Saturday, October 02, 2010

Lois Maffeo weekend: The Touch

What do you get if you take Lois, Carrie from Sleater-Kinney and Pete from Marine Research?

Pretty much this:



Another short-lived project, this was the only record from this particular supergroup.

[Part of The Lois Maffeo weekend]


Crying all the way to the cold storage room

Will the horror of this economic crisis never end? Latest victim of the crunching and austerity is The Liberace Museum in Las Vegas is shutting its doors.

It used to attract half a million visitors a year, but not so many come any more.

Actually, it's not entirely the credit crunch, and more that Liberace was of his time, and fewer people are interested:

“We really started pushing the idea of bling, and Liberace was the first person who was really doing bling,” said Jeffrey P. Koep, the chairman of the Liberace Foundation and dean of the College of Fine Arts at the University of Nevada at Las Vegas. “He had the big rings. He had the look that you see the kids doing now that’s very popular.”
That's the sort of idea a grandmother would come up with - "you wear big rings, don't you, dear? Look, this man had big rings, too" - so it's not surprising it flopped.

Perhaps they should have tried going with being insanely closeted, or launching lawsuits when people simply tell the truth about you. That's quite popular these days, too. Maybe that would bring an audience.

The tumbling numbers, combined with terrible investment decisions, have brought the attraction to the last rhinestone:
Billy Vassiliadis, the head of the advertising agency that represents the Las Vegas Convention and Visitors Authority, said the loss of the museum “was a shame, especially for us older folks.” But, he said, Las Vegas, like Liberace, has always been about reinventing itself.

“We have to keep refreshing Las Vegas,” he said. “Thousands of people turn 21 every day. Who knows, maybe we’ll have a Lady Gaga museum in 10 years.”
The sad thing is, he's probably not wide of the mark with that one.

Cassandra ends up having the last laugh.


Lois Maffeo weekend: Roman Holiday

Backwards in time, now, to a 1992 Lois Maffeo band, Lumihoops. They played once, and released just one track:



This was that single track, Roman Holiday. Not a tribute to the sailor-suit beclad middle-England pop act of almost the same name, thank god.

[Part of The Lois Maffeo weekend]


Darren Hayman wants your piano pictures

Do you have photos of people gathered round a piano? The Kilroy teamDarren Hayman wants to hear from you:

Here's what I want from you. I want to make a video comprised of 100s of photos of pianos. I want all of the photos to be sourced or 'found' and rarely staged. I want photos that already exist. The idea is that the piano photos would present a chronolgy, so we start with the oldest photo first onto the most modern. For that reason what I really want is your old family photos and even better photos of your grandparents and earlier.
You can find out why, and more on what he's looking for, over on his website.


Lois Maffeo weekend: I Hate The Sun

Another track from that 2008 New York gig:



[Part of the Lois Maffeo weekend]


The Daily Mail thinks Katy Perry is fat

This is a photo of Katy Perry stomping about the stage in Budapest last night. You might look at it for a long time before you see what the Daily Mail apparently sees:
California girth: Katy Perry's skin-tight silver dress clings in all the wrong places

With the material buckling around the waist, the figure-hugging design even gave the impression of a protruding belly.
Really, Daily Mail?

As one of the commenters on the Mail site pointed out, earlier this week the Mail ran a piece about a teenager whose eating disorder claimed her life.


Music industry allowing its heritage to wane

A US government study has warned that the recorded music industry might be allowing its legacy to crumble into dust, Variety reports:

The 169-page white paper, subtitled "A National Legacy at Risk in the Digital Age," concludes that nothing less than congressional revision of copyright law will help alleviate the many issues facing overtaxed, underfunded, technologically inadequate institutions involved in preservation work.

The major sectors of showbiz are working to preserve iconic works (Variety, Aug. 2-8) and U.S. music labels have taken steps to ensure preservation of their catalogs, but, crucially, "It is uncertain whether master recordings are being maintained or preserved when there is no prospect for their reissue or for monetary gain from their digital distribution," according to the NRPB study.
Masters of bands that labels have concluded they can no longer make money of have been junked - don't even think about what might have happened if instead of destroying them, the labels had allowed artists to take back and do what they would with them. Don't think about what the majors might have consigned to destruction.

