Decade Null: 2006 - Metric
Excitingly off that there Vevo service, Metric's Poster Of A Girl from Live It Out:
[Part of Decade Null: 2006]
Become in some way a "fan" on Facebook
Excitingly off that there Vevo service, Metric's Poster Of A Girl from Live It Out:
[Part of Decade Null: 2006]
What happened to them, then? "Wine then bed then more then again" would clearly take you over your units for the week, but presumably CSS haven't crashed into the gutter? CSS-derived Let's Make Love And Listen To Death From Above:
[Part of Decade Null 2006]
It's very easy to write off everything ITV does as being a cheap rip-off of ideas the BBC has already tried. Except for when it's Simon Cowell being Mickie Most. Still, it's not like they're going to try and clone Maestro, the celebrities-being-classical-musicians show, are they?
Oh, yes they are:
Can eight singers from the world of pop transform their voices and master the art of opera? Find out as we join hosts Myleene Klass and Alan Titchmarsh for ITV’s sensational new singing show, Pop Star To Opera Star.
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And you talk of your great lost acts. The speed things move at these days, we're probably only a few months from bands springing up namechecking The Long Blondes as their inspiration. If illness hadn't cut them short, what might they have done? Someone To Drive You Home was outstanding, and this was the most outstanding moment of all:
[Part of Decade Null 2006]
Despite his claim that he was over in the 90s, Luke Haines has had a pretty good decade this side of the Millennium Dome, too. Off My Rocker At The Art School Bop was one of our favourite records of 2006, and still sounds good. Even done live. Leeds United at the Borderline:
[Part of Decade Null 2006]
Surely the problem with Beyonce taking two million dollars to play a private gig for Hannibal Gadaffi (son of the more infamous Muammar) is less that she's playing a date for Libya - only three people in the world still believe that Abdelbaset Ali al-Megrahi was responsible for the Lockerbie bomb - but more about how grasping it looks.
Seriously, Beyonce, you're really up for sale like that? Doesn't the shine rub off stars when they behave like they're taxi cabs or showbiz tat for sale on eBay?
It turns out that two million doesn't even guarantee total exclusivity - a bit of the date has turned up on YouTube. Do you suppose that Beyonce's skintight PVC outfit was part of the deal?
Given that his newspaper churns out article after article about teenage mothers, can Gordon really be as shocked by what he read about Cheryl Cole in Glamour magazine as he seems?:
GIRLS ALOUD beauty CHERYL COLE has revealed she first had sex when she was just 15.
The Geordie lass - who is married to Chelsea ace ASHLEY COLE - made the shock revelation in a new interview with Glamour magazine.
Top meeowing action from the 'Drag on Hearts And Unicorns track Kevin Is Gay:
[Part of Decade Null 2006]
That was an odd decade for her, wasn't it? From kids TV star to whatever it is she does now, most of it supported through sitting in her pants for FHM, with a couple of cracking pop singles in the middle. No, really. I Said Never Again But Here We Are. Have you forgotten how great this is?
[Part of Decade Null 2005]
Jose F. Vallejos is a taxpayer in Los Angeles. He was less than delighted to discover that his city was being left to pick up the tab for policing the Michael Jackson memorial.
So he's suing Jackson's estate to have the costs returned to the public purse.
Imagine if the UK Taxpayer's Alliance did useful things like that, instead of spending their time trying to get tax relief on their activities.
Gennaro Castaldo has already enjoyed himself with the story of the Manics album sleeve, taking the opportunity to sniff at supermarkets selling music. Now, with the Manics coming second in some sort of limited poll for 'best album cover of 2009', he's able to have another go:
HMV’s pop guru Gennaro Castaldo said: “It shows that when someone tries to ban something that you attract even more interest.
“That has happened throughout entertainment history; just think of the Sex Pistols and Frankie Goes to Hollywood. It’s good that despite their attempts to block this album it’s done so well.”
