
skim the previous week in a single post.


And we tried to push these onto you (not the 30 Seconds To Mars one, that was more for the joke):


Dean and Britta's second post-Luna album: now it's almost all sex, all the way



The first of what we hope will be a long line of MSTRKRFT albums - "lyrics use dancing to signify fucking and fucking to signify dancing" reports Pitchfork



Dalek: like the other Daleks, Abandoned With Language will take you to dark, scary places and chase you through mental caverns. It won't, however, kill you.



Disappointingly, the Bluetones BBC sessions only have bits, not whole sessions



Amazon are pushing the new Patrick Wolf with a video interview



30 Seconds To Mars - a little old for this sort of thing now, surely?



Is it really thirty years since my brother bought his double vinyl Out of The Blue in that small record shop in Oakham?



Just be aware: Owning Nico albums wouldn't really get you laid in the 1970s; it really won't in 2007



Former Sunday Correspondent correspondent Sean O'Hagan returns to the studio with the High Llamas



The second batch of Torchwood episodes includes that one set in a barely-disguised Little Chef



Come on - That'll Be The Day and Stardust in one pack? What more do you want?


Thursday, January 18, 2007

Turn that rock off, turn that rock off honey

There was a time when it seemed that, such was his determination to embody the rock and roll dream, Bobby Gillespie would end up dying on stage.

Now, though, he likes an early night and bit of quiet. Especially if Antiques Roadshow is on the High Definition. Indeed, he's petitioning to have his local pub turn it down, moaning that the Alma pub has been noisy after midnight:

"There was a live percussionist playing along with the records, the sound was of a very high frequency which reverberated into my bedroom and my children's bedroom. I found the repetitiveness disturbing and I was unable to sleep because of it."

A repetitive percussionist? No wonder he couldn't sleep, it must have been like his time in the Jesus and Mary Chain coming back to haunt him.

Gillespie added that a licence extension would mean that the pub was "disturbing the peace of our beautiful street and attracting noisy, drunk people to our area leaving the premises or coming into the area looking for a late-night drink - who are incidentally just [as loud] if not louder than the music being played".

Who was it who said "You have the right to party/ provided you don't mind some humiliation, investigation" again, Bobby?

[Thanks to Jana K for the storylink]


Friday, December 08, 2006

Blige: I ate Billboard, now I'm coming for the Grammys

Between Thanksgiving and Christmas comes another great American ritual: The Grammy Nominations. Still seen by some as a reward for musical excellence, the shortlist of names for the key prizes are usually little more than what you'd get if you shook a Clear Channel playlist by the neck.

British hopes are being led this year by - oh, the national shame - James Blunt and Corinne Bailey Rae, although (perhaps more surprisingly) Pet Shop Boys, Arctic Monkeys and Goldfrapp have also at least postioned themselves for consideration in a couple of categories. Imogen Heap is in with a shout for best new singer, although there is a sense that this list has been scraping around this year - Carrie Underwood, anybody?

The biggest pre-winner winner is Mary J Blige, fresh from ordering a U-Haul for her nine Billboard prizes. She's being considered for eight; the Red Hot Chili Peppers are up for six and - in a further blow to George Bush following the loss of both houses, Rumsfeld and Bolton - the Dixie Chicks have been offered the prospect of five prizes.

As ever, the full list of nominations is somewhat long; if you don't want to scroll, you can leap to the bottom:

General Field
Category 1 - Record Of The Year
(Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s), if other than the artist.)

• Be Without You
Mary J. Blige
Bryan-Michael Cox, producer; Danny Cheung, Tal Herzberg & Dave "Hard-Drive"
Pensado, engineers/mixers
Track from: The Breakthrough
[Geffen Records]

• You're Beautiful
James Blunt
Tom Rothrock, producer; Tom Rothrock & Mike Tarantino, engineers/mixers
Track from: Back To Bedlam
[Custard/Atlantic]

• Not Ready To Make Nice
Dixie Chicks
Rick Rubin, producer; Richard Dodd, Jim Scott & Chris Testa, engineers/mixers
Track from: Taking The Long Way
[Open Wide/Columbia]

• Crazy
Gnarls Barkley
Danger Mouse, producer; Ben H. Allen, Danger Mouse & Kennie Takahashi,
engineers/mixers
Track from: St. Elsewhere
[Downtown/Atlantic]

• Put Your Records On
Corinne Bailey Rae
Steve Chrisanthou, producer; Steve Chrisanthou & Jeremy Wheatley,
engineers/mixers
Track from: Corinne Bailey Rae
[Capitol]

General Field
Category 2 - Album Of The Year
(Award to the Artist(s) and to the Album Producer(s), Recording Engineer(s)/Mixer(s) & Mastering Engineer(s), if other than the artist.)

• Taking The Long Way
Dixie Chicks
Rick Rubin, producer; Richard Dodd, Jim Scott & Chris Testa, engineers/mixers;
Richard Dodd, mastering engineer
[Open Wide/Columbia]

• St. Elsewhere
Gnarls Barkley
Danger Mouse, producer; Ben H. Allen, Danger Mouse & Kennie Takahashi,
engineers/mixers; Mike Lazer, mastering engineer
[Downtown/Atlantic]

• Continuum
John Mayer
Steve Jordan & John Mayer, producers; John Alagia, Michael Brauer, Joe Ferla,
Chad Franscoviak, Manny Marroquin & Dave O'Donnell, engineers/mixers; Greg
Calbi, mastering engineer
[Aware/Columbia]

• Stadium Arcadium
Red Hot Chili Peppers
Rick Rubin, producer; Ryan Hewitt, Mark Linette & Andrew Scheps,
engineers/mixers; Vlado Meller, mastering engineer
[Warner Bros.]

• FutureSex/LoveSounds
Justin Timberlake
Nate (Danga) Hills, Jawbreakers, Rick Rubin, Timbaland & Justin Timberlake,
producers; Jimmy Douglass, Serban Ghenea, Padraic Kerin, Jason Lader, Andrew
Scheps, Timbaland & Ethan Willoughby, engineers/mixers; Herb Powers, Jr.,
mastering engineer
[Jive Records/Zomba Label Group]

General Field
Category 3 - Song Of The Year
(A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parenthesis.) Singles or Tracks only.)

• Be Without You
Johnta Austin, Mary J. Blige, Bryan-Michael Cox & Jason Perry, songwriters (Mary
J. Blige)
Track from: The Breakthrough
[Geffen Records; Publishers: Chrysalis Music, Mary J. Blige Music, Naked Under My Clothes Music, Universal Music Corp., Babyboy's Little Publishing, Jason's Lyrics, Noontime South, Reach Global Tunes, WB Music.]

• Jesus, Take The Wheel
Brett James, Hillary Lindsey & Gordie Sampson, songwriters (Carrie Underwood)
Track from: Some Hearts
[Arista/Arista Nashville/19; Publishers: Dimensional Music of 1091/Sony/ATV Cross Keys Publishing, Raylene Music/BPJ Administration, No Such Music, Passing Stranger Music/1609 Songs/Music of Windswept.]

• Not Ready To Make Nice
Martie Maguire, Natalie Maines, Emily Robison & Dan Wilson, songwriters (Dixie
Chicks)
Track from: Taking The Long Way
[Open Wide/Columbia; Publishers: Woolly Puddin' Music, Chrysalis Music, Sugar Lake Music.]

• Put Your Records On
John Beck, Steve Chrisanthou & Corinne Bailey Rae, songwriters (Corinne Bailey
Rae)
Track from: Corinne Bailey Rae
[Capitol; Publisher: Global Talent Publishing.]

• You're Beautiful
James Blunt, Amanda Ghost & Sacha Skarbek, songwriters (James Blunt)
Track from: Back To Bedlam
[Custard/Atlantic; Publishers: EMI Blackwood Music, David Platz Music.]

General Field
Category 4 - Best New Artist
(For a new artist who releases, during the Eligibility Year, the first recording which establishes the public identity of that artist.)

• James Blunt

• Chris Brown

• Imogen Heap

• Corinne Bailey Rae

• Carrie Underwood

Field 1 - Pop
Category 5 - Best Female Pop Vocal Performance
(For a solo vocal performance. Singles or Tracks only.)

• Ain't No Other Man
Christina Aguilera
Track from: Back To Basics
[RCA Records]

• Unwritten
Natasha Bedingfield
Track from: Unwritten
[Epic/Phonogenic]

• You Can Close Your Eyes
Sheryl Crow
Track from: Sheryl Crow Artist's Choice Deluxe Edition
[Hear Music/Universal Music]

Pink• Stupid Girls
Pink
Track from: I'm Not Dead
[LaFace/Zomba Label Group]

• Black Horse And The Cherry Tree
KT Tunstall
[Relentless/Virgin]

Field 1 - Pop
Category 6 - Best Male Pop Vocal Performance
(For a solo vocal performance. Singles or Tracks only.)

• You're Beautiful
James Blunt
Track from: Back To Bedlam
[Custard/Atlantic]

John Legend• Save Room
John Legend
Track from: Once Again
[Columbia/GOOD/Sony Urban]

• Waiting On The World To Change
John Mayer
Track from: Continuum
[Aware/Columbia]

• Jenny Wren
Paul McCartney
Track from: Chaos And Creation In The Backyard
[Capitol]

• Bad Day
Daniel Powter
Track from: Daniel Powter
[Warner Bros.]

Field 1 - Pop
Category 7 - Best Pop Performance By A Duo Or Group With Vocal
(For established duos or groups, with vocals. Singles or Tracks only.)

• My Humps
The Black Eyed Peas
Track from: Monkey Business
[A&M Records]

• I Will Follow You Into The Dark
Death Cab For Cutie
Track from: Plans
[Atlantic Records]

• Over My Head (Cable Car)
The Fray
Track from: How To Save A Life
[Epic]

• Is It Any Wonder?
Keane
Track from: Under The Iron Sea
[Interscope Records]

• Stickwitu
The Pussycat Dolls
Track from: PCD
[A&M Records]

Field 1 - Pop
Category 8 - Best Pop Collaboration With Vocals
(For a collaborative performance, with vocals, by artists who do not normally perform together. Singles or Tracks only.)

• For Once In My Life
Tony Bennett & Stevie Wonder
Track from: Duets: An American Classic
[RPM Records/Columbia]

Blige and Bono• One
Mary J. Blige & U2
Track from: The Breakthrough
[Geffen/Matriarch Records]

• Always On Your Side
Sheryl Crow & Sting
Track from: Wildflower
[A&M Records]

• Promiscuous
Nelly Furtado & Timbaland
Track from: Loose
[Geffen/Mosley Music Group]

• Hips Don't Lie
Shakira & Wyclef Jean
Track from: Oral Fixation Vol. 2
[Epic]

Field 1 - Pop
Category 9 - Best Pop Instrumental Performance
(For solo, duo, group or collaborative performances, without vocals. Singles or Tracks only.)