And are we better off now, now that everything is digital? Nope:
"Current programs to systematically preserve (digital) recordings are inadequate," says the NRPB.

Funding for preservation is "decentralized and inadequate," the study says. And the problem has only grown with the steep music-industry downturn of the last decade: The study notes, for instance, that the Grammy Foundation's preservation awards totaled $441,000 in 2008 and just $150,000 in 2009.

Analog-to-digital archiving is beyond the scope of most institutions. The study takes a dim view of recordable CDs as an archival medium, noting they have "placed preservation programs at great risk."
And one of the biggest threats to preserving recordings? It's copyright law. The study suggests that if people paid attention to copyright law, virtually all attempts to preserve audio recordings would be illegal.

That does sound like a broken law. Or it does, until the sound degrades to a point.


Moe, Moe, how could you?

You have to go more-or-less to the end of this clip about Tea Party events in Georgia, but there you'll see Maureen Tucker, complaining about taxes:



Is it Moe? The Maureen Tucker from the Velvets does live just an hour's drive away in Douglas, so it's her 'local' gathering of confused patriots against government spending on things they don't agree with. What are the chances of two Maureen Tuckers being in the area?

[via Guardian Music]


Lois Maffeo weekend: Strumpet

The tracks where you get to look at a sleeve are great, but let's thrill to the visuals, shall we? This is Lois playing live:


The man is David Carswell; this was Lois' first live performance in ages. 2008 in New York.

[Part of the Lois Maffeo weekend]


Neil McCormick is actually sort-of right

Sometimes, we point and snigger at Neil McCormick, the Telegraph's friend of Bono music writer, but he's got a point this morning, listing the churning products of the Lennon Industry:

This is the latest offering from a posthumous, multi-million-dollar Lennon industry, partly fuelled by his widow's sometimes suspect desire to keep the flame burning. It has led to such dubious tributes as a TV commercial for the Citroën DS3, a Mont Blanc fountain pen retailing at $27,000, a limited edition Gibson Imagine guitar ($10,748), alongside the usual array of Lennon-branded mugs, clothing, books, calendars, prints and even an Imagine brand of Ben & Jerry's ice cream.
I suspect Neil and I would disagree over the core of his argument. Neil insists this isn't what the man himself would want, or be doing, were he alive today; my suspicion is that Lennon would just be more careful than Yoko at merchandising the idea of the rock ascetic. But the headline?
John Lennon's 70th birthday: these tacky souvenirs and adverts insult his memory
I think we can agree on that.


Lois Maffeo weekend: Second Most Beautiful Girl In The World

From Courtney Love the band - Lois and Pat Maley:



[Part of the the Lois Maffeo weekend]


Ne-Yo doesn't care for your vulgar money - or your current trousers

You know what Ne-Yo hates? People who make music just to make money. Gee, those guys are the worst:

"People's reasons for making music have changed. I remember a time when people made music for the sheer joy of it. Nowadays people are just trying to make money and you can hear it. Everything sounds the same: it's shallow, hollow and thin. I take the time."
Yeah! You go, Ne-Yo - you wave your angry little fist at people who simply use their profiles as a way to fill their bank balances. They're so vulgar.

You could start with this guy:



That's a bloke called Ne-Yo who's, erm, using his music to land a plum job pushing Macy's men's trouser range.

But I'm sure you're only endorsing the trousers for the sheer joy of it. Not simply to make money.


Embed and breakfast man: Lois Maffeo

A weekend of embedded videos which will continue with sound only, I suspect, as we dip into the career of Lois Maffeo. Lois, as she was often professionally known:



That's her first sort-of solo debut, Press Play And Record, although she'd been making excellent music for years before that came out in 1992. At the start of the 1990s, she was in Courtney Love. The band, of course, the one that makes (her ex-roommate) Courtney Love the person fume and rage about who has the rights to a made-up name.

Before that, she'd arrived in Olympia and become a one-woman radio cult with a show on KAOS; it seems like you couldn't help but be well-connected in Olympia at the time and her cross-collaborations would give Pete Frame cold sweats trying to keep track of.

She writes a mean song. This is going to be a brilliant weekend, I think, even if the 'videos' are just pictures filling the hole in the screen.