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There's a wonderful extract from a Vampire Weekend profile in the New Yorker being shared by Kempa.com. For some reason, Vampire Weekend are interviewing Tom DeLonge. He turns up with a camera crew in tow, too - making a "Blinkumenary", he explains. Then he starts to pitch some mashed-up social networking music company he seems to be running:
“I term it an ‘operating system,’” DeLonge said. “You could sell music, you could sell movies, you could sell advance tickets, you could do advertising, you could do automated V.I.P. parties. We’re gonna be putting in live auctions, e-commerce.” He continued, “We’re doing it with the White Stripes.”
[...]
DeLonge [...] talked about video blogging: “Do you want to do normal blogs – or do you want to do it in the dark and have lasers going and make it look like you’re from space? And not call it a blog, call it a space cam?”
Yes, they helped represent 2000 as well. It's only to our regret and shame they don't stand for every year. A true tale of suicide in San Francisco, Jumpers, lifted from 2005's The Woods.
[Part of Decade Null: 2005]
She wasn't a recluse. She wasn't a hermit. She just wasn't popping into the bloody Ivy every ten minutes. Kate Bush returned with the flawed-but-beautifully so Aerial, from which EMI could only be arsed to release one single. Then she went back home, where she's quite happy.
[Part of Decade Null 2005]
Perhaps 2005 wasn't all that bad. It did bring us The White Rose Movement, and Kick. Alsatian was the lead single, and here it is, all doused with sweat and jumping, live in Exeter:
[Part of Decade Null: 2005]
The lovely Slow Down Tallahassee are interviewed by All That Ever Mattered on the occasion of a new album:
Nicola: Yes we finished recording our second album just before Xmas. It just needs mastering now, and then it's ready to go. And I suppose we need artwork too. I think it's an improvement on the first album. The arrangements are occasionally more complex and/or adventurous, and the vocal melodies are stronger I think. There are still a couple of 2 minute pop blasts included though. Lyrically Richard and I wanted to expand on the characters we wrote about in the first album. To finish telling their stories, because we found them so compelling. This album is shorter too. Only 12 songs this time.
It's not all about videos from the past, you know - thanks to The Audio Perv, here's Vampire Weekend off last night's David Letterman Show With David Letterman:
Whoever would have thought:
GUTTED Olly Murs hasn't heard from Robbie Williams since The X Factor finished.
Runner-up Olly, who sang with Robbie live on the show, has tried to contact the star twice.
Olly said: "I'm a bit disappointed Robbie hasn't been in touch.
"I texted him to say Happy New Year and congratulations on getting engaged but heard nothing back."
A source said: "The gigs are losing money hand over fist because they've spent a fortune on pricey costumes, technical equipment and elaborate set designs. She spent £500,000 on one stage alone. But Lady GaGa gets what Lady GaGa wants. Her wardrobe is huge and she wants to shock - and that costs serious money."
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Halfway through the decade, and I think by now everyone was already looking forward to the end of it. Still, at least we had Forward Russia to help us through. This is Twelve, included on Give Me A Wall:
[Part of Decade Null 2005]
You can't really do the last decade and totally ignore the Libertines, can you? So let's not paint Pete Doherty out of history entirely. From The Libertines self-titled debut album, Carl Barat does a solo reading of Can't Stand Me Now for Rolling Stone.
Okay, we're painting Doherty out a little.
[Part of Decade Null 2004]
[UPDATE: Thanks to Danbut for pointing out that I'd totally forgotten the existence of Up The Bracket]
I've already covered the highlight of Bono's latest op-ed piece for the New York Times, wherein he suggests that we should make like the Chinese government to protect his income. But, at the suggestion of James M, it's worth exploring his piece further:
IF we have overindulged in anything these past several days, it is neither holiday ham nor American football;
it is Top 10 lists.
And so, in the spirit of rock star excess, I offer yet another.
The main difference, if it matters, is that this list looks forward, not backward.
So here, then, are 10 ideas that might make the next 10 years more interesting, healthy or civil.
Return of the Automobile as a Sexual Object
An Equal Right to Pollute (and the Polluter-Pays Principle)
By this accounting, your average Ethiopian can sell her underpolluting ways (people in Ethiopia emit about 0.1 ton of carbon a year) to the average American (about 20 tons a year) and use the proceeds to deal with the effects of climate change (like drought), educate her kids and send them to university. (Trust in capitalism — we’ll find a way.)