• Mornin'
George Benson (& Al Jarreau)
Track from: Givin' It Up
[Concord Records/Monster Music]

• Drifting
Enya
Track from: Amarantine
[Reprise]

• Subterfuge
Béla Fleck & The Flecktones
Track from: The Hidden Land
[Columbia/Legacy]

• Song H
Bruce Hornsby
Track from: Intersections: 1985 - 2005
[RCA Legacy]

• My Favorite Things
The Brian Setzer Orchestra
Track from: Dig That Crazy Christmas
[Surfdog Records]

Field 1 - Pop
Category 10 - Best Pop Instrumental Album
(For albums containing 51% or more playing time of INSTRUMENTAL tracks.)

• New Beginnings
Gerald Albright
[Peak Records]

• Fire Wire
Larry Carlton
[Bluebird/RCA Victor]

Fourplay• X
Fourplay
[Bluebird/RCA Victor]

• Fingerprints
Peter Frampton
[A&M Records/New Door Records]

• Wrapped In A Dream
Spyro Gyra
[Heads Up International]

Field 1 - Pop
Category 11 - Best Pop Vocal Album
(For albums containing 51% or more playing time of VOCAL tracks.)

• Back To Basics
Christina Aguilera
[RCA Records]

• Back To Bedlam
James Blunt
[Custard/Atlantic]

• The River In Reverse
Elvis Costello & Allen Toussaint
[Verve Forecast]

• Continuum
John Mayer
[Aware/Columbia]

• FutureSex/LoveSounds
Justin Timberlake
[Jive Records/Zomba Label Group]

Field 2 - Dance
Category 12 - Best Dance Recording
(For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.)

• Suffer Well
Depeche Mode
Ben Hillier, producer; Steve Fitzmaurice & Ben Hillier, mixers
Track from: Playing The Angel
[Sire/Reprise/Mute]

• Ooh La La
Goldfrapp
Goldfrapp, producers; Mark "Spike" Stent, mixer
Track from: Supernature
[Mute]

• Get Together
Madonna
Madonna & Stuart Price, producers; Mark "Spike" Stent, mixer
Track from: Confessions On A Dance Floor
[Warner Bros.]

• I'm With Stupid
Pet Shop Boys
Trevor Horn, producer; Robert Orton, mixer
Track from: Fundamental
[Rhino Entertainment]

• Sexy Back
Justin Timberlake & Timbaland
Danja, Timbaland & Justin Timberlake, producers; Jimmy Douglass, mixer
[Jive Records/Zomba Label Group]

Field 2 - Dance
Category 13 - Best Electronic/Dance Album
(For vocal or instrumental albums. Albums only.)

Alison Goldfrapp• Supernature
Goldfrapp
[Mute]

• Confessions On A Dance Floor
Madonna
[Warner Bros.]

• A Lively Mind
Oakenfold
[Maverick]

• Fundamental
Pet Shop Boys
[Rhino Entertainment]

• The Garden
Zero 7
[Atlantic]

Field 3 - Traditional Pop
Category 14 - Best Traditional Pop Vocal Album
(For albums containing 51% or more playing time of VOCAL tracks.)

• Duets: An American Classic
Tony Bennett
[RPM Records/Columbia]

• Caught In The Act
Michael Bublé
[143-Reprise]

• Wintersong
Sarah McLachlan
[Arista Records/Nettwerk]

• Bette Midler Sings The Peggy Lee Songbook
Bette Midler
[Columbia]

• Timeless Love
Smokey Robinson
[New Door Records]

Field 4 - Rock
Category 15 - Best Solo Rock Vocal Performance
(For a solo vocal performance. Singles or Tracks only.)

• Nausea
Beck
[Interscope Records]

• Someday Baby
Bob Dylan
Track from: Modern Times
[Columbia]

• Route 66
John Mayer
Track from: Cars - Soundtrack (Various Artists)
[Disney]

• Saving Grace
Tom Petty
Track from: Highway Companion
[American]

• Lookin' For A Leader
Neil Young
Track from: Living With War
[Reprise]

Field 4 - Rock
Category 16 - Best Rock Performance By A Duo Or Group With Vocal
(For duo, group or collaborative performances, with vocals. Singles or Tracks only.)

• Talk
Coldplay
Track from: X&Y
[Capitol]

• How To Save A Life
The Fray
Track from: How To Save A Life
[Epic]

• Steady, As She Goes
The Raconteurs
Track from: Broken Boy Soldiers
[V2/Third Man Records]

• Dani California
Red Hot Chili Peppers
Track from: Stadium Arcadium
[Warner Bros.]

• The Saints Are Coming
U2 & Green Day
[Interscope Records/Warner Bros.]

Field 4 - Rock
Category 17 - Best Hard Rock Performance
(For solo, duo, group or collaborative performances, with vocals. Singles or Tracks only.)

• Crazy Bitch
Buckcherry
[Eleven Seven Music]

• Every Day Is Exactly The Same
Nine Inch Nails
Track from: With Teeth
[nothing/Interscope Records]

• Lonely Day
System Of A Down
Track from: Hypnotize
[American/Columbia]

• Vicarious
Tool
Track from: 10,000 Days
[Volcano/Zomba Label Group]

Wolfmother• Woman
Wolfmother
Track from: Wolfmother
[Modular/Interscope Records]

Field 4 - Rock
Category 18 - Best Metal Performance
(For solo, duo, group or collaborative performances, with vocals. Singles or Tracks only.)

• Redneck
Lamb Of God
Track from: Sacrament
[Epic]

• Colony Of Birchmen
Mastodon
Track from: Blood Mountain
[Reprise/Relapse Records]

• Lies, Lies, Lies
Ministry
Track from: Rio Grande Blood
[13th Planet Records/Megaforce Records]

• Eyes Of The Insane
Slayer
Track from: Christ Illusion
[American]

• 30/30-150
Stone Sour
[Roadrunner Records]

Field 4 - Rock
Category 19 - Best Rock Instrumental Performance
(For solo, duo, group or collaborative performances, without vocals. Includes Rock, Hard Rock and Metal. Singles or Tracks only.)

• Chun Li's Flying Bird Kick
Arctic Monkeys
[Domino Recording]

• The Wizard Turns On...
The Flaming Lips
Track from: At War With The Mystics
[Warner Bros.]

• Black Hole Sun
Peter Frampton
[A&M Records/New Door Records]

Dave Gilmour• Catsellorizon
David Gilmour
Track from: On An Island
[Columbia]

• Super Colossal
Joe Satriani
Track from: Super Colossal
[Epic]

Field 4 - Rock
Category 20 - Best Rock Song
(A Songwriter(s) Award. Includes Rock, Hard Rock & Metal songs. For Song Eligibility Guidelines see Category #3. (Artist names appear in parenthesis.) Singles or Tracks only.)

• Chasing Cars
Nathan Connolly, Gary Lightbody, Jonny Quinn, Tom Simpson & Paul Wilson,
songwriters (Snow Patrol)
Track from: Eyes Open
[A&M Records; Publisher: Big Life Music.]

• Dani California
Flea, John Frusciante, Anthony Kiedis & Chad Smith, songwriters (Red Hot Chili
Peppers)
Track from: Stadium Arcadium
[Warner Bros.; Publisher: Moebetoblame Music.]

• Lookin' For A Leader
Neil Young, songwriter (Neil Young)
Track from: Living With War
[Reprise; Publisher: Silver Fiddle Music.]

• Someday Baby
Bob Dylan, songwriter (Bob Dylan)
Track from: Modern Times
[Columbia; Publisher: Bob Dylan.]

• When You Were Young
Brandon Flowers, Dave Keuning, Mark Stoermer & Ronnie Vannucci, songwriters (The
Killers)
[Island Records; Publisher: Universal-Polygram Int.]

Field 4 - Rock
Category 21 - Best Rock Album
(Vocal or Instrumental. Includes Hard Rock and Metal.)

• Try!
John Mayer Trio
[Aware/Columbia]

• Highway Companion
Tom Petty
[American]

• Broken Boy Soldiers
The Raconteurs
[V2/Third Man Records]

• Stadium Arcadium
Red Hot Chili Peppers
[Warner Bros.]

• Living With War
Neil Young
[Reprise]

Field 5 - Alternative
Category 22 - Best Alternative Music Album
(Vocal or Instrumental.)

• Whatever People Say I Am, That's What I'm Not
Arctic Monkeys
[Domino Recording]

• At War With The Mystics
The Flaming Lips
[Warner Bros.]

• St. Elsewhere
Gnarls Barkley
[Downtown/Atlantic]

Yeah Yeah Yeahs• Show Your Bones
Yeah Yeah Yeahs
[Interscope Records]

• The Eraser
Thom Yorke
[XL Recordings]

Field 6 - R&B
Category 23 - Best Female R&B Vocal Performance
(For a solo vocal performance. Singles or Tracks only.)

• Ring The Alarm
Beyoncé
Track from: B'Day
[Sony Urban Music/Columbia]

• Be Without You
Mary J. Blige
Track from: The Breakthrough
[Geffen Records]

• Don't Forget About Us
Mariah Carey
Track from: The Emancipation Of Mimi (Ultra Platinum Edition)
[Island Records]

• Day Dreaming
Natalie Cole
Track from: Leavin'
[Verve Records]

• I Am Not My Hair
India.Arie
Track from: Testimony: Vol. 1, Life & Relationship
[Motown Records]

Field 6 - R&B
Category 24 - Best Male R&B Vocal Performance
(For a solo vocal performance. Singles or Tracks only.)

• Heaven
John Legend
Track from: Once Again
[Columbia/GOOD/Sony Urban Music]

Ne-Yo• So Sick
Ne-Yo
Track from: In My Own Words
[Def Jam Recordings]

• Black Sweat
Prince
Track from: 3121
[Universal Records]

• I Call It Love
Lionel Richie
Track from: Coming Home
[Island Def Jam Recordings]

• Got You Home
Luther Vandross
[J Records/Epic/Legacy Recordings]

Field 6 - R&B
Category 25 - Best R&B Performance By A Duo Or Group With Vocals
(For duo, group or collaborative performances, with vocals. Singles or Tracks only.)

• Breezin'
George Benson & Al Jarreau
Track from: Givin' It Up
[Concord Records/Monster Music]

• Love Changes
Jamie Foxx Featuring Mary J. Blige
Track from: Unpredictable
[J Records]

• Everyday (Family Reunion)
Chaka Khan, Gerald Levert, Yolanda Adams & Carl Thomas
Track from: Madea's Family Reunion - Music From The Motion Picture
[Motown Records]

• Family Affair
(Sly & The Family Stone), John Legend, Joss Stone With Van Hunt
Track from: Different Strokes By Different Folks
[Epic/Legacy Recordings]

• Beautiful, Loved And Blessed
Prince & Támar
Track from: 3121
[Universal Records]

Field 6 - R&B
Category 26 - Best Traditional R&B Vocal Performance
(For solo, duo, group or collaborative performances, with vocals. Singles or Tracks only.)

• Christmas Time Is Here
Anita Baker
Track from: Christmas Fantasy
[Blue Note Records]

• God Bless The Child
George Benson & Al Jarreau Featuring Jill Scott
Track from: Givin' It Up
[Concord Records/Monster Music]

• I Found My Everything
Mary J. Blige Featuring Raphael Saadiq
Track from: The Breakthrough
[Geffen Records]

• You Are So Beautiful
Sam Moore Featuring Billy Preston, Zucchero, Eric Clapton & Robert Randolph
Track from: Overnight Sensational
[Rhino Entertainment]

• How Sweet It Is (To Be Loved By You)
The Temptations
Track from: Reflections
[New Door Records]

Field 6 - R&B
Category 27 - Best Urban/Alternative Performance
(For solo, duo, group or collaborative performances, with vocals. Singles or Tracks only.)