Buy
Infinity Plus [download version]
Butterfly Kiss
Bet The Sky

Lois online
K Records artist page
YouTube playlist by GrrlBandGeek (which this weekend's features will be drawing heavily, but not exhaustively, upon)
Lois Maffeo's writing for The Stranger

More across the weekend
Courtney Love - 2nd Most Beautiful Girl In The World
Strumpet live
I Hate The Sun live
Roman Holiday - Lumihoops
Tentacles - The Touch
The Go Team - My Head Hurts
Cradle Robbers - Sotto Voce


Gordon in the morning: Robbie wants to say sorry to Nigel. Again. Sort of.

It's perhaps appropriate that Robbie Williams is using Bizarre to reach out to Nigel Martin-Smith.

After all, it was there, back when Victoria Newton was in charge - a phrase I'm using in its insulting sense - that The Sun had to run a grovelling apology to Martin-Smith (and make a payout) after giving Williams the space to grind his axe back in 2006. Williams, too, apologised in court.

It does make it all a little strange, then, that Smart quotes Williams saying this:

"All I want to do now is throw my arms around him and give him a hug. I want to hear sorry from him, I want to say I'm sorry."
Robbie has already said sorry; in court. And he was saying sorry for making unsubstantiated claims about Martin-Smith. So how come - despite claiming "I don't want to hold any malice towards somebody from my past because that only hurts myself" - Williams is still suggesting Nigel Martin-Smith has something to apologise for?


Friday, October 01, 2010

If loving Madonna is wrong, then lock up the whole world

Ex-fireman Robert Linhart is obsessed to the point of arrest with Madonna:

According to the BBC, retired fireman Robert Linhart was arrested on Tuesday while spray-painting messages on the pavement to the singer asking to meet her.

One read: "M, the universe brought us together in 1992 and again this year in Prague. Meet me please."
It would be puzzlingly heartwarming were it not for the massive icepick he was carrying with him in the car.

His defence appears to be "she's Madonna" - which didn't work for Robbie Williams and probably won't work here:
His lawyer, Cheryl Bader, defended his actions telling the New York Daily News: "There was no threatening conduct. My understanding is it's not a crime to adore Madonna. If it were, the court would be a lot more crowded."
Probably not very crowded; like glue-sniffing, there was a lot of it about in the 1980s but most people now view those minor infractions as one of the silly things you do before you grow up, surely?


A chance to see a senior economist on the decks

If you're in London - and chances are you're not, so, sorry - Amelia Fletcher is guest dj tonight at How Does It Feel To Be Loved? Canterbury Crescent, Brixton from 9pm.


Johnny Borrell is so kicked back

Here's something worrying - apparently Razorlight are making a new album:

Johnny [Borrell] told radio station Xfm: "Big bands get too serious about things. You get very self important and rock and roll is not worth taking too seriously."
I know we should be polite and say something encouraging like "You, Johnny? Self-important? Oh, never", but... well, yes. Yes, you're right.
"The last album was a breakup album and I'm not breaking up with anybody at the moment, thank God, so this is another party album."
Another party album? Just because you don't wear a shirt doesn't make the record a party album, Johnny.
"To me it is going back more to the spirit and the energy of 'Up All Night' or the 'Somewhere Else' kind of Razorlight, which is my favourite period of the band - it's an energetic rock 'n' roll album."
I cherish that even when he's telling us how much of a party album he's making, he still sounds serious and self-important.


Gordon in the morning: JLS apparently love getting pleasure from RIM

Curious. Given how rarely JLS string together words into actual sentences, when they talk about Blackberry's proprietary instant messaging system in this morning's Sun they sound like... well, salespeople:

Aston said: "That's the new thing, the PINs. It's just PINs everywhere. Do you remember MSN? Instant messaging? That's what it's like.

"I always revert to my BlackBerry because that's the only thing I text on. It's just easier and it's an instant message."

Oritse added: "And you know when the person's read the message, which is quite cool."
"Yes, and you can deal with Carphones 4 U to get a Blackberry Daddio on an unlimited PIN scheme for just £24-99 a month, I understand" read Squibble from a small piece of paper.

Still, would have loved to have seen the temples of News International lawyers when Gordon mentioned he was going to run a piece about mobile phone PINs this morning.


Thursday, September 30, 2010

Time, perhaps, for 50 Cent to retire

50 Cent - he's such a laugh right? Three weeks ago, he tweeted this rib-tickler:

“Perez Hilton calld me douchebag so I had my homie shoot up a gay wedding. wasnt his but still made me feel better”
After some grown-ups saw it, that was taken down.