A Person (Dr. William Li) and a Word (Angiogenesis)
Matter Doesn’t Matter
Matter Doesn’t Matter
In Ireland, at the height of the “Troubles,” it was said that the only solution for rabid sectarianism was to let 1,000 punk-rock bands bloom: music helped create a free space for dialogue (of a high-volume variety).
So no politicians allowed. Artists only.
People Power and the Upside-Down Pyramid
Increasingly, the masses are sitting at the top, and their weight, via cellphones, the Web and the civil society and democracy these technologies can promote, is being felt by those who have traditionally held power.
Taking the Fight to Rotavirus
Viva la (Nonviolent) Revolución
The World Cup Kicks Off the African Decade
Of course, there's double standards. A middle market artist does an album of covers, and it's a lazy stop gap. If someone with a shred of credibility turns in an record full of other people's songs, we applaud and gurgle with delight.
This delighted gurgle is at the news that Nada Surf are about to release If I Had A Hi-Fi. They work through stuff by The Moody Blues, Depeche Mode and Arthur Russell. Of course it'll be interesting. It should even be better than that.
Willie Mitchell has died. Although a gifted musician - he took up the trumpet at the age of eight - his main contribution of music history was as a producer and label owner.
Mitchell started his production work for House Of Blues; he moved to Hi records to both record and producer. Eventually, he took over Hi Records; his empire would the Royal Studio in Memphis. The Royal is still a going concern - Marti Pellow was there recently, but it's also used by legendary musicians, too.
Willie Mitchell suffered a heart attack before Christmas; he died earlier today in Memphis. He was 81.
To be fair, I haven't tasted Alex James' cheese, but even so, I feel confident in asserting that Graham Coxon wins the 'who had the best post-Blur experience'.
Yes, really. Put down that copy of the Good, The Bad And The Queen, you're not making a point, you're just embarrassing yourself.
From Happiness In Magazines, this is Freakin' Out:
I'm aware, by the way, that 'Freakin' Out' and 'appearing on Jools Holland's show in front of an audience consisting, probably, of Stella McCartney and Trigger from Only Fools And Horses' has a degree of internal contradiction contained within.
[Part of Decade Null: 2004]
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Angel-theming corsetry and strings outfit Rasputina sashayed out a not-quite-concept album in 2004. Loosely grouped around 'experiences of Southern women', Frustration Plantation dripped with sex and drugs. And the parents were the worst. Mother Was An Opium Smoker:
[Part of Decade Null 2004]
Much, much more than just Jack White's punch bag, and probably less irritating by a country mile. 2004 saw the release of The Von Bondies' Pawn Shoppe Heart. While I'm sure the band don't welcome comparisons with The White Stripes, it seems unfair they were still looking to break through at SXSW two years ago, from whence this version of Been Swank comes:
[Part of Decade Null: 2004]
Drowned In Sound have an exclusive on a Joris Voorn remix of Hot Chip's One Night Stand for you to enjoy. (Actually, given they're using Soundcloud and it's an embeddable player, it's not exclusive at all, really, but it's fair to listen through DiS, isn't it?)
Want to see reviewers getting reviewed? Try Ripfork:
Ok, I’m guessing you’re talking about a performance of some sort here. But why you needed to wank out such a confusing opening paragraph filled to the brim with hyphens, commas, and impenetrable adjectives is beyond me. If you write “ghostly,” you don’t need to follow it with “barely-there.” All tar is thick and viscous. That’s what tar is.
…on a final note…Oh my god. When will dudes of a certain age and a certain weight stop calling it a “feminine voice” sung by a female vocalist? It’s a woman’s voice
One of the great things about the internet is that it has Amanda Palmer on it. It's six years now since the Dresden Dolls debut, The Dresden Dolls, and you can never tire of hearing this, Girl Anachronism:
[Part of Decade Null: 2004]
Here's news of a surprising comeback from Gordon Smart:
JAMELIA has been off the scene for a few years but now 50 CENT wants to sign her to his G-Unit label.
The New York rapper turned music mogul met the Brummie singer while in London last October for the premiere of his thriller flick Dead Man Running.