• Crazy
Gnarls Barkley
Track from: St. Elsewhere
[Downtown/Atlantic]

Sergio Mendes• That Heat
Sergio Mendes Featuring Erykah Badu & Will.i.am
Track from: Timeless
[Concord Records/Hear Music]

• Mas Que Nada
Sergio Mendes Featuring The Black Eyed Peas
Track from: Timeless
[Concord Records/Hear Music/Will.i.am music]

• Idlewild Blue (Don't Chu Worry 'Bout Me)
Outkast
Track from: Idlewild
[La Face Records/Zomba Label Group]

• 3121
Prince
Track from: 3121
[Universal Records]

Field 6 - R&B
Category 28 - Best R&B Song
(A Songwriter(s) Award. For Song Eligibility Guidelines see Category #3. (Artist names appear in parenthesis.) Singles or Tracks only.)

• Be Without You
Johnta Austin, Mary J. Blige, Bryan-Michael Cox & Jason Perry, songwriters (Mary
J. Blige)
Track from: The Breakthrough
[Geffen Records; Publishers: Chrysalis Music, Mary J. Blige Music, Naked Under My Clothes Music, Universal Music Corp., Babyboy's Little Publishing, Jason's Lyrics, Noontime South, Reach Global Tunes, WB Music.]

• Black Sweat
Prince, songwriter (Prince)
Track from: 3121
[Universal Records; Publisher: Controversy Music.]

• Deja Vu
Shawn Carter, Rodney "Darkchild" Jerkins, Beyoncé Knowles, Makeba, Keli Nicole
Price & Delisha Thomas, songwriters (Beyoncé Featuring Jay-Z)
[Sony Urban Music/Columbia; Publishers: Beyoncé Publishing, EMI Blackwood Music, 23000 Music Publishing, Makeba Yoga Flames Music/Janice Combs Publishing/EMI Blackwood, Price Tag, EMI April Music/Carter Boys Publishing.]

• Don't Forget About Us
Johnta Austin, Mariah Carey, Bryan-Michael Cox & Jermaine Dupri, songwriters
(Mariah Carey)
Track from: The Emancipation Of Mimi (Ultra Platinum Edition)
[Island Records; Publishers: Rye Songs, Shaniah Cymone Music, EMI April Music, Babyboy's Little Publishing Company, Noontime South, Naked Under My Clothes, Chrysalis Music.]

• I Am Not My Hair
Drew Ramsey, Shannon Sanders & India Arie Simpson, songwriters (India.Arie)
Track from: Testimony: Vol. 1, Life & Relationship
[Motown Records; Publishers: Gold & Iron Music, Wang Out Music Sony, Combustion Windswept, Noka International/Famous Music.]

Field 6 - R&B
Category 29 - Best R&B Album
(For albums containing 51% or more playing time of VOCAL tracks.)

• The Breakthrough
Mary J. Blige
[Geffen Records]

• Unpredictable
Jamie Foxx
[J Records]

India Arie• Testimony: Vol. 1, Life & Relationship
India.Arie
[Motown Records]

• 3121
Prince
[Universal Republic]

• Coming Home
Lionel Richie
[Island Def Jam Recordings]

Field 6 - R&B
Category 30 - Best Contemporary R&B Album
(For albums containing 51% or more playing time of VOCAL tracks.)

• B'Day
Beyoncé
[Sony Urban Music/Columbia]

• Chris Brown
Chris Brown
[Jive Records/Zomba Label Group]

• 20 Y.O.
Janet Jackson
[Virgin Records]

• Kelis Was Here
Kelis
[Jive Records/Zomba Label Group/Dope Entertainment]

• In My Own Words
Ne-Yo
[Def Jam Recordings]

Field 7 - Rap
Category 31 - Best Rap Solo Performance
(For a solo Rap performance. Singles or Tracks only.)

• Touch It
Busta Rhymes
Track from: The Big Bang
[Aftermath/Interscope Records]

">Missy Elliott• We Run This
Missy Elliott
Track from: The Cookbook
[Goldmind/Atlantic]

• Kick, Push
Lupe Fiasco
Track from: Lupe Fiasco's Food & Liquor
[1st & 15th/Atlantic]

• Undeniable
Mos Def
[Geffen Records]

• What You Know
T.I.
Track from: King
[Grand Hustle/Atlantic]

Field 7 - Rap
Category 32 - Best Rap Performance By A Duo Or Group
(For duo, group or collaborative performances of Rap only. Singles or Tracks only.)

• Ridin
Chamillionaire Featuring Krayzie Bone
[Universal Records]

• Georgia
Ludacris & Field Mob (Featuring Jamie Foxx)
Track from: Ludacris Presents...Disturbing Tha Peace And From Field Mob - Light Poles And Pine Trees
[DTP/Geffen/Def Jam Recordings]

• Grillz
Nelly Featuring Paul Wall, Ali & Gipp
Track from: Sweatsuit
[Universal Records]

• Mighty "O"
Outkast
[La Face/Zomba Label Group]

• Don't Feel Right
The Roots
[Def Jam Recordings]

Field 7 - Rap
Category 33 - Best Rap/Sung Collaboration
(For a Rap/Sung collaborative performance by artists who do not normally perform together. Singles or Tracks only.)

• Smack That
Akon Featuring Eminem
[SRC/Universal Records]

• Deja Vu
Beyoncé Featuring Jay-Z
[Sony Urban Music/Columbia]

• Shake That
Eminem Featuring Nate Dogg
Track from: Curtain Call - The Hits
[Aftermath/Shady/Interscope Records]

• Unpredictable
Jamie Foxx Featuring Ludacris
Track from: Unpredictable
[J Records]

• My Love
Justin Timberlake Featuring T.I.
Track from: FutureSex/LoveSounds
[Jive Records/Zomba Label Group]

Field 7 - Rap
Category 34 - Best Rap Song
(A Songwriter(s) Award. For Song Eligibility Guidelines see Category #3. (Artist names appear in parenthesis.) Singles or Tracks only.)

• It's Goin' Down
Chadron Moore & Jasiel Robinson, songwriters (Yung Joc)
Track from: New Joc City
[Bad Boy South; Publishers: Granny Man Publishing, Malik/Mekhi Music, Basement Funk, Regina's Son Music.]

Lupe Fiasco• Kick, Push
Wasalu Muhammad Jaco, songwriter (Lupe Fiasco)
Track from: Lupe Fiasco's Food & Liquor
[1st & 15th/Atlantic; Publishers: Hey Lu Chill Music/Heavy as Heaven, 1st & 15th Publishing/Mr. Lopez Music.]

• Money Maker
Christopher Bridges & Pharrell Williams, songwriters (Ludacris Featuring
Pharrell)
Track from: Release Therapy
[Disturbing The Peace/Def Jam Recordings; Publishers: EMI Blackwood Music, Waters of Nazareth Publishing.]

• Ridin
Anthony Henderson, J. Slainas, O. Salinas & Hakeem Seriki, songwriters
(Chamillionaire Featuring Krayzie Bone)
[Universal Records; Publishers: Chamilitary Camp Music, Play-N-Skilz Music, EMI Publishing.]

• What You Know
A. Davis & Clifford Harris, songwriters; (Donny Hathaway, Leroy Hutson & Curtis
Mayfield, songwriters) (T.I.)
Track from: King
[Grand Hustle/Atlantic; Publishers: Club Crown Publishing, Toomp Stone Publishing, Careers-BMG Music, WB Music Corp., Warner-Tamerlane Publishing.]

Field 7 - Rap
Category 35 - Best Rap Album
(For albums containing 51% or more playing time of VOCAL tracks.)

• Lupe Fiasco's Food & Liquor
Lupe Fiasco
[1st & 15th/Atlantic]

• Release Therapy
Ludacris
[Disturbing Tha Peace]

• In My Mind
Pharrell
[Star Trak/Interscope Records]

• Game Theory
The Roots
[Def Jam Recordings]

• King
T.I.
[Grand Hustle/Atlantic]

Field 8 - Country
Category 36 - Best Female Country Vocal Performance
(For a solo vocal performance. Singles or Tracks only.)

Miranda Lambert• Kerosene
Miranda Lambert
Track from: Kerosene
[Epic]

• I Still Miss Someone
Martina McBride
[RCA Nashville]

• Something's Gotta Give
LeAnn Rimes
Track from: This Woman
[Curb Records]

• Jesus, Take The Wheel
Carrie Underwood
Track from: Some Hearts
[Arista/Arista Nashville/19]

• I Don't Feel Like Loving You Today
Gretchen Wilson
[Epic Nashville]

Field 8 - Country
Category 37 - Best Male Country Vocal Performance
(For a solo vocal performance. Singles or Tracks only.)

• Every Mile A Memory
Dierks Bentley
[Capitol Records Nashville]

• The Reason Why
Vince Gill
[MCA Nashville]

• The Seashores Of Old Mexico
George Strait
Track from: Somewhere Down In Texas
[MCA Nashville]

• Would You Go With Me
Josh Turner
Track from: Your Man
[MCA Nashville]

• Once In A Lifetime
Keith Urban
[Capitol Records Nashville]

Field 8 - Country
Category 38 - Best Country Performance By A Duo Or Group With Vocal
(For established duos or groups with vocals. Singles or Tracks only.)

Dixie Chicks• Not Ready To Make Nice
Dixie Chicks
Track from: Taking The Long Way
[Open Wide/Columbia]

• Heaven's My Home
The Duhks
Track from: Migrations
[Sugar Hill Records]

• Boondocks
Little Big Town
Track from: The Road To Here
[Equity Music Group]

• What Hurts The Most
Rascal Flatts
Track from: Me And My Gang
[Lyric Street Records]

• Leave The Pieces
The Wreckers
Track from: Stand Still - Look Pretty
[Maverick]

Field 8 - Country
Category 39 - Best Country Collaboration With Vocals
(For a collaborative performance, with vocals, by artists who do not normally perform together. Singles or Tracks only.)

• Who Says You Can't Go Home
Bon Jovi & Jennifer Nettles
Track from: Have A Nice Day
[Island]

• Tomorrow Is Forever
Solomon Burke & Dolly Parton
Track from: Nashville
[Shout! Factory]

• Calling Me
Kenny Rogers & Don Henley
Track from: Water & Bridges
[Capitol Records Nashville]

• Midnight Angel
Rhonda Vincent & Bobby Osborne
Track from: All American Bluegrass Girl
[Rounder]

• Love Will Always Win
Trisha Yearwood & Garth Brooks
Track from: Jasper County
[MCA Nashville]

Field 8 - Country
Category 40 - Best Country Instrumental Performance
(For solo, duo, group or collaborative performances, without vocals. Singles or Tracks only.)