Today, though, he's at it again:
A tweet posted on his wall this morning read: "If you a man and your [sic] over 25 and you don't eat pu**y just kill your damn self. The world will be a better place. Lol"
Lol indeed, Mr. Cent. Gay men should commit suicide. What astonishing insight you have into the human condition. Let's get you into your carpet slippers and let you have a bit of a rest in a comfy armchair, shall we? We'll pull the curtains so nasty old real life doesn't intervene, shall we?


The lions will eat him: Russell Lissack

Now, as rock and roll injuries go, being bitten by a lion is quite cool. It's only slightly diminished by Russell Lissack having been in an animal sanctuary when it happened.

Still a bloody lion, though.


Embed and breakfast man: Belle And Sebastian

From last night's Jimmy Fallon:



[Buy: Write About Love]

[via The Audio Perv]


I wanna sex you down

South Korea's parliament is launching an enquiry into teenage pop bands to explore if they're too sexualised:

"The committee will ask them whether the teenagers have been compelled to wear revealing clothes and sing songs with suggestive moves and lyrics," the aide to lawmaker Ahn Hyoung-Hwan of the ruling Grand National Party told AFP.

"Some of the popular girl groups are sixth and seventh graders (aged 13-14)... we need some legal devices to protect those young performers from possible abuse."
Any suggestion that this is an excuse for South Korean parliamentarians to sit about watching teenage girls in short skirts for "research purposes" is totally wide of the mark.


Gordon in the morning: Never Mind The Buzzcocks not an easy gig for Jedward shocker

Could Jack Dee meets Jedward on Never Mind The Buzzcocks really be one step short of Abu Ghraib?

And the stand-up veteran spent the entire recording ribbing gormless John and Edward Grimes.

Producers now face a delicate editing operation to make the show suitable for broadcast amid fears Dee might be accused of bullying.
Really? It was that bad, was it?
Jedward said last night: "Jack Dee was a bit rude but we've had worse. At the end of the show he asked for a picture with us so we think he's secretly a massive fan."
So, erm, no, then.


Wednesday, September 29, 2010

Andy Parfitt isn't in hock to Chris Moyles

Banging on for ages about not having been paid? No, no, that's not crossing the line, says Andy Parfitt.

But he's not in hock to his celebrity presenter.

And when Moyles does step over the line?

That's not really a problem either:

He added that the number of times the DJ has been censured by the BBC or Ofcom could be "counted on the fingers of one hand, probably on two or three fingers".

"Management – ie me – are not in hock to Chris. Chris and I have a long-term relationship and he is absolutely clear where the red lines are," said Parfitt.
Given that Ofcom or the BBC getting involved at this sort of level is a pretty serious injunction, you might wonder if every presenter who got "two or three" black spots next to their name would still be indulged after a clankingly bad programme like last week's. You'd suspect not - but, hey, Andy Parfitt isn't in hock to Chris Moyles. So probably everyone gets a third or fourth or fifth or sixth chance, right?

I'm not sure why Gareth Evans was canned while Moyles is still crept around by BBC Management. (Evans posted on his own Facebook page about a minor dispute with a council, but had never mentioned it on air.)

But nobody is in hock to Chris Moyles.


BBC insist their new Top Of The Pops won't be Top Of The Pops

For reasons that we're sure are well-meaning, the BBC is trying to develop a popular, mainstream, prime-time music programme for a general audience. MediaGuardian reports:

"We are working on it," [Andy] Parfitt told a Broadcasting Press Guild breakfast today, adding that it was "absolute rot" to say there was no music on BBC TV.

"It would be great if we could get a new popular music-based programme with a new format, a new kind of offer that really worked for the audience," he said.

"The work is on to try and find a format but we are not trying to relaunch or reinvent Top of the Pops. That is kind of a red herring. Should we be looking for a programme? Of course we should and we are.

"Would it be a good thing to try and persevere and work with producers to identify a new format? Yes. That's what television does all the time. Jan Younghusband is actually leading that process and I am closely involved with that."
Maybe there is such a mythical format, a world where The Ting Tings, Susan Boyle, The Cast Of Phantom Of The Opera and Sharon Corr can co-exist happily.