The Guardian fills its third leader space with praise for Lily Allen. She's like a role model, in her rejection of those tiresome, flesh-flashing pop tarts:
Lacking a strong singing voice like Amy Winehouse, she relies instead on gently humorous, even cutting lyrics. With themes centring around family and messy break-ups, Allen's topics verge on the dark, but she treads lightly. "I'll take my clothes off and it'll be shameless, 'cos everyone knows that's how you get famous," she sings in The Fear.

One of the stalwart tracks of the shortlived VH2 network, The Fiercy Furnaces whisk us to Tropical Iceland via Gallowbird's Bark:
[Part of Decade Null:2003]
Kiss FM, which won a licence for London back in the past by promising dance music instead of chart music, has cut its already-pathetic specialist programming back to just an hour a night, between midnight and one.
Not encouraging, but sadly not suprising.
If you're generous, you'd call it liberalisation, anyway. It's more correcting some of their gung-ho legislation; the idea being that indoor, evening gigs with less than 100 people attending would be exempt from needing a license.
Let's hope they expedite this, and it doesn't get lost when parliament prorogues.
Electric Version, for those of you keeping score, was the 79th best album released between 2000 and 2010, according to Rolling Stone.
Amongst its many delights, Testament to Youth in Verse, here being belted out at Summer Camp 2008:
[Part of Decade Null 2003]
Even Iggy admitted that his Swiftcover adverts were awful - "embarrassing" was his actual word, I think - but they're still happy to throw cash at him, so he's making new adverts which appear to rip off Frank Sidebottom quite badly:
Swiftcover.com's marketing director Tina Shortle said he was still keen to work with the company on their 2010 campaign.
"Iggy loved the fact that last year's campaign stirred up a lot of emotion, so this year we've played on the controversy with even more irreverent humour," she said. "The introduction of 'Little Iggy' allowed Iggy to play against type and become the chilled-out, golf-playing rock star whilst 'Little Iggy' causes havoc."
A rare type of copyright infringement case is brewing in the US: Eddie Vedder and Universal are being sued by Gordon Peterson after Vedder recorded a version of Peterson's Hard Sun.
Peterson is unhappy that Vedder changed the words without permission, and wants all the profits from the track, which appeared in Sean Penn's Into The Wild.
Some artists, three-nights-at-a-venue is a residency. For the current iteration of Pete Doherty, it's more like wearing out your welcome in advance. Still, for those who still are interested, three nights at the Rhythm Factory in London.
Yes, yes, even by 2003 you weren't supposed to like them any more. But how can you resist? This - extra track alert - was only on some versions of Sleeping With Ghosts, the sort of shit-pulling that does the band no favours at keeping their fans on side. Corking track, though:
[Part of Decade Null: 2003]
A fan-made video (I suspect you didn't actually get that many of these back in 2003 itself), for Mogwai's Boring Machines Disturb Sleep. Off of Happy Songs For Happy People:
[Part of Decade Null 2003]
Lhasa - the Canadian-based Mexican-American singer-songwriter - has died, it has been announced.
Born Lhasa de Sela, she started her career singing in bars of Montreal from her late teens. Her work combined Spanish, Mexican, American and French influences (she spent a lot of her time in France). Debut album La Llorona was released in 1998 and attracted a mixture of praise and awards (Juno Best Global Artist and a Quebec Felix Award, amongst others).
She spent some time touring as a member of a family circus-cum-caberet group before releasing a second album, The Living Road. She also found time to guest on a Tindersticks track, Sometimes It Hurts on Waiting For The Moon.
Her last album, Lhasa, was released last year - "charming in many ways" concluded The Independent.
Lhasa was just 37; she had been ill with breast cancer.
It's Monday. You're back at work. You're tired of 2000s nostalgia.
Well, tough. If you're just joining us, this is a ten-day romp through some tracks from the years of the last decade that were pretty good, but stand a good chance of having been missed out of other reviews of the last ten years.