• Jerusalem Ridge
Casey Driessen
Track from: 3D
[Sugar Hill Records]

Tommy Emmanuel• Gameshow Rag/Cannonball Rag
Tommy Emmanuel
Track from: The Mystery
[Favored Nations Acoustic]

• Whiskey Before Breakfast
Bryan Sutton & Doc Watson
Track from: Not Too Far From The Tree
[Sugar Hill Records]

• The Eleventh Reel
Chris Thile
Track from: How To Grow A Woman From The Ground
[Sugar Hill Records]

• Nature Of The Beast
Jim VanCleve
Track from: No Apologies
[Rural Rhythm Records]

Field 8 - Country
Category 41 - Best Country Song
(A Songwriter(s) Award. For Song Eligibility Guidelines see Category #3. (Artist names appear in parenthesis.) Singles or Tracks only.)

• Every Mile A Memory
Brett Beavers, Dierks Bentley & Steve Bogard, songwriters (Dierks Bentley)
[Capitol Records Nashville; Publishers: Dierks Bentley Publishing, Brett Beavers Publishing, Ensign Music, Rancho Papa Music.]

• I Don't Feel Like Loving You Today
Matraca Berg & Jim Collins, songwriters (Gretchen Wilson)
[Epic Nashville; Publishers: Songs of Universal, Hannaberg Music, Warner-Tamerlane Publishing, Make Shift Music.]

• Jesus, Take The Wheel
Brett James, Hillary Lindsey & Gordie Sampson, songwriters (Carrie Underwood)
Track from: Some Hearts
[Arista/Arista Nashville/19; Publishers: Dimensional Music of 1091/Sony/ATV Cross Keys Publishing, Raylene Music/BPJ Administration, No Such Music, Passing Stranger Music/1609 Songs/Music of Windswept.]

• Like Red On A Rose
Melanie Castleman & Robert Lee Castleman, songwriters (Alan Jackson)
Track from: Like Red On A Rose
[Arista Nashville/Sony BMG; Publishers: Farm Use Only Music, Cassamel Music.]

• What Hurts The Most
Steve Robson & Jeffrey Steele, songwriters (Rascal Flatts)
Track from: Me And My Gang
[Lyric Street Records; Publishers: Gottahaveable Music, Songs of Windswept Pacific, Almo Music.]

Field 8 - Country
Category 42 - Best Country Album
(Vocal or Instrumental.)

• Taking The Long Way
Dixie Chicks
[Open Wide/Columbia]

• Like Red On A Rose
Alan Jackson
[Arista Nashville/Sony BMG]

• The Road To Here
Little Big Town
[Equity Music Group]

• You Don't Know Me: The Songs Of Cindy Walker
Willie Nelson
[Lost Highway]

• Your Man
Josh Turner
[MCA Nashville]

Field 8 - Country
Category 43 - Best Bluegrass Album
(Vocal or Instrumental.)

• Long List Of Heartaches
The Grascals
[Rounder]

• Bluegrass
Jim Lauderdale
[Yep Roc]

• Instrumentals
Ricky Skaggs And Kentucky Thunder
[Skaggs Family Records]

• Live At The Ryman
Marty Stuart And His Fabulous Superlatives
[Superlatone Records/Universal South Records]

Rhonda Vincent• All American Bluegrass Girl
Rhonda Vincent
[Rounder]

Field 9 - New Age
Category 44 - Best New Age Album
(Vocal or Instrumental.)

• A Posteriori
Enigma
[Virgin Records]

• Amarantine
Enya
[Reprise]

• Beyond Words
Gentle Thunder With Will Clipman & AmoChip Dabney
[Delvian Records / GT Productions]

• Elements Series: Fire
Peter Kater
[Real Music]

• The Magical Journeys Of Andreas Vollenweider
Andreas Vollenweider
[Kin Kou/SLG Records]

Field 10 - Jazz
Category 45 - Best Contemporary Jazz Album
(For albums containing 51% or more playing time of INSTRUMENTAL tracks.)

• The Hidden Land
Béla Fleck & The Flecktones
[Columbia]

• People People Music Music
Groove Collective
[Savoy Jazz Worldwide]

• Rewind That
Christian Scott
[Concord Jazz]

• Sexotica
Sex Mob
[Thirsty Ear Recordings, Inc.]

• Who Let The Cats Out?
Mike Stern
[Heads Up]

Field 10 - Jazz
Category 46 - Best Jazz Vocal Album
(For albums containing 51% or more playing time of VOCAL tracks.)

• Footprints
Karrin Allyson
[Concord Jazz]

• Easy To Love
Roberta Gambarini
[Groovin' High/Kindred Rhythm]

• Live At Jazz Standard With Fred Hersch
Nancy King
[Maxjazz]

• From This Moment On
Diana Krall
[Verve]

• Turned To Blue
Nancy Wilson
[MCG Jazz]

Field 10 - Jazz
Category 47 - Best Jazz Instrumental Solo
(For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter's name is in parenthesis for identification. Singles or Tracks only.)

• Some Skunk Funk
Michael Brecker, soloist
Track from: Some Skunk Funk (Randy Brecker w/Michael Brecker)
[Telarc Jazz/BHM]

• Paq Man
Paquito D'Rivera, soloist
Track from: From The Heart (Hilario Duran And His Latin Jazz Big Band)
[Alma Records]

• Freedom Jazz Dance
Taylor Eigsti, soloist
Track from: Lucky To Be Me
[Concord Jazz]

• Hippidy Hop (Drum Solo)
Roy Haynes, soloist
Track from: Whereas
[Dreyfus Jazz]

• Hope
Branford Marsalis, soloist
Track from: Braggtown
[Marsalis Music/Rounder]

Field 10 - Jazz
Category 48 - Best Jazz Instrumental Album, Individual or Group
(For albums containing 51% or more playing time of INSTRUMENTAL tracks.)

• Sound Grammar
Ornette Coleman
[Sound Grammar]

• The Ultimate Adventure
Chick Corea
[Stretch Records]

• Trio Beyond - Saudades
Jack DeJohnette, Larry Goldings & John Scofield
[ECM]

• Beyond The Wall
Kenny Garrett
[Nonesuch]

Sonny Rollins• Sonny, Please
Sonny Rollins
[Doxy Records]

Field 10 - Jazz
Category 49 - Best Large Jazz Ensemble Album
(For large jazz ensembles, including big band sounds. Albums must contain 51% or more INSTRUMENTAL tracks.)

• Some Skunk Funk
Randy Brecker With Michael Brecker, Jim Beard, Will Lee, Peter Erskine, Marcio
Doctor & Vince Mendoza conducting The WDR Big Band Köln
[Telarc Jazz/BHM]

• Spirit Music
Bob Brookmeyer - New Art Orchestra
[ArtistShare]

• Streams Of Expression
Joe Lovano Ensemble
[Blue Note Records]

• Live In Tokyo At The Blue Note
Mingus Big Band
[Sunnyside/Sue Mingus Music]

• Up From The Skies - Music Of Jim McNeely
The Vanguard Jazz Orchestra
[Planet Arts Recordings]

Field 10 - Jazz
Category 50 - Best Latin Jazz Album
(Vocal or Instrumental.)

• Codes
Ignacio Berroa
[Blue Note Records]

• Cubist Music
Edsel Gomez
[Zoho]

• Simpático
The Brian Lynch/Eddie Palmieri Project
[ArtistShare]

• Absolute Quintet
Dafnis Prieto
[Zoho]

• Viva
Diego Urcola, Edward Simon, Avishai Cohen, Antonio Sanchez & Pernell Saturnino
[CAM Jazz]

Field 11 - Gospel
Category 51 - Best Gospel Performance
(For solo, duo, group as collaborative performances. Singles or tracks with vocal containing Gospel lyrics. All genres of Gospel music are eligible.)

• Victory
Yolanda Adams
Track from: The Gospel - Soundtrack
[Verity Records]

• Not Forgotten
Israel & New Breed
Track from: Alive In South Africa
[Integrity Gospel]

• The Blessing Of Abraham
Donald Lawrence & The Tri-City Singers
Track from: Finale Act One
[EMI Gospel]

Chris Tomlin• Made To Worship
Chris Tomlin
Track from: See The Morning
[Sparrow Records/SixStepsRecords]

• Victory
Tye Tribbett & G.A.
Track from: Victory Live!
[Columbia, Sony Urban]

Field 11 - Gospel
Category 52 - Best Gospel Song
(A Songwriter(s) Award. For Song Eligibility Guidelines see Category #3. (Artist names appear in parenthesis.) Singles or Tracks only.)

• The Blessing Of Abraham
Donald Lawrence, songwriter (Donald Lawrence & The Tri-City Singers)
Track from: Finale Act One
[EMI Gospel; Publishers: QW Songs, Zomba Publishing.]

• Imagine Me
Kirk Franklin, songwriter (Kirk Franklin)
[Fo Yo Soul/Verity/Zomba; Publishers: Zomba Songs, Kerrion Publishing, Lilly Mack Music.]

• Mountain Of God
Brown Bannister & Mac Powell, songwriters (Third Day)
Track from: Wherever You Are
[Essential Records; Publishers: Vandura 2500 Songs, New Spring (Zomba), Banistuci Music.]

• Not Forgotten
Israel Houghton & Aaron Lindsey, songwriters (Israel & New Breed)
Track from: Alive In South Africa
[Integrity Gospel; Publishers: Sound of the New Breed, Integrity's Praise! Music, Aaron Lindsey Publishing.]

• Victory
Tye Tribbett, songwriter (Tye Tribbett & G.A.)
Track from: Victory Live!
[Columbia, Sony Urban; Publisher: G.A.S. Music.]

Field 11 - Gospel
Category 53 - Best Rock Or Rap Gospel Album
(For albums containing 51% or more playing time of VOCAL tracks.)

• DecembeRadio
DecembeRadio
[Slanted Records]

• Where The Past Meets Today
Sarah Kelly
[Gotee Records]

• Turn Around
Jonny Lang
[A&M Records]

• End Of Silence
Red
[Essential Records]

• Bone-A-Fide
T-Bone
[Bone Yard/Flicker Records]

Field 11 - Gospel
Category 54 - Best Pop/Contemporary Gospel Album
(For albums containing 51% or more playing time of VOCAL tracks.)

• Sound Of Melodies
Leeland
[Essential Records]

• Coming Up To Breathe
MercyMe
[INO Records]

• Wherever You Are
Third Day
[Essential Records]

• See The Morning
Chris Tomlin
[Sixstepsrecords/sparrow]

Ayiesha Woods• Introducing Ayiesha Woods
Ayiesha Woods
[Gotee Records]

Field 11 - Gospel
Category 55 - Best Southern, Country, Or Bluegrass Gospel Album
(For albums containing 51% or more playing time of VOCAL tracks.)

• Kenny Bishop
Kenny Bishop
[Daywind Records]

• Give It Away
Gaither Vocal Band
[Gaither Music Group]

• Precious Memories
Alan Jackson
[ACR Records/Arista Nashville]

• The Promised Land
The Del McCoury Band
[McCoury Music]

• Glory Train
Randy Travis
[Word Records/Curb/Warner Bros.]