But you know what? I think I switched over as soon as Susan Boyle came on.

It'd be great to have a music programme - perhaps something a bit like Inside Sport, but... well, not about Sport - on BBC One. Or maybe a performance slot which does something a bit Whistle Test-y. Develop away happily.

But it's a bit like biscuits, isn't it?

You can have a Tea Time assortment, and if there's no other biscuits around, people will tuck in. But if they like jam rings, they're going to get the hump when there's only one in the box and they have to end up with rich tea fingers instead. Especially when there's an entire channel of jam rings available elsewhere.

At Christmas, it's nice to have a tin of Tea Time. And a few people will always enjoy a bit of a mix. But give most people a choice, and they'll always plump for a packet of their favourites. This isn't an era looking for something like Top Of The Pops, even if it isn't Top Of The Pops.


Irving Azoff makes it clear LiveNation aren't putting on a big show

Hey, don't be all crying: it turns out that Barry Diller always planned to step down from LiveNation. So says, erm, still-at-LiveNation executive chairman Irving Azoff:

As usual the press reports are ridiculous. It was always Barry Diller's
intention to step down from LNE COB during first year after TM/LN
merger. I look forward to continue to work with him during his time on
the board. I thank him for the many years of dedication and loyalty to
everyone at TM.
Yes, in pretty much the same way David Miliband was always hoping to be a backbench MP, I'll bet.

Of course, Azoff needs to tell people that this was all a secret plan and not really the outcome of him and Diller falling out. Oh, but Diller has also been playing nicely as he attempts to negotiate his severance package. Sorry, confirmed the official line. Sorry, agreed that this was always the plan:
“I have always said, since the merger of Ticketmaster and Live Nation, that I only planned to stay as chairman through the transition and integration of the two companies. It’s been almost a year and I informed the board today that while there was no rush, the board should start the process now to appoint a new chairman.”
It was always the plan. All he wanted to do was oversee the union, and then he'd leave happily. He always said he'd do that. Always. And this was exactly how he'd planned to have his departure announced. Always.


Trent Reznor: The miniseries

Trent Reznor is - it says here - turning Year Zero into a mini-series:

"We are in [the development phase of] pre-production with HBO and BBC to do a miniseries," Reznor told the Los Angeles Times's Hero Complex blog. "It's exciting. I probably shouldn't say too much about it except that I understand that there's a thousand hurdles before anything shows up in your TV listing. It's been an interesting and very educational process and it cleared the HBO hurdle a few months ago and now we're writing drafts back and forth. So it's very much alive and incubating at the moment."
If this is a success, ELO's Out Of The Blue is thought to be next up.


LiveNation management tantrums creates opening

Barry Diller - who, in his head at least, was responsible for the megalithic monoplistish LiveNation-Ticketmaster - has walked out the company in a huff and a half:

Barry Diller, the media mogul who claimed credit for the merger of Live Nation and Ticketmaster, said Tuesday he would resign as chairman of the merged company after a boardroom power struggle with another media giant and director, John Malone, according to a person with knowledge of the situation.
Diller's resignation letter was eventually accepted by the company after he had coughed up a five pound processing fee and a three quid convenience charge.


Gordon in the morning: Ain't they dolls?

They're tiny; they look a little odd; and they're totally constructed from plastic. And now JLS have dolls just like them, too.

Gordon's very excited, but dollies are, sadly, something for most of the JLS to look forward to when they get a bit older and their parents don't have to worry about choking hazards. Nobody wants to hear about a child choking to death on Ortise's hat.


Tuesday, September 28, 2010

Bookmarks - Internet stuff: Buju Banton

Global Voices gathers Jamaican (and other) reactions to Buju Banton's mistrial:

Repeating Islands reposts a mainstream media report confirming that the star's U.S. drug trial is the talk of Jamaica, “where islanders are debating his guilt or innocence on street corners, in offices, in letters to the editor and on social networking websites.” There is no doubt the singer has mobilised strong support from his fan base - there is even a website that has been set up to advocate for his freedom. Many conspiracy theories are floating around, including one claiming that Banton was set up by members of the international gay community as payback for his homophobic lyrics in past songs. (Banton signed a pledge a few years ago to desist from singing such songs again).
Ah, yes, that well-known international gay community and their dirty tricks squad.