The promos for Chicks On Speed's We Don't Play Guitars is only available un-embeddable, thanks to Citibank's dogs-on-twine over at Terra Firma. So here's a live mash-up version featuring COS and, oh, loads of other people:
[Part of Decade Null: 2003]
The mild diversion of Van Morrison's baby-that-never was has suddenly become more interesting. You'll have read elsewhere the announcement that Van had become a father again, only for the story to be denied as a malicious posting on his website. Why, said Van, I've never even heard of this Gigi Lee, who's supposed to be the mother.
It turns out, though, that not only does Van know Lee, but she was his tour manager. Oh, and a director of 14 Morrison-related companies.
Now, Morrison's lawyers - ah, they're involved now - have admitted he was "incorrect" when he claimed he'd never heard of Lee. Either Van's memory is fading surprisingly fast, or he's going to have people going through his bins for the next few months.
It's not going to end well for anyone involved, is it?
Like a large swathe of the world, Bizarre returns to the daily grind today, with Gordon running a non-story about the Beckham kids, complete with large photo. Does it contravene the PCC rules, or is there some other justification for the piece than the fame of the childrens' parents?
VICTORIA BECKHAM tries to go incognito under a trilby - while son BROOKLYN proclaims his name on his tracksuit bottoms.
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Back in 2002, it was still possible for songs by French people to appear in the Top 10. This was Alize's Moi Loita, which took two years to make it across the Channel. Apologies if it made your compuuter networks upset.
[Part of Decade Null: 2002]
If you approach this with the understanding that Xfm believes there are only four songs that have ever been written which exceed Sex On Fire in terms of quality, you'll perhaps not be surprised to discover that they believe The Killers' Mr Brightside to be, definitively, the very best song ever.
Actually, that's not as surprising as Ian Brown's FEAR coming in at number 11. That's not even the eleventh best song with a video featuring a bicycle being ridden backwards in it.
One of the few bands to bother making records which sounded like anyone had noticed the century had changed. And still making them, in-between bouts of sending individual members around the planet to DJ to crowds. From Light & Magic, Ladytron perform Seventeen:
[Part of Decade Null: 2002]
Sat somwhere between Queen Latifah and Lady Sovereign is Princess Superstar. Or was she the female early-period Beastie Boys? We never really got a chance to work it out. Here, as her star was burning itself out, is the single video remix or something from Bad Babysitter:
[Part of Decade Null 2002]
Turning up at VH1 to do a version of You Held The World In Your Arms, off of The Remote Part:
[Part of Decade Null 2002]
Bono is calling for the internet to be much, much more tightly controlled. Because, you know, we need to protect the creatives, you know:
"The only thing protecting the movie and TV industries from the fate that has befallen music and indeed the newspaper business is the size of the files," the lead singer of the band U2 wrote in an op-ed piece in The New York Times.
[...]
"Perhaps movie moguls will succeed where musicians and their moguls have failed so far, and rally America to defend the most creative economy in the world, where music, film, TV and video games help to account for nearly four percent of gross domestic product," Bono said.
The singer pointed out that the US effort to stop child pornography and China's effort to suppress online dissent indicate that it is "perfectly possible to track" Internet content.
Much as we love Mel C, she's not being entirely honest about how sexual the Spice Girls were in her Telegraph interview:
With instant success and the growth of Girl Power, however, came the responsibility of becoming role models for millions of young girls. "It was something we took seriously," she says. "It's hilarious because we were criticised for being provocative or wearing revealing clothes a decade ago. Just look at girl bands now – they're so sexual. We were tame by comparison."

"It is rare to launch a solo career that is successful after years in a band," Chisholm concedes. "So it's been brilliant that I've been able to keep writing and performing my own songs and that the public love them. But acting? That took me out of my comfort zone. And, ah, we won't mention Spice World…"
2002's England, Half-English offered evidence that there was still fire in Billy Bragg's belly, mixed amongst songs about bathing babies and working through American folk song libraries. Take Down The Union Jack:
[Part of Decade Null: 2002]
Ah, our old friends QTrax are at it again. Their form, you'll recall, is for making sweeping announcements and then quickly winding backwards when those plans are compared with the real world.