Field 11 - Gospel
Category 56 - Best Traditional Gospel Album
(For albums containing 51% or more playing time of VOCAL tracks.)

• An Invitation To Worship
Byron Cage
[Zomba/Gospocentric]

• Paved The Way
The Caravans
[Malaco Records]

• Still Keeping It Real
The Dixie Hummingbirds
[MCG Records]

• Alive In South Africa
Israel & New Breed
[Integrity Gospel]

• Finalé Act One
Donald Lawrence & The Tri-City Singers
[EMI Gospel]

Field 11 - Gospel
Category 57 - Best Contemporary R&B Gospel Album
(For albums containing 51% or more playing time of VOCAL tracks.)

• Set Me Free
Myron Butler & Levi
[EMI Gospel]

Kirk Franklin• Hero
Kirk Franklin
[Fo Yo Soul/Zomba]

• A Timeless Christmas
Israel And New Breed
[Integrity Gospel]

• This Is Me
Kierra Kiki Sheard
[EMI Gospel]

• Victory Live!
Tye Tribbett & G.A.
[Columbia, Sony Urban]

Field 12 - Latin
Category 58 - Best Latin Pop Album
(Vocal or Instrumental.)

• Adentro
Arjona
[Norte/Sony BMG]

• Lo Que Trajo El Barco
Obie Bermúdez
[EMI/Televisa]

• Individual
Fulano
[FM Records]

• Trozos De Mi Alma 2
Marco Antonio Solis
[Fonovisa Records]

• Limón Y Sal
Julieta Venegas
[Norte/Sony BMG]

Field 12 - Latin
Category 59 - Best Latin Rock, Alternative Or Urban Album
(Vocal or Instrumental.)

• Lo Demás Es Plástico
Black:Guayaba
[OLE Music]

Tego Calderón• The Underdog/El Subestimado
Tego Calderón
[Jiggiri/Atlantic]

• Calle 13
Calle 13
[Norte/Sony BMG]

• Superpop Venezuela
Los Amigos Invisibles
[Gozadera Records]

• Amar Es Combatir
Maná
[Warner Music Latina]

Field 12 - Latin
Category 60 - Best Tropical Latin Album
(Vocal or Instrumental.)

• Fuzionando
Oscar D'Leon
[Norte/Sony BMG]

• Salsatón: Salsa Con Reggaetón
Andy Montañez
[Univision Music Group]

• Hoy, Mañana Y Siempre
Tito Nieves
[Univision Music Group]

• Directo Al Corazón
Gilberto Santa Rosa
[Norte/Sony BMG]

• What You've Been Waiting For - Lo Que Esperabas
Tiempo Libre
[Shanachie Entertainment]

Field 12 - Latin
Category 61 - Best Mexican/Mexican-American Album
(Vocal or Instrumental.)

• Historias De Mi Tierra
Pepe Aguilar
[Norte/Sony BMG]

• No Es Brujería
Ana Bárbara
[Fonovisa Records]

• 25 Aniversario
Mariachi Sol De Mexico De José Hernández
[Venemusic]

• A Toda Ley
Pablo Montero
[Univision Records]

Alicia Villarreal• Orgullo De Mujer
Alicia Villarreal
[Universal]

Field 12 - Latin
Category 62 - Best Tejano Album
(Vocal or Instrumental.)

• Sigue El Taconazo
Chente Barrera
[Q-Vo Records]

• It's...All Right
Jimmy Edward
[On The Edge]

• Live In Session
Bob Gallarza
[On The Edge]

• All Of Me
Jay Perez
[Tejas Records]

• Rebecca Valadez
Rebecca Valadez
[AMI Records Latin]

Field 12 - Latin
Category 63 - Best Norteño Album
(Vocal or Instrumental.)

• Algo De Mí
Conjunto Primavera
[Fonovisa Records]

• Puro Pa' Arriba
Los Huracanes Del Norte
[Univision Records]

• Historias Que Contar
Los Tigres Del Norte
[Fonovisa Records]

• Piénsame Un Momento
Pesado
[Warner Music Latina]

• Prefiero La Soledad
Retoño
[JB Records]

Field 12 - Latin
Category 64 - Best Banda Album
(Vocal or Instrumental.)

• 20 Mil Heridas
Banda Machos
[Warner Music Latina]

• Mas Fuerte Que Nunca
Banda El Recodo de Cruz Lizárraga
[Fonovisa Records]

• Amor Gitano
Cuisillos
[Musart]

Ezequiel Peña• A Mucha Honra
Ezequiel Peña
[Fonovisa Records]

• Más Allá Del Sol
Joan Sebástian
[Musart]

Field 13 - Blues
Category 65 - Best Traditional Blues Album
(Vocal or Instrumental.)

• Brother To The Blues
Tab Benoit With Louisiana's Leroux
[Telarc Blues]

• Bronx In Blue
Dion
[Razor & Tie]

• People Gonna Talk
James Hunter
[Rounder]

• Guitar Groove-A-Rama
Duke Robillard
[Stony Plain Records]

• Risin' With The Blues
Ike Turner
[Zoho Roots]

Field 13 - Blues
Category 66 - Best Contemporary Blues Album
(Vocal or Instrumental.)

• Live From Across The Pond
Robert Cray Band
[Vanguard Records/Nozzle Records]

• Sippiana Hericane
Dr. John & The Lower 911
[Blue Note Records]

Keb Mo• Suitcase
Keb' Mo'
[Epic/One Haven/Red Ink]

• Hope And Desire
Susan Tedeschi
[Verve Forecast]

• After The Rain
Irma Thomas
[Rounder]

Field 14 - Folk
Category 67 - Best Traditional Folk Album
(Vocal or Instrumental.)

• I Stand Alone
Ramblin' Jack Elliott
[Anti]

• Gonna Let It Shine
Odetta
[M.C. Records]

• Adieu False Heart
Linda Ronstadt & Ann Savoy
[Vanguard Records]

• We Shall Overcome - The Seeger Sessions
Bruce Springsteen
[Columbia]

• A Distant Land To Roam
Ralph Stanley
[Columbia/DMZ]

Field 14 - Folk
Category 68 - Best Contemporary Folk/Americana Album
(Vocal or Instrumental.)

• Solo Acoustic Vol. 1
Jackson Browne
[Inside Recordings]

Rosanne Cash• Black Cadillac
Rosanne Cash
[Capitol]

• Workbench Songs
Guy Clark
[Dualtone Music Group]

• Modern Times
Bob Dylan
[Columbia]

• All The Roadrunning
Mark Knopfler & Emmylou Harris
[Warner Bros./Nonesuch]

Field 14 - Folk
Category 69 - Best Native American Music Album
(Vocal or Instrumental.)

• Voice Of The Drum
Black Eagle
[Soar]

• Heart Of The Wind
Robert Tree Cody & Will Clipman
[Canyon Records]

• American Indian Story
Jana
[Soar]

• Long Winter Nights
Northern Cree & Friends
[Canyon Records]

• Dance With The Wind
Mary Youngblood
[Silver Wave Records]

Field 14 - Folk
Category 70 - Best Hawaiian Music Album
(Vocal or Instrumental.)

Amy Hanaiali'i• Generation Hawai'i
Amy Hanaiali'i
[Hanaiali'i Records]

• Grandmaster Slack Key Guitar
Ledward Ka'apana
[Rhythm And Roots Records]

• The Wild Hawaiian
Henry Kapono
[Eclectic Records]

• Hawaiian Slack Key Kings
Various Artists
Chris Lau & Milton Lau, producers
[Rhythm And Roots Records]

• Legends Of Hawaiian Slack Key Guitar - Live From Maui
Various Artists
Daniel Ho, George Kahumoku, Jr., Paul Konwiser & Wayne Wong, producers
[Daniel Ho Creations]

Field 15 - Reggae
Category 71 - Best Reggae Album
(Vocal or Instrumental.)

• Too Bad
Buju Banton
[Gargamel Music, Inc.]

• Love Is My Religion
Ziggy Marley
[Tuff Gong Worldwide]

• Youth
Matisyahu
[Epic/Or/JDub]

• Rhythm Doubles
Sly & Robbie
[Taxi Records]

• Who You Fighting For
UB40
[Rhino Entertainment]

Field 16 - World Music
Category 72 - Best Traditional World Music Album
(Vocal or Instrumental.)

• Music Of Central Asia Vol. 2: Invisible Face Of The Beloved: Classical Music Of The Tajiks And Uzbeks
The Academy Of Maqâm
[Smithsonian Folkways Recordings]

• Endless Vision
Hossein Alizadeh & Djivan Gasparyan
[World Village]

• Hambo In The Snow
Andrea Hoag, Loretta Kelley & Charlie Pilzer
[Azalea City Recordings]

• Golden Strings Of The Sarode
Aashish Khan & Zakir Hussain
[Moment Records]

• Blessed
Soweto Gospel Choir
[Shanachie]

Field 16 - World Music
Category 73 - Best Contemporary World Music Album
(Vocal or Instrumental.)

• Tiki
Richard Bona
[Decca]

• M'Bemba
Salif Keita
[Decca]

• Wonder Wheel
The Klezmatics
[Jewish Music Group]

• Long Walk To Freedom
Ladysmith Black Mambazo
[Heads Up International]

Ali Farka Toure• Savane
Ali Farka Toure
[World Circuit/Nonesuch]

Field 17 - Polka
Category 74 - Best Polka Album
(Vocal or Instrumental.)

• Batteries Not Included
Eddie Blazonczyk's Versatones
[Bel-Aire Records]

• As Sweet As Candy
Lenny Gomulka & Chicago Push
[Push Records]

• Party Dress
LynnMarie & The Boxhounds
[Squeeze Record]

• Good Friends Good Music
Walter Ostanek & Fred Ziwich
[Ranch Recordings]

• Polka In Paradise
Jimmy Sturr And His Orchestra
[Rounder]

Field 18 - Children's
Category 75 - Best Musical Album For Children
(For albums consisting of predominantly music or song vs. spoken word.)

• Baby Einstein Meet The Orchestra
Various Artists
Ted Kryczko & Ed Mitchell, producers
[Walt Disney Records]

• Beethoven's Wig 3: Many More Sing Along Symphonies
Beethoven's Wig
[Rounder]

• Catch That Train!
Dan Zanes And Friends
[Festival Five Records]

• My Best Day
Trout Fishing In America
[Trout Records]

• The Sunny Side Of The Street
John Lithgow
[Razor & Tie]

Field 18 - Children's
Category 76 - Best Spoken Word Album For Children
(For albums consisting of predominantly spoken word vs. music or song.)

• Blah Blah Blah: Stories About Clams, Swamp Monsters, Pirates & Dogs
Bill Harley
[Round River Records/Empyrean Records]

• Christmas In The Trenches
John McCutcheon
[Peachtree Press]

• Disney's Little Einsteins Musical Missions
Various Artists
Ted Kryczko & Ed Mitchell, producers
[Walt Disney Records]

• Peter Pan
Jim Dale
[Listening Library]

Lynn Redgrave• The Witches
Lynn Redgrave
[Harper Children's Audio]

Field 19 - Spoken Word
Category 77 - Best Spoken Word Album (Includes Poetry, Audio Books & Story Telling)
(Narrated/dramatized books include authors' names in parenthesis for identification.)

• I Shouldn't Even Be Doing This! (Bob Newhart)
Bob Newhart
[Hyperion Audiobooks]

• New Rules - Polite Musings From A Timid Observer
Bill Maher
[Phoenix Audio]

• Our Endangered Values: America's Moral Crisis (Jimmy Carter)
Jimmy Carter
[Simon & Schuster Audio]

• The Truth (With Jokes) (Al Franken)
Al Franken
[Brilliance Audio]

• With Ossie And Ruby: In This Life Together (Ossie Davis & Ruby Dee)
Ossie Davis & Ruby Dee
[Time Warner]

Field 20 - Comedy
Category 78 - Best Comedy Album
(For comedy recordings, spoken or musical)

• Blue Collar Comedy Tour - One For The Road
Bill Engvall, Ron White, Jeff Foxworthy & Larry The Cable Guy
[Warner Bros.]

• The Carnegie Hall Performance
Lewis Black
[Comedy Central Records]

• Life Is Worth Losing
George Carlin
[Atlantic]

• Straight Outta Lynwood
"Weird Al" Yankovic
[Volcano/Zomba Label Group]

• You Can't Fix Stupid
Ron White
[Image Entertainment]

Field 21 - Musical Show
Category 79 - Best Musical Show Album
(Award to the Album Producer(s), and to the Lyricist(s) & Composer(s) of 51% or more of a new score. (Artist, Lyricist & Composer names appear in parenthesis.))

• The Color Purple
Jay David Saks, producer; Stephen Bray, Brenda Russell & Allee Willis,
composers/lyricists (Original Broadway Cast With LaChanze, Elisabeth
Withers-Mendes & Others)
[Angel Records]

• The Drowsy Chaperone
Kurt Deutsch, Joel Moss & Phil Reno, producers; Lisa Lambert & Greg Morrison,
composers/lyricists (Original Broadway Cast With Bob Martin, Sutton Foster, Beth
Leavel & Others)
[Ghostlight]

• Jersey Boys
Bob Gaudio, producer (Bob Gaudio, composer; Bob Crewe, lyricist) (Original
Broadway Cast With Christian Hoff, Daniel Reichard, J. Robert Spencer, John
Lloyd Young & Others)
[Rhino]

• The Pajama Game
Harry Connick, Jr. & Tracey Freeman, producers (Richard Adler & Jerry Ross,
composers/lyricists) (New Broadway Cast With Harry Connick, Jr., Kelli O'Hara &
Others)
[Columbia]

• Sweeney Todd - The Demon Barber of Fleet Street
Tommy Krasker, producer (Stephen Sondheim, composer/lyricist) (Broadway Cast
With Patti LuPone, Michael Cerveris & Others)
[Nonesuch]

Field 22 - Film/TV/Visual Media
Category 80 - Best Compilation Soundtrack Album For Motion Picture, Television Or Other Visual Media
(Award to the Artist(s) and/or Producer(s) of a majority of the tracks on the album, or to the individual(s) actively responsible for the concept and musical direction and for the selection of artists, songs and producers, as applicable.)

• Brokeback Mountain
Various Artists
[Verve Forecast]

• Cars
Various Artists
[Walt Disney Records/Pixar]

• Grey's Anatomy - Volume 2
Various Artists
[Hollywood Records]

• Little Miss Sunshine
Various Artists
[Lakeshore Records]

• Walk The Line
Joaquin Phoenix & Various Artists
[Wind-Up Records]

Field 22 - Film/TV/Visual Media
Category 81 - Best Score Soundtrack Album For Motion Picture, Television Or Other Visual Media
(Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series or other visual media.)

• The Chronicles Of Narnia - The Lion, The Witch And The Wardrobe
Harry Gregson-Williams, composer
[Walt Disney Records]

• The Da Vinci Code
Hans Zimmer, composer
[Decca]

• Memoirs Of A Geisha
John Williams, composer
[Sony Classical]

• Munich
John Williams, composer
[Decca]

• Pirates Of The Caribbean - Dead Man's Chest
Hans Zimmer, composer
[Walt Disney Records]

Field 22 - Film/TV/Visual Media
Category 82 - Best Song Written For Motion Picture, Television Or Other Visual Media
(A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parenthesis.) Singles or Tracks only.)

• Can't Take It In (From The Chronicles Of Narnia - The Lion, The Witch & The Wardrobe)
Imogen Heap, songwriter (Imogen Heap)
[Walt Disney Records; Publishers: Walt Disney Music, Rondor Music.]

• I Need To Wake Up (From An Inconvenient Truth)
Melissa Etheridge, songwriter (Melissa Etheridge)
[Island Def Jam; Publisher: Songs of Ridge Road.]

• Our Town (From Cars)
Randy Newman, songwriter (James Taylor)
[Walt Disney Records/Pixar; Publishers: Walt Disney Music, Pixar Talking Pictures.]

• There's Nothing Like A Show On Broadway (From The Producers)
Mel Brooks, songwriter (Nathan Lane & Matthew Broderick)
[Sony Classical; Publisher: Mel Brooks Music.]

• Travelin' Thru (From Transamerica)
Dolly Parton, songwriter (Dolly Parton)
[Nettwerk Records; Publisher: Velvet Apple Music.]

Field 23 - Composing/Arranging
Category 83 - Best Instrumental Composition
(A Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.)

• Argument
Taylor Eigsti, composer (Taylor Eigsti)
Track from: Lucky To Be Me
[Concord Jazz]

• A Concerto In Swing
Patrick Williams, composer (The Henry Mancini Institute Orchestra & Big Band)
Track from: Elevation
[Concord Records]

• A Prayer For Peace
John Williams, composer (John Williams)
Track from: Munich - Soundtrack
[Decca Records]

• Sayuri's Theme And End Credits
John Williams, composer (John Williams, Yo-Yo Ma & Itzhak Perlman)
Track from: Memoirs Of A Geisha - Soundtrack
[Sony Classical]

• Valentine
Fred Hersch, composer (Fred Hersch)
Track from: In Amsterdam: Live At The Bimhuis
[Palmetto Records]

Field 23 - Composing/Arranging
Category 84 - Best Instrumental Arrangement
(An Arranger's Award. (Artist names appear in parenthesis.) Singles or Tracks only.)

• Attack Of The Killer Tomatoes
Gordon Goodwin, arranger (Gordon Goodwin's Big Phat Band)
Track from: The Phat Pack
[Immergent]

• Three Ghouls
Chick Corea, arranger (Chick Corea)
Track from: The Ultimate Adventure
[Stretch Records]

• Three Women
Gil Goldstein, arranger (Gil Goldstein)
Track from: Under Rousseau's Moon
[Half Note]

• Tom & Eddie
Patrick Williams, arranger (The Henry Mancini Institute Orchestra & Big Band)
Track from: Elevation
[Concord Records]

• Up From The Skies
Jim McNeely, arranger (The Vanguard Jazz Orchestra)
Track from: Up From The Skies - Music Of Jim McNeely
[Planet Arts Recordings]

Field 23 - Composing/Arranging
Category 85 - Best Instrumental Arrangement Accompanying Vocalist(s)
(An Arranger's Award. (Artist names appear in parenthesis.) Singles or Tracks only.)

• For Once In My Life
Jorge Calandrelli, arranger (Tony Bennett & Stevie Wonder)
Track from: Duets: An American Classic
[RPM Records/Columbia]

• Good Morning Heartache
Gil Goldstein & Greg Phillinganes, arrangers (Chris Botti & Jill Scott)
Track from: To Love Again - The Duets
[Columbia Records]

• My Flame Burns Blue (Blood Count)
Vince Mendoza, arranger (Elvis Costello With The Metropole Orkest)
Track from: My Flame Burns Blue
[Deutsche Grammophon]

• Stardust
Slide Hampton, arranger (Dizzy Gillespie All-Star Big Band)
Track from: Dizzy's Business
[MCG Jazz]

• Suninga
Gil Goldstein, arranger (Gil Goldstein)
Track from: Under Rousseau's Moon
[Half Note]

Field 24 - Package
Category 86 - Best Recording Package

• The Best Worst-Case Scenario
Ryan Clark, art director (Fair)
[Tooth & Nail Records]

• Personal File
Randall Martin, art director (Johnny Cash)
[Columbia/Legacy Recordings]

• Reprieve
Ani DiFranco & Brian Grunert, art directors (Ani DiFranco)
[Righteous Babe Records]

• 10,000 Days
Adam Jones, art director (Tool)
[Tool Dissectional/Volcano/Zomba Label Group]

• Versions
Neal Ashby & Matthew Curry, art directors (Thievery Corporation)
[ESL Music]

Field 24 - Package
Category 87 - Best Boxed Or Special Limited Edition Package

• The Cellar Door Sessions 1970
Howard Fritzson, Dan Ichimoto & Seth Rothstein, art directors (Miles Davis)
[Columbia/Legacy Recordings]

• Fonotone Records
Susan Archie & Henry Owings, art directors (Various Artists)
[Dust-To-Digital]

• A Life Less Lived - The Gothic Box
Hugh Brown & Jean Krikorian, art directors (Various Artists)
[Rhino Entertainment]

• One Kiss Can Lead To Another: Girl Group Sounds Lost & Found
Hugh Brown, Sheryl Farber & Maria Villar, art directors (Various Artists)
[Rhino Entertainment]

• Stadium Arcadium
Flea, John Frusciante, Anthony Kiedis, Chad Smith & Matt Taylor, art directors
(Red Hot Chili Peppers)
[Warner Bros.]

Field 25 - Album Notes
Category 88 - Best Album Notes

• Good For What Ails You: Music Of The Medicine Shows, 1926-1937
Marshall Wyatt, album notes writer (Various Artists)
[Old Hat Records]

• If You Got To Ask, You Ain't Got It!
Dan Morgenstern, album notes writer (Fats Waller)
[Bluebird/Legacy Recordings]

• Lost Sounds: Blacks And The Birth Of The Recording Industry 1891-1922
Tim Brooks, album notes writer (Various Artists)
[Archeophone Records]

• Pirate Radio
Ben Edmonds, album notes writer (Pretenders)
[Rhino Entertainment/Warner Bros./Sire Records]

• There Is A Season
David Fricke, album notes writer (The Byrds)
[Columbia/Legacy Recordings]

Field 26 - Historical
Category 89 - Best Historical Album

• Good For What Ails You: Music Of The Medicine Shows, 1926-1937
Marshall Wyatt, compilation producer; Christopher King, mastering engineer
(Various Artists)
[Old Hat Records]

• Lost Sounds: Blacks And The Birth Of The Recording Industry 1891-1922
Meagan Hennessey & Richard Martin, compilation producers; Tim Brooks, David
Giovannoni & Richard Martin, mastering engineers (Various Artists)
[Archeophone Records]

• One Kiss Can Lead To Another: Girl Group Sounds Lost & Found
Sheryl Farber & Gary Stewart, compilation producers; Dan Hersch, Bill Inglot &
Dave Schultz, mastering engineers (Various Artists)
[Rhino Entertainment]

• Poetry On Record: 98 Poets Read Their Work (1888-2006)
Rebekah Presson Mosby, compilation producer; Randy Perry, mastering engineer
(Various Artists)
[Shout! Factory]

• Rockin' Bones: 1950's Punk & Rockabilly
James Austin & Cheryl Pawelski, compilation producers; Bill Inglot & Dave
Schultz, mastering engineers (Various Artists)
[Rhino Entertainment]

Field 27 - Production, Non-Classical
Category 90 - Best Engineered Album, Non-Classical
(An Engineer's Award. (Artists names appear in parenthesis.))