Now, they've got to the stage where they announce press conferences only to pull them at the last minute. They were going to make a big announcement on Christmas Eve. Only they had to pull it because, erm, everyone turned into The Master. Or something. Hypebot reports:
Apparently only one person is capable of speaking for the company or honoring its commitments and he was...ill. "Yes, it is true that we intended having a Press Conference today," said a post on the Qtrax blog. "And it’s also true, that in the last week, our CEO, became ill with a generally non-life-threatening but quite painful ailment - kidney stones. And it is also true he was admitted to hospital & thankfully is leaving today. So we’ve decided to cancel the conference".
I've never quite understood why Tany Donnelly isn't, you know, at least worshipped as some sort of demi-God. Has she ever appeared on a duff album? Certainly, 2002's Beautysleep was near-perfect. Look, here's The Night You Saved My Life to prove my point:
[Part of Decade Null: 2002]
"LA told me, you'll be a pop star, all you have to change is everything you are". I've always liked Pink. Proper pop star. Although not so good when she's in love, unfortunately. Anyone who doesn't have a least one track from Missundaztood that they love probably doesn't really like music.
Don't Let Me Get Me, filling Wembley in 2006:
[Part of Decade Null: 2002]
Over the period between Christmas Eve and New Years Day, this is what people were most interested in. Not all cocks and tits:
1. You can't actually watch the R Kelly sex video online, you know
2. There are no photos of McFly's cocks, either
3. RIP: James Owen Sullivan
4. Buju Banton banged up by Uncle Sam
5. RIP: Vic Chesnutt
6. NME Awards 2009
7. Lily Allen swaps her shirts under the ocean
8. Robbie Williams' first love
9. BRMB sack DJ for not playing the Queens' Speech
10. Soundgarden reunite
Rounding off the second day of some of the tracks that might not be turning up elsewhere in decade-retrospectives, Explosions In The Sky perform With Tired Eyes, Tired Minds, Tired Souls, We Slept, from Those Who Tell the Truth Shall Die, Those Who Tell the Truth Shall Live Forever:
[Part of Decade Null: 2001]
A slice of J-Pop now, from Hikaru Utada's Distance. This is Addicted To You, performed live at Bohemian Summer 2000.
[Part of Decade Null 2001]
"Sometimes good, sometimes bad - like Alexi Sayle" reckons a review on Amazon when considering Internal Wrangler by Clinic.
Um... yes. So this is more 'first-series-of-Stuff' than 'Dremel-advert-voiceover', on that basis: The Return Of Evil Bill:
[Part of Decade Null: 2001]
Perhaps more fairly being targeted for slowing down creatively by 2001, there was still much to be loved on The Charlatans' Wonderland. YouTube doesn't have a decent A Man Needs To Be Told, so let's make do with Love Is The Key, shall we?
[Part of Decade Null: 2001]
Someone has pointed out to him that it might not be wise to leave the tweets in his stream, but both TMZ and AndPop have helpfully saved evidence of what a dump-bowl he really is:
“Face numb im whippin the lambo. Tispy as f*k. Just left @livmiami.”
“Im f**ked up!!! Ohhhh damn. Y i drive the lambo. Chris might have to drive after next spot.”
That Andrew WK was a confection, surely, isn't that surprising? In perhaps the first interesting appearance he's made, the current WK admits that his character was designed by committee and has been played by more than one actor:
I’m not the guy you’ve seen from the I Get Wet album… I’m not that same person. I don’t just mean that in a philosophical or conceptual way. It’s not the same person at all.”
Naturally, Elton didn't say directly that Eminem's record label was backed into re-releasing the last album with some stuff that didn't really make the cut tucked into it, but Eminem turns out to have been busy elsewhere:
Elton John says he has been helping American rapper Eminen fight drug problems for more than a year.
Gordon has something of a scoop this morning - if it's true - pointing out that Nadine Coyle's attempts to spin her a solo career has failed:
Nadine was even turned down by Girl's Aloud's OWN record company, Polydor, and other labels in the same Universal business group.
Polydor had the first rights to sign any of the five ladies if they wanted to go solo.
A source said: "Nadine had meetings but none of the Universal labels wanted to take her on. She's tried to get a deal elsewhere but with no luck."
Boomtown Brat PIXIE GELDOF is yet to sign her record deal but will be releasing a single soon.