• Adieu False Heart
Gary Paczosa, engineer (Linda Ronstadt & Ann Savoy)
[Vanguard Records]

Flaming Lips• At War With The Mystics
The Flaming Lips & Dave Fridmann, engineers (The Flaming Lips)
[Warner Bros. Records]

• Like Red On A Rose
Brandon Bell, Terry Christian & Gary Paczosa, engineers (Alan Jackson)
[Arista Nashville]

• The Phat Pack
Marcelo Penell, Dave Sharenow & Tommy Vicari, engineers (Gordon Goodwin's Big
Phat Band)
[Immergent]

• Suitcase
Rik Pekkonen & John Porter, engineers (Keb' Mo')
[Epic/One Haven/Red Ink]

Field 27 - Production, Non-Classical
Category 91 - Producer Of The Year, Non-Classical
(A Producer's Award. (Artists names appear in parenthesis.))

• Howard Benson
• Every Man For Himself (Hoobastank) (A)
• Flyleaf (Flyleaf) (A)
• In With The Out Crowd (Less Than Jake) (A)
• One-X (Three Days Grace) (A)
• The Paramour Sessions (Papa Roach) (A)
• Popaganda (Head Automatica) (A)
• Saosin (Saosin) (A)

• T Bone Burnett
• Thunderbird (Cassandra Wilson) (A)
• The True False Identity (T Bone Burnett) (A)
• Walk The Line - Soundtrack (Joaquin Phoenix & Various Artists) (A)

• Danger Mouse
• Pieces Of The People We Love (The Rapture) (T)
• St. Elsewhere (Gnarls Barkley) (A)

• Rick Rubin
• American V: A Hundred Highways (Johnny Cash) (A)
• God's Gonna Cut You Down (Johnny Cash) (T)
• Stadium Arcadium (Red Hot Chili Peppers) (A)
• Taking The Long Way (Dixie Chicks) (A)
• 12 Songs (Neil Diamond) (A)

• Will.i.am
• About You (Mary J. Blige Featuring Will.i.am) (T)
• Big Girls Don't Cry (Fergie) (T)
• Damn Girl (Justin Timberlake Featuring Will.i.am) (T)
• I Am Somebody (Santana Featuring Will.i.am) (T)
• I Love My B**** (Busta Rhymes Featuring Kelis & Will.i.am) (T)
• Mas Que Nada (Sergio Mendes Featuring The Black Eyed Peas) (T)
• Timeless (Sergio Mendes) (A)

Field 27 - Production, Non-Classical
Category 92 - Best Remixed Recording, Non-Classical
(A Remixer's Award. (Artists names appear in parenthesis for identification.) Singles or Tracks only.)

• Be Without You (Moto Blanco Vocal Mix)
Moto Blanco, remixer (Mary J. Blige)
[Geffen Records]

• Damage Thorn (Buick Project Remix)
Buick Project, remixers (Tiefschwarz & Tracey Thorn)
[Fine/Four Music Productions]

• Deja Vu (Freemasons Club Mix - No Rap)
Russell Small & James Wiltshire, remixers (Beyoncé)
[Columbia/Sony Urban Music]

• Talk (Thin White Duke Mix)
Jacques Lu Cont, remixer (Coldplay)
Track from: Talk Remix EP
[Capitol Records]

• World Hold On (E-Smoove Remix)
E-Smoove, remixer (Bob Sinclair)
[Ultra Records]

Field 28 - Surround Sound
Category 93 - Best Surround Sound Album
(For vocal or instrumental albums. Albums only.)

Morten Lindberg• Immortal Nystedt
Morten Lindberg & Hans Peter L'Orange, surround mix engineers; Morten Lindberg,
surround mastering engineer; Morten Lindberg, surround producer (Ensemble 96
Conducted By Øystein Fevang)
[2L]

• Long Walk To Freedom
Martin Walters, surround mix engineer; Martin Walters, surround mastering
engineer; Martin Walters, surround producer (Ladysmith Black Mambazo)
[Heads Up International]

• Morph The Cat
Elliot Scheiner, surround mix engineer; Darcy Proper, surround mastering
engineer; Donald Fagen, surround producer (Donald Fagen)
[Reprise Records]

• Straight Outta Lynwood
Tony Papa, surround mix engineer; Bernie Grundman, surround mastering engineer;
Al Yankovic, surround producer ("Weird Al" Yankovic)
[Volcano/Zomba Label Group]

• A Valid Path
P.J. Olsson & Alan Parsons, surround mix engineers; Bob Michaels, surround
mastering engineer; Alan Parsons, surround producer (Alan Parsons)
[Immergent]

Field 29 - Production, Classical
Category 94 - Best Engineered Album, Classical
(An Engineer's Award. (Artist names appear in parenthesis.))

• Elgar: Enigma Variations; Britten: The Young Person's Guide To The Orchestra, Four Sea Interludes
Michael Bishop, engineer (Paavo Järvi & Cincinnati Symphony Orchestra)
[Telarc]

• Látigo
Leslie Ann Jones, engineer (Quartet San Francisco)
[Violinjazz Recordings]

• Mahler: Symphony No. 2
Wolf-Dieter Karwatky & Rainer Maillard, engineers (Pierre Boulez, Wiener
Philharmoniker, Christine Schäfer, Michelle DeYoung & Wiener Singverein)
[Deutsche Grammophon]

• Requiem
John Newton, engineer (Craig Hella Johnson & Conspirare)
[Clarion Records]

• Vaughan Williams: Mass In G Min., And Other A Cappella Works
Jack Renner, engineer (Norman Mackenzie & Atlanta Symphony Orchestra Chamber
Chorus)
[Telarc]

Field 29 - Production, Classical
Category 95 - Producer Of The Year, Classical
(A Producer's Award. (Artist names appear in parenthesis.))

• Manfred Eicher
• Honegger/Martinù/Bach/Pintscher/Ravel (Frank Peter Zimmermann & Heinrich
Schiff)
• Kurtág: Kafka-Fragmente (Juliane Banse & András Keller)
• Nuove Musiche (Rolf Lislevand, Arianna Savall, Pedro Estevan, Bjørn Kjellemyr,
Guido Morini, Marco Ambrosini & Thor-Harald Johnsen)
• Schubert: String Quartet G Maj. (Gidon Kremer & Kremerata Baltica)
• Silvestrov/Pärt/Ustvolskaya: Misterioso (Alexei Lubimov, Alexander Trostiansky
& Kyrill Rybakov)

• Stephen Johns
• Angel Dances (12 Cellists Of Berliner Philharmoniker)
• Holst: The Planets (Sir Simon Rattle & Berliner Philharmoniker)
• Schubert: Symphony No. 9 'The Great' (Sir Simon Rattle & Berliner
Philharmoniker)
• Shostakovich: Violin Concerto No. 1; Prokofiev: Violin Concerto No. 1 (Sarah
Chang & Simon Rattle)
• Vivaldi: Flute Concertos (Emmanuel Pahud & Richard Tognetti)

• James Mallinson
• Beethoven: Symphonies Nos. 1-9 (Bernard Haitink & London Symphony Orchestra)
• Elgar: The Dream Of Gerontius (Sir Colin Davis, Anne Sofie Von Otter, Alastair
Miles, David Rendall, London Symphony Chorus & London Symphony Orchestra)
• Prokofiev: The Complete Symphonies (Valery Gergiev & London Symphony
Orchestra)
• Sibelius: Kullervo (Sir Colin Davis, Monica Groop, Peter Mattei, London
Symphony Chorus & London Symphony Orchestra)
• Smetana: Má Vlast (Sir Colin Davis & London Symphony Orchestra)

• Elaine Martone
• Del Tredici: Paul Revere's Ride; Theofanidis: The Here And Now; Bernstein:
Lamentation (Robert Spano, Norman Mackenzie, Hila Plitmann & Atlanta Symphony
Orchestra And Chorus)
• Elgar: Enigma Variations; Britten: The Young Person's Guide To The Orchestra,
Four Sea Interludes (Paavo Järvi & Cincinnati Symphony Orchestra)
• Gershwin: Rhapsody In Blue (Michel Camilo, Ernest Martinez Izquierdo &
Barcelona Symphony Orchestra)
• Mahler: Symphony No. 1, Songs Of A Wayfarer (Benjamin Zander, Christopher
Maltman & Philharmonia Orchestra)
• Renaissance Favorites For Guitar (David Russell)

• Sid McLauchlan
• Beethoven: Symphonies Nos. 5 & 7 (Gustavo Dudamel & Simón Bolívar Youth
Orchestra Of Venezuela)
• Golijov: Ainadamar: Fountain Of Tears (Robert Spano, Kelley O'Connor, Women Of
The Atlanta Symphony Orchestra Chorus, Atlanta Symphony Orchestra & Dawn
Upshaw)
• Italia, Ti Amo (Plácido Domingo, Eugene Kohn & Budapest Philharmonic
Orchestra)
• Simple Gifts (Bryn Terfel)
• Wagner: Excerpts From 'The Ring Of The Nibelung' (Ben Heppner, Peter
Schneider, Burkhard Ulrich & Staatskapelle Dresden)

Field 30 - Classical
Category 96 - Best Classical Album
(Award to the Artist(s) and to the Album Producer(s) if other than the Artist.)

• Beethoven: Symphonies Nos. 1-9
Bernard Haitink, conductor; James Mallinson, producer (London Symphony
Orchestra)
[LSO Live]

• Lieberson: Rilke Songs, The Six Realms, Horn Concerto
David Starobin, producer (Justin Brown & Donald Palma; Michaela Fukacova,
Lorraine Hunt Lieberson & William Purvis; Peter Serkin; The Odense Symphony
Orchestra)
[Bridge Records, Inc.]

• Mahler: Symphony No. 7
Michael Tilson Thomas, conductor; Andreas Neubronner, producer (San Francisco
Symphony)
[San Francisco Symphony]

• Martha Argerich And Friends: Live From The Lugano Festival 2005
Martha Argerich And Friends; Ulrich Ruscher, producer
[EMI Classics]

• Mozart: La Clemenza Di Tito
René Jacobs, conductor; Marie-Claude Chappuis, Bernarda Fink, Sergio Foresti,
Sunhae Im, Mark Padmore & Alexandrina Pendatchanska; Martin Sauer, producer
(Freiburger Barockorchester)
[Harmonia Mundi]

Field 30 - Classical
Category 97 - Best Orchestral Performance
(Award to the Conductor and to the Orchestra.)

• Bax: Tone Poems
Vernon Handley, conductor (BBC Philharmonic)
[Chandos]

• Glazunov: Symphonies 4 & 7
José Serebrier, conductor (Royal Scottish National Orchestra)
[Warner Classics]

• Mahler: Symphony No. 6 In A Min.
Iván Fischer, conductor (Budapest Festival Orchestra)
[Channel Classics]

• Mahler: Symphony No. 7
Michael Tilson Thomas, conductor (San Francisco Symphony)
[San Francisco Symphony]

• Prokofiev: The Complete Symphonies
Valery Gergiev, conductor (London Symphony Orchestra)
[Philips]

Field 30 - Classical
Category 98 - Best Opera Recording
(Award to the Conductor, Album Producer(s) and Principal Soloists.)

• Bennett: The Mines Of Sulphur
Stewart Robertson, conductor; Brian Anderson, Dorothy Byrne, Beth Clayton,
Kristopher Irmiter, Brandon Jovanovich, James Maddalena, Michael Todd Simpson &
Caroline Worra; Blanton Alspaugh, producer (Glimmerglass Opera Orchestra)
[Chandos]

• Golijov: Ainadamar: Fountain Of Tears
Robert Spano, conductor; Kelley O'Connor & Dawn Upshaw; Valérie Gross & Sid
McLauchlan, producers (Women Of The Atlanta Symphony Orchestra Chorus; Atlanta
Symphony Orchestra)
[Deutsche Grammophon]

• Mozart: La Clemenza Di Tito
René Jacobs, conductor; Marie-Claude Chappuis, Bernarda Fink, Sergio Foresti,
Sunhae Im, Mark Padmore & Alexandrina Pendatchanska; Martin Sauer, producer
(RIAS Kammerchor; Freiburger Barockorchester)
[Harmonia Mundi]

• Smetana: The Bartered Bride
Sir Charles Mackerras, conductor; Yvette Bonner, Paul Charles Clarke, Neal
Davies, Susan Gritton, Kit Hesketh-Harvey, Yvonne Howard, Robin Leggate, Diana
Montague, Geoffrey Moses, Timothy Robinson & Peter Rose; Brian Couzens, producer
(The Royal Opera Chorus; Philharmonia Orchestra)
[Chandos Opera In English]

Anna Netrebko• Verdi: La Traviata
Carlo Rizzi, conductor; Thomas Hampson, Anna Netrebko & Rolando Villazón; Rainer
Maillard, producer (Konzertvereinigung Wiener Staatsopernchor; Wiener
Philharmoniker)
[Deutsche Grammophon]

Field 30 - Classical
Category 99 - Best Choral Performance
(Award to the Choral Conductor, and to the Orchestra Conductor if an Orchestra is on the recording, and to the Choral Director or Chorus Master if applicable.)

• Immortal Nystedt
Øystein Fevang, conductor (Bærum Vokalensemble & Ensemble 96)
[2L]

• Mozart: Great Mass In C Min.
Paul McCreesh, conductor (Sarah Connolly, Neal Davies, Timothy Robinson &
Camilla Tilling; Gabrieli Consort; Gabrieli Consort & Players)
[Deutsche Grammophon]

• Pärt: Da Pacem
Paul Hillier, conductor (Estonian Philharmonic Chamber Choir)
[Harmonia Mundi]

• Requiem
Craig Hella Johnson, conductor (Conspirare)
[Clarion Records]

• Whitacre: Cloudburst And Other Choral Works
Stephen Layton, conductor (Thomas Guthrie, Elin Manahan Thomas & Simon Wall;
Polyphony)
[Hyperion]

Field 30 - Classical
Category 100 - Best Instrumental Soloist(s) Performance (with Orchestra)
(Award to the Instrumental Soloist(s) and to the Conductor.)

• Brahms: The Piano Concertos
Riccardo Chailly, conductor; Nelson Freire (Gewandhausorchester)
[Decca]

• Henze: Violin Concertos Nos. 1 And 3
Christopher Lyndon-Gee, conductor; Peter Sheppard Skaerved (Saarbrücken Radio
Symphony Orchestra)
[Naxos]

• Messiaen: Oiseaux Exotiques (Exotic Birds)
John McLaughlin Williams, conductor; Angelin Chang (Cleveland Chamber Symphony)
Track from: Cleveland Chamber Symphony: Music That Dares To Explore, Vol. 6
[TNC]

• Rachmaninov: Piano Concertos 1 & 2
Antonio Pappano, conductor; Leif Ove Andsnes (Berliner Philharmoniker)
[EMI Classics]

• Schmidt: Concertos
Ole Schmidt, conductor; Ulla Miilmann (Danish National Symphony Orchestra / DR)
[Dacapo Records]

Field 30 - Classical
Category 101 - Best Instrumental Soloist Performance (without Orchestra)
(Award to the Instrumental Soloist.)

• Bach: The Sonatas And Partitas For Violin Solo
Gidon Kremer
[ECM New Series]

• Bacheler: The Bachelar's Delight
Paul O’Dette
[Harmonia Mundi]

Andras Schiff• Beethoven: The Piano Sonatas, Vol. II
András Schiff
[ECM New Series]

• Chopin: Nocturnes
Maurizio Pollini
[Deutsche Grammophon]

• Primrose: Viola Transcriptions
Roberto Díaz (Robert Koenig)
[Naxos]

Field 30 - Classical
Category 102 - Best Chamber Music Performance
(Award to the Artists.)

• Chamber Works For Winds And Strings By Mozart
The Chicago Chamber Musicians
[Summit Records]

• Corigliano: Violin Sonata, Etude Fantasy
Andrew Russo (Corey Cerovsek & Steven Heyman)
[Black Box]

• Intimate Voices
Emerson String Quartet
[Deutsche Grammophon]

• Martha Argerich And Friends: Live From The Lugano Festival 2005
Martha Argerich And Friends
[EMI Classics]

• Shostakovich: Piano Trios 1 & 2, Seven Romances On Verses By Alexander Blok
Beaux Arts Trio
[Warner Classics]

Field 30 - Classical
Category 103 - Best Small Ensemble Performance
(Award to the Ensemble (and to the Conductor.))

• Angel Dances
12 Cellists Of Berliner Philharmoniker
[EMI Classics]

• Ikon
Harry Christophers, conductor; The Sixteen
[Decca]

• Miguel De Cervantes - Don Quijote De La Mancha - Romances Y Músicas
Jordi Savall, conductor; Hespèrion XXI & La Capella Reial De Catalunya
[Alia Vox]

• Padilla: Sun Of Justice
Peter Rutenberg, conductor; Los Angeles Chamber Singers' Cappella
[RCM - Rubedo Canis Musica]

• Shostakovich/Sviridov/Vainberg: Chamber Symphonies
Yuri Bashmet; Moscow Soloists
[Onyx Classics]

Field 30 - Classical
Category 104 - Best Classical Vocal Performance
(Award to the Vocal Soloist(s).)

• Britten: Song Cycles
Ian Bostridge (Sir Simon Rattle; Radek Baborák; Berliner Philharmoniker)
[EMI Classics]

• Canciones Argentinas
Bernarda Fink & Marcos Fink (Carmen Piazzini)
[Harmonia Mundi]

• Consider, My Soul
Thomas Quasthoff (Sebastian Weigle; Staatskapelle Dresden)
[Deutsche Grammophon]

Lorraine Hunt Lieberson• Rilke Songs
Lorraine Hunt Lieberson (Peter Serkin)
Track from: Lieberson: Rilke Songs, The Six Realms, Horn Concerto
[Bridge Records, Inc.]

• Songs Of Amy Beach
Patrick Mason (Joanne Polk)
[Bridge Records, Inc.]

Field 30 - Classical
Category 105 - Best Classical Contemporary Composition
(A Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.))

• Boston Concerto
Elliott Carter (Oliver Knussen)
Track from: The Music Of Elliott Carter, Vol. Seven
[Bridge Records, Inc.]

• Golijov: Ainadamar: Fountain Of Tears
Osvaldo Golijov (Robert Spano)
[Deutsche Grammophon]

• The Here And Now
Christopher Theofanidis (Robert Spano)
Track from: Del Tredici: Paul Revere's Ride; Theofanidis: The Here And Now; Bernstein: Lamentation
[Telarc]

• Paul Revere's Ride
David Del Tredici (Robert Spano)
Track from: Del Tredici: Paul Revere's Ride; Theofanidis: The Here And Now; Bernstein: Lamentation
[Telarc]

• A Scotch Bestiary
James MacMillan (James MacMillan)
Track from: MacMillan: A Scotch Bestiary, Piano Concerto No. 2
[Chandos]

Field 30 - Classical
Category 106 - Best Classical Crossover Album
(Award to the Artist(s) and/or to the Conductor.)

• The Film Music Of Erich Wolfgang Korngold
Rumon Gamba, conductor (BBC Philharmonic)
[Chandos]

• Invention & Alchemy
David Lockington, conductor; Deborah Henson-Conant (The Grand Rapids Symphony)
[Golden Cage Music]

• Látigo
Quartet San Francisco (John Santos)
[Violinjazz Recordings]

• Simple Gifts
Bryn Terfel (London Voices; London Symphony Orchestra)
[Deutsche Grammophon]

Song Zu Ying• Song Zu Ying: The Diva Goes To The Movies
Song Zu Ying (China National Symphony Orchestra)
[JB Audiophile]

Field 31 - Music Video
Category 107 - Best Short Form Music Video
(For an individual track or single promotional clip. Award to the Artist and to the Video Director/Producer.)

• 8th Of November
Big & Rich
Robert Deaton, George Flanigen & Marc Oswald, video directors; Robert Deaton,
George Flanigen, Steve Lamar & Marc Oswald, video producers
[Warner Bros.]

• When You Were Young
The Killers
Anthony Mandler, video director; Gina Leonard, video producer
[Island Def Jam]

• Here It Goes Again
OK Go
Dan Konopka, Damian Kulash, Jr, Timothy Nordwind, Andy Ross & Trish Sie, video
directors; Dan Konopka, Damien Kulash, Jr., Timothy Nordwind, Andy Ross & Trish
Sie, video producers
[Capitol]

• Dani California
Red Hot Chili Peppers
Tony Kaye, video director; Rachel Curl, video producer
[Warner Bros.]

• Writing On The Walls
Underoath
[Solid State/Tooth & Nail]

Field 31 - Music Video
Category 108 - Best Long Form Music Video
(For video album packages consisting of more than one song or track. Award to the Artist and to the Video Director/Producer of at least 51% of the total playing time.)

• Flow: Living In The Stream Of Music
Terence Blanchard
Jim Gabour, video director; Robin Burgess & Jim Gabour, video producers
[Jazziz Music & Video]

Death Cab For Cutie• Directions
Death Cab For Cutie
Noah Gelb, video producer
[Atlantic]

• Demon Days - Live In Manchester
Gorillaz
J.C. Hewlett, video director
[Virgin]

• I'm Going To Tell You A Secret
Madonna
Jonas Akerlund, video director; Susan Applegate, Angela Becker, Keeley Gould,
Shelli Jury & David May, video producers
[Warner Bros.]

• Wings For Wheels: The Making Of Born To Run
Bruce Springsteen
Thom Zimny, video director; Thom Zimny, video producer
[Columbia]