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You're not meant to say you liked Pulp's We Love Life, you know. While certain publications are happy to laud each new Oasis release, Pulp's last collection was given a luke-warm, you-can-sit-in-the-kitchen-but-don't-let-the-master-catch-you reception. Perhaps Jarvis was being held to a higher standard than the Gallaghers. But how can you not celebrate a record that contained this, the magisterial Night That Minnie Timperley Died?
[Part of Decade Null: 2001]
Moving into the second year of the decade, and the last album from The Red House Painters, Old Ramon. Some of the tracks from the album had been hanging about for a while, mind - this is Cruiser, performed live in Hultsfred (whatever happened to the Hultsfred Festival? It used to over-excite the British music press and Radio 1 every year, but you hardly hear it mentioned now. Did they axe it?) in 1997:
[Part of Decade Null: 2001]
How else to round off a collection of some songs from 2000 than this one? From Sleater-Kinney's All Hands On The Bad One, of course. Inspirational, innit?
[Part of Decade Null: 2000]
Let's Save Tony Orlando's House. After 2000, not simply a telethon hosted by Troy McLure, but also a track on Yo La Tengo's And Then Nothing Turned Itself Inside Out. Here, live, in 2008:
[Part of Decade Null: 2000]
If you had to make Tom Morello be number one at Christmas, why not this track instead? Morello does the old-style analogue instruments while Atari Teenage Riot Rage.
[Part of Decade Null: 2000]
Officially hailed as the 124th best album of the last decade, and given some sort of prize on the day the Twin Towers fell, PJ Harvey's Stories From The City, Stories From The Sea still feels like it's under-rated.
Live at The Reading Festival (2001, actually), this is Peej working her way through The Whores Hustle and the Hustlers Whore:
[Part of Decade Null - 2000]
Not a best-of. Not a completist daydream. Just ten days of a smattering of tracks from the last few years.
Starting with The Boy From Tupelo. Released in 2000 on Emmylou Harris' Red Dirt Girl, this actually comes from a 1999 live performance in Laytonville:
Ah, so welcome to the 10s, rather similar to the 00s, with bands you'd been rather pleased to see split up announcing their revival. Soundgarden are getting in first:
The 12 year break is over and school is back in session
[...]
Nights of the Soundtable ride again
The last installment of the festive TV and radio guide, then. You're on your own from tomorrow:
7.00am Radio 1 - Chris Moyle's All Day Breakfast
Twelve hours of Chris Moyles. Is there anything more designed to make you curse Marconi's name for inventing the radio?
Noon Radio 2 - Patrick Kielty
Oh, yes. There is.
7.00 Sky Arts 1 - The Roy Orbison Story
Sky Arts spends the day flipping between Johnny Cash and Roy Orbison programming. When Orbison died, David Gedge made a joke about how it was a shame because he'd always wanted to see a guide dog on stage. Turns out Gedge had just assumed only a blind man would wear such thick dark shades all the time. This anecdote doesn't appear in this programme.
8.00 Planet Rock - Nicky Horne's Chain
Songs connected to each other. Not like a programme made from a Radcliffe & Maconie feature, then.
9.00 Radio 4 - Big In Samoa
Comedy play about a long-forgotten album being taken to people's hearts online.
9.00 BBC 4 - Guitar Heroes At The BBC
Tonight including New York Dolls and the Sabbath.
9.00 Dave - This Is Spinal Tap
I'm struggling to find anything today. Can you tell?
10.00 Dave Ja Vu - This Is Spinal Tap
Really, really struggling.
10.00 Radio 3 - Not The Messiah
Monty Python inspired comic oratorio featuring all the living Pythons. Except Cleese. And some actual musicians.
10.50 BBC4 - The Faces: Sight And Sound In Concert
For the best experience, place your speakers either side of your TV.
11.35 BBC4 - Guitar Heroes At The BBC
Admittedly, this will be repeated until the Lib Dems form a government, but is this the best time to debut a new collection? Features Santana and Knopfler. Oh, fair enough.
12.35am BBC4 - Rock Goes To College: Tom Petty
RGTC, the most successful Whistle Test spin-off until Mark Ellen Loves Chachi